The film was written by Jonathan Perera, a lawyer and first time screenwriter. Perera was inspired after watching an interview with lobbyist Jack Abramoff. In September 2015, it was announced that Jessica Chastain had been set to star in the film, with John Madden directing. Ben Browning produced, under his FilmNation Entertainment banner, and Patrick Chu executive produced, while EuropaCorp produced and financed the film, and handles worldwide distribution. In January 2016, it was announced that Alison Pill, Jake Lacy, and Gugu Mbatha-Raw had joined the cast. In February 2016, Douglas Smith, Mark Strong, Michael Stuhlbarg, Sam Waterston, John Lithgow, and Enis Esmer also joined, and in March 2016, Meghann Fahy joined the cast of the film as well. Max Richter composed the film's score.
Movie's ratings
Miss Sloane
(2016)5
| Country | |
| Spoken Language | english |
| Runtime | 2 hr 12 min |
| Budget | $13 000 000 |
| Premiere: World | $9 102 164 December 9, 2016 |
| USA | $3 500 605 |
| Other countries | $5 601 559 |
| Box Office – Budget | – $3 897 836 |
| Premiere: USA | $3 500 605 November 11, 2016 |
| first day | $25 082 |
| first weekend | $59 797 |
| theaters | 1648 |
| rollout | 402 days |
| Digital: World | March 14, 2017 |
| Parental Advisory | Alcohol, Drugs & Smoking, Profanity, Violence & Gore, Sex & Nudity, ... |
| |
| Production Companies | |
| Also Known As | Dans la mire Canada |
About the film Miss Sloane
In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.Смотреть онлайн
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FAQ
What is “Miss Sloane” about?
“Miss Sloane” is a political drama about an ultra-effective lobbyist, Elizabeth Sloane, who takes on a campaign for stricter gun control and clashes with the industry, the system, and her own employers. The story explores the cost of winning in Washington and how influence, compromise, and pressure actually work.
What is the film’s genre and tone?
It’s a tense political drama with a thriller-like pace: rapid dialogue, strategic maneuvering, intrigue, and legal risk. The focus is not action but the fight for votes and narrative control.
Where does the story take place, and in what context?
Although the film is tagged as British (UK involvement/production), the plot is set in the U.S.—inside Washington lobbying, committees, hearings, and behind-the-scenes dealmaking around legislation.
Why is Elizabeth Sloane seen as a strong but morally ambiguous character?
She’s a master strategist who stays steps ahead and can reshape the board. But her tactics often push ethical boundaries, keeping her torn between principles, ambition, and the real cost of political victory.
Does the film deal with pressure, manipulation, and long-game tactics?
Yes. It lays out how coalitions are built, how politicians’ attention is “bought,” how media narratives are engineered, and how leverage or procedural details can flip a vote.
Is the film understandable without knowing lobbying or political procedure?
Mostly yes: motivations and stakes are explained as you go, and major scenes revolve around clear objectives (secure votes, hold the team, win hearings). The pace is fast, so close attention to dialogue helps.
Who directed the film, and what stands out about the direction?
The film was directed by John Madden. The direction emphasizes pace: dynamic editing, negotiation scenes staged like duels, and steadily escalating tension toward the climax.
Who plays Elizabeth Sloane, and what’s notable about the performance?
The lead is played by Jessica Chastain. Her performance is defined by controlled emotion, constant inner tension, and the sense that she’s calculating several moves ahead.
What role do Sloane’s team and colleagues play?
Her team is both a weapon and a vulnerability: each specialist covers a slice of the strategy (research, comms, connections), yet everyone has limits and fears. A key colleague is played by Alison Pill, adding human stakes and the cost of difficult choices.
Are the hearing and interrogation scenes a major highlight?
Yes. Much of the tension comes from public hearings, cross-questioning, and verbal traps. They play like chess matches—what’s said matters, but so do intent and timing.
Does the film address the cost of success and burnout?
Absolutely. The story depicts life at the limit—chronic stress, isolation, and self-sacrifice for outcomes. Political wins don’t come free; they carry personal and moral consequences.
Are there prominent supporting power figures?
Yes—corporate, political, and legal players deepen the sense of a “big game.” A notable power figure is associated with John Lithgow, helping illustrate how power operates and protects its interests.
How much is it about guns versus about the system?
Gun legislation drives the plot, but the core is broader: it’s about the machinery of influence, how ideas are sold, and how public campaigns are engineered. The gun issue functions as a case study for the system.
Is it worth watching if you like “smart” pace and intrigue without action scenes?
Yes. “Miss Sloane” sustains tension through strategy, dialogue, and sharp reversals rather than physical action. If you enjoy stories about negotiation, influence, and multi-step plays, it’s a strong fit.
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John Madden — Best movies and TV Shows
Critique: 84
Madden … keeps his camera in constant motion, though it seems no camera can move fast enough for Chastain’s frantic, sure to be awards-hyped...
Miss Sloane has the roar of a good political satire/thriller, Merlin-engined for velocity and plot panache.
Chastain is scary, chilly, yet extremely likable as the hard-charging insider. In meetings and on the job, she has no filter, though as the movie p...
As a dramatic thriller, it does what it needs to do to keep the audience involved and interested, even if some of its most theatrical tricks a...
A disquieting and ultimately disappointing political thriller.
A solid Washington thriller with some telling (and accurate) details, moral dilemmas, and plot twists that keep you guessing until the last ten min...
The movie shares with other mainstream political dramas an easy notion of Washington as a hopeless cesspool of sellouts, paybacks, and heinous...
Chastain puts on the persona like it’s a superhero costume. It is an awkward fit. Madden’s stagy direction doesn’t help … no...
This taut political thriller, set amid the soulless office architecture of K Street, has an ostensibly liberal bent, but its antiheroine’s Mac...
Elizabeth Sloane is a character so archetypal, so prescriptive, that you imagine she wasn’t born in normal human fashion but rather crea...
Miss Sloane is a powerfully conceived thriller with something dead at its centre: there is no reason a female protagonist must be good or...
Visually and tonally, Miss Sloane – like Chastain’s one-note performance, in which she does little but bark and glower – is slick b...
While «Miss Sloane» is by no means even a minor classic of the genre, it’s fantastic, wall-to-wall entertainment, brimming with mov...
Miss Sloane tells a story that feels like it was ripped right out of yesterday’s headlines, [and] that coupled with Chastain’s mag...
While Chastain, and the surrounding cast, drive the narrative there is no denying that as time runs on it begins to unravel frustratingly, reaching...
Chastain is a wonder. Her character could give Cersei Lannister in «Game of Thrones» lessons in cunning and wreaking vengeance.
Following a pair of sojourns to the adorable Marigold Hotel, John Madden (Shakespeare in Love) takes a giant step forward with this perfectly...
Headlining the sort of pulse-pounding adult thriller that studios rarely produce anymore, Jessica Chastain is a one-woman force of nature as a domi...
Why does Chastain still feel vaguely miscast, even as she commands the screen?
The screenplay’s enigmatic nature holds one’s interest throughout, even as the film veers into pat moralism.
Lots is entertaining, not least the voracious Jessica Chastain as a she-shark coolly gliding her way through these murky waters.
Chastain takes this role by the throat, smashes it against the wall about ten times and then devours it while it’s still quivering.
[Chastain] even sells the plot’s preposterous twist like a boss. It’s not her fault, but the movie feels a little silly next...
It’s fun enough in places, outrageous (in mostly a good way) in others. Ultimately, however, the plot falters enough that it’s more like ...
Chastain gets to play pushy, angry, smart, hurt, almost sympathetic and more. This role is a real showcase for her formidable talents.
Miss Sloane is a powerfully conceived thriller with something dead at its centre: there is no reason a female protagonist must be good or...
Chastain’s performance is brilliant… Had the movie around her lived up to that, she might very well be walking off with a gold statue in ...
Chastain fully commits to her boss-bitch persona, even if we only obliquely learn why she might have chosen such a lonely, mercenary life.
It looks and feels less like a film and more like a feature-length pilot for a new TV series which happens to have a stacked cast.
The film is not so much tone-deaf as old-fashioned, emerging from a more innocent time (say, three weeks ago) when «politics as usual» actuall...
Miss Sloane is a smart, thorough film about a rare subject that is also as breathless, broad, and crowd-pleasing as your standard Grisham...
The creators of Miss Sloane probably never imagined that their cynical film would seem downright quaint. Life comes at you fast.
The film is less successful at exploring the chinks in her armor – the stuff that makes her human, and a person of interest. Chastain is great...
Chastain draws us in, making us see what her lobbyist character keeps inside by the sheer force of her fireball performance.
Chastain’s showstopping performance elevates «Miss Sloane» above typical genre fare, though it lands a one-two punch in managing to...
Miss Sloane is one of the year’s handful of great actress vehicles, and Chastain takes this role by the throat, smashes it against the wall about t...
The screenplay’s enigmatic nature holds one’s interest throughout, even as the film veers into pat moralism.
Madden’s film offers up a banal truism – money has a corrupting influence on politics – as if it were some great dramatic discovery...
Partly because «Miss Sloane» is more a character study than a coherent political drama, it fumbles the issue it purports to address, and...
Chastain, whose brittle Elizabeth never seems to exhale, let alone relax, reveals almost nothing of her character’s heart – and yet keep...
Rather than take the time to let us really get to know and understand its complicated title character, the movie instead goes for cheap, gotcha plo...
If this were a TV pilot, we could at least sit back and wait for the character’s vulnerabilities and backstories to emerge, but in the s...
Hard to root for but mesmerising to watch, Sloane is expertly portrayed by Chastain in this dialogue-heavy lobbyist thriller that should please fan...
So intriguing are the driven, smart and compromised characters, and so infinite are the dramatic possibilities at the intersection of big business...
Miss Sloane’s heroine is driven by her craftiness, but the film has all the subtlety of a hammer repeatedly hitting an anvil.
The intelligent, timely and twisty thriller Miss Sloane introduces an antiheroine feared by both Republicans and Democrats. Jessica Chastain is all...
The film is not so much tone-deaf as old-fashioned, emerging from a more innocent time (say, three weeks ago) when politics as usual actually...
Chastain stalks the corridors of power with steely aplomb in Madden’s coolly compelling incursion into House of Cards territory.
Jessica Chastain is bulletproof in a frothy soap opera about the other women in Washington.
The reason to see Miss Sloane is Jessica Chastain, an actor apparently constitutionally incapable of giving a bad performance.
Partly because Miss Sloane is more a character study than a coherent political drama, it fumbles the issue it purports to address, and it even...
Chastain single handedly prevents it all from veering off the rails by dominating Miss Sloane with her forceful presence. She grounds her heroine t...
Miss Sloane, with all its Capitol Hill gloss, sometimes feels too much like a primetime political television drama.
The whole thing feels a little like a season of «Scandal» cut down to two hours – but with all the double-dealing and triple-crosses left...
See this smart, showboating movie now, before its simmering sense of justice begins to feel like a thing of the past.
Sloane is a nasty piece of work. Yet Chastain draws us in, making us see what the character keeps inside by the sheer force of her fireball pe...
Rarely is a performance so strong that it’s able to carry an entire production, but – thankfully for John Madden – Chastain wills Miss Sloane...
Storytelling efficiency is one of Miss Sloane’s most effective calling cards-that, and Chastain.
Chastain fully commits to her boss-bitch persona, even if we only obliquely learn why she might have chosen such a lonely, mercenary life.
Miss Sloane is a shallow but lively thriller which becomes undermined by its makers’ misplaced belief in the profundity of their topical tale.
In a movie that likens passing legislation to pulling off a massive heist, eventually departing from reality altogether in a series of la...
The main problem is a dialogue-heavy script by first-time screenwriter Jonathan Perera that mistakes quantity of verbiage for quality.
Hard to root for but mesmerising to watch, Sloane is expertly portrayed by Chastain in this dialogue-heavy lobbyist thriller that should please fan...
Charting the journey of a ruthless lobbyist who develops a conscience, «Miss Sloane» is a shallow but lively thriller which becomes...
Jessica Chastain plays Sloane, and she’s the kind of Washington power-player who’d scare off half the cast of «Scandal» – towering...
If you’ve been wondering how Washington really works, this film is required viewing.
Heavy-handed message movies don’t come more harrumphing than «Miss Sloane," a clunky dramatization of the gun-control argument liberals...
Now, with Miss Sloane, Chastain brings the heat. She carries this film on her shoulders; she elevates even the most flawed stories.
All we learn from Miss Sloane is what we already knew: D.C. is debased, but Hollywood is obtuse, and this country needs a better class of poli...
This is Chastain’s movie, as the title implies. She’s never less than riveting …
We don’t need to like her, but Chastain makes us understand and even sympathize with her, ruthless and cunning though she may be. It’s...
The film’s unwillingness to engage in any meaningful sense with the issues it purports to raise feels like an opportunity squandered.
As a dramatic thriller, it does what it needs to do to keep the audience involved and interested, even if some of its most theatrical tricks a...
This is, in the end, not a sociopolitical tract but a movie, and one that unabashedly embraces the scintillating pleasures supplied in abundan...
A talky, tense political thriller, full of verbal sparring and fiery monologues, undone by a really dumb ending.
This is what I’m talking about: a female-driven drama about the gun lobby starring Jessica Chastain in full flame.
[A] slickly accomplished thriller about the lobbying industry in Washington.
It’s addictive fantasy, satisfyingly snappy even in its absurdity, and something no Chastain fan can afford to miss.
It answers most questions by the end, except the most important one: Is the devil in Miss Sloane, or is Miss Sloane the devil?
Chastain single handedly prevents it all from veering off the rails by dominating Miss Sloane with her forceful presence. She grounds her heroine t...
Miss Sloane is a Capital Hill tale in the «State of Play/House of Cards» mold, a melodramatic thriller more realistic than «Scandal,” slightly...
The portrait of Elizabeth Sloane grabs your interest, partly due to the presence of Jessica Chastain in the title role.
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Quotes
Lobbying is about foresight, about anticipating your opponent’s moves and devising countermeasures.
You want to lead the fight on gun control? Then you need to be prepared to go to war.
The winner plots one step ahead of the opposition, and plays her trump card just after they play theirs.
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friends impressions of the movie.
Friends comments and ratings
Watched
Chastain’s benefit performance in a notoriously boring genre, but it has a cool ending
Watched
A great Hollywood movie, well produced and acted. Even though the story of two groups of lobbyists fighting for/against gun control legislation is not the most interesting for me.
Watched
The ideal role for Jessica Chastain is a strong businesswoman. It has its weaknesses, as does the script, but the overall dramatic picture of this political film is impressive.
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