In September 2015, it was announced that Jessica Chastain had been set to star in the film, with John Madden directing, from a screenplay by Jonathan Perera. Ben Browning produced, under his FilmNation Entertainment banner, and Patrick Chu executive produced, while EuropaCorp produced and financed the film, and handles worldwide distribution. In January 2016, it was announced that Alison Pill, Jake Lacy, and Gugu Mbatha-Raw had joined the cast. In February 2016, Douglas Smith, Mark Strong, Michael Stuhlbarg, Sam Waterston, John Lithgow, and Enis Esmer also joined, and in March 2016, Meghann Fahy joined the cast of the film as well. Max Richter composed the film's score.
Movie's ratings
Miss Sloane
(2016)3
Country | |
Runtime | 2 hr 12 min |
Budget | $13 000 000 |
Premiere: World | $9 102 164 December 9, 2016 |
USA | $3 500 605 |
Other countries | $5 601 559 |
Box Office – Budget | – $3 897 836 |
Premiere: USA | $3 500 605 November 11, 2016 |
first day | $25 082 |
first weekend | $59 797 |
theaters | 1648 |
rollout | 402 days |
Digital: World | March 14, 2017 |
Parental Advisory | Alcohol, Drugs & Smoking, Profanity, Violence & Gore, Sex & Nudity, ... |
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Production Companies | |
Also Known As | Dans la mire Canada |
Description
In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.Сast and Crew
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John Madden — Best movies and TV Shows
Critique: 49
The whole thing feels a little like a season of "Scandal" cut down to two hours – but with all the double-dealing and triple-crosses left...
A talky, tense political thriller, full of verbal sparring and fiery monologues, undone by a really dumb ending.
Chastain fully commits to her boss-bitch persona, even if we only obliquely learn why she might have chosen such a lonely, mercenary life.
Miss Sloane is a powerfully conceived thriller with something dead at its centre: there is no reason a female protagonist must be good or...
Hard to root for but mesmerising to watch, Sloane is expertly portrayed by Chastain in this dialogue-heavy lobbyist thriller that should please fan...
Following a pair of sojourns to the adorable Marigold Hotel, John Madden (Shakespeare in Love) takes a giant step forward with this perfectly...
[Chastain] even sells the plot’s preposterous twist like a boss. It’s not her fault, but the movie feels a little silly next...
Miss Sloane has the roar of a good political satire/thriller, Merlin-engined for velocity and plot panache.
Madden … keeps his camera in constant motion, though it seems no camera can move fast enough for Chastain’s frantic, sure to be awards-hyped...
Now, with Miss Sloane, Chastain brings the heat. She carries this film on her shoulders; she elevates even the most flawed stories.
Miss Sloane’s heroine is driven by her craftiness, but the film has all the subtlety of a hammer repeatedly hitting an anvil.
Chastain is scary, chilly, yet extremely likable as the hard-charging insider. In meetings and on the job, she has no filter, though as the movie p...
The creators of Miss Sloane probably never imagined that their cynical film would seem downright quaint. Life comes at you fast.
Jessica Chastain is bulletproof in a frothy soap opera about the other women in Washington.
Chastain single handedly prevents it all from veering off the rails by dominating Miss Sloane with her forceful presence. She grounds her heroine t...
Partly because "Miss Sloane" is more a character study than a coherent political drama, it fumbles the issue it purports to address, and...
Chastain puts on the persona like it’s a superhero costume. It is an awkward fit. Madden’s stagy direction doesn’t help … no...
Lots is entertaining, not least the voracious Jessica Chastain as a she-shark coolly gliding her way through these murky waters.
Madden’s film offers up a banal truism – money has a corrupting influence on politics – as if it were some great dramatic discovery...
Chastain draws us in, making us see what her lobbyist character keeps inside by the sheer force of her fireball performance.
Chastain, whose brittle Elizabeth never seems to exhale, let alone relax, reveals almost nothing of her character’s heart – and yet keep...
Elizabeth Sloane is a character so archetypal, so prescriptive, that you imagine she wasn’t born in normal human fashion but rather crea...
If this were a TV pilot, we could at least sit back and wait for the character’s vulnerabilities and backstories to emerge, but in the s...
This is Chastain’s movie, as the title implies. She’s never less than riveting …
The reason to see Miss Sloane is Jessica Chastain, an actor apparently constitutionally incapable of giving a bad performance.
As a dramatic thriller, it does what it needs to do to keep the audience involved and interested, even if some of its most theatrical tricks a...
Chastain’s showstopping performance elevates "Miss Sloane" above typical genre fare, though it lands a one-two punch in managing to...
This is, in the end, not a sociopolitical tract but a movie, and one that unabashedly embraces the scintillating pleasures supplied in abundan...
The film is not so much tone-deaf as old-fashioned, emerging from a more innocent time (say, three weeks ago) when politics as usual actually...
Storytelling efficiency is one of Miss Sloane’s most effective calling cards-that, and Chastain.
While "Miss Sloane" is by no means even a minor classic of the genre, it’s fantastic, wall-to-wall entertainment, brimming with mov...
The movie shares with other mainstream political dramas an easy notion of Washington as a hopeless cesspool of sellouts, paybacks, and heinous...
Chastain takes this role by the throat, smashes it against the wall about ten times and then devours it while it’s still quivering.
All we learn from Miss Sloane is what we already knew: D.C. is debased, but Hollywood is obtuse, and this country needs a better class of poli...
The film’s unwillingness to engage in any meaningful sense with the issues it purports to raise feels like an opportunity squandered.
Miss Sloane tells a story that feels like it was ripped right out of yesterday’s headlines, [and] that coupled with Chastain’s mag...
Why does Chastain still feel vaguely miscast, even as she commands the screen?
Chastain gets to play pushy, angry, smart, hurt, almost sympathetic and more. This role is a real showcase for her formidable talents.
Charting the journey of a ruthless lobbyist who develops a conscience, "Miss Sloane" is a shallow but lively thriller which becomes...
Heavy-handed message movies don’t come more harrumphing than "Miss Sloane," a clunky dramatization of the gun-control argument liberals...
[A] slickly accomplished thriller about the lobbying industry in Washington.
We don’t need to like her, but Chastain makes us understand and even sympathize with her, ruthless and cunning though she may be. It’s...
This is what I’m talking about: a female-driven drama about the gun lobby starring Jessica Chastain in full flame.
The screenplay’s enigmatic nature holds one’s interest throughout, even as the film veers into pat moralism.
Chastain’s performance is brilliant… Had the movie around her lived up to that, she might very well be walking off with a gold statue in ...
A solid Washington thriller with some telling (and accurate) details, moral dilemmas, and plot twists that keep you guessing until the last ten min...
Headlining the sort of pulse-pounding adult thriller that studios rarely produce anymore, Jessica Chastain is a one-woman force of nature as a domi...
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Watched
A great Hollywood movie, well produced and acted. Even though the story of two groups of lobbyists fighting for/against gun control legislation is not the most interesting for me. Translated to English
Watched
The ideal role for Jessica Chastain is a strong businesswoman. It has its weaknesses, as does the script, but the overall dramatic picture of this political film is impressive. Translated to English
Watched
"Sloan’s Dangerous Game" is not a revelation or an adrenaline-fueled race track with constant twists and turns, but simply a good story with a strong heroine and a humanistic message. They don’t give us that little. The film is underrated and deserves the attention of people who love serious, smart cinema. Translated to English