RogerEbert.com January 26, 2017 It’s one of those classic Sundance cases of a film being more 'promising' than anything else, although I suspect some will take to...
Austin Chronicle January 4, 2018 It’s a film that so confidently walks the shuriken edge of laugh-out-loud funny and cringe-inducing violence.
The details are less important than the glee with which Blair twists the genre and whips up a concoction that gets increasingly weird, violent...
The Atlantic February 24, 2017 Blair’s film is like Blood Simple crossed with The Three Stooges-a clever, gritty tale of revenge at its most inept, anchored by performances...
indieWire January 25, 2017 The film never loses its strong sense of character
[A] darkly comic thriller …
If "No Country for Old Men" depicted a nihilistic sheriff’s slow-dawning realization that society as he knew it has lost all sense of re...
Lynskey delivers a charming, captivating turn that roots the proceedings in everyday feelings of powerlessness, hopelessness, frustration and...
leonardmaltin.com February 23, 2017 'I Don’t Feel At Home in This World Anymore' is a vigilante story turned upside down and played as a violent farce. The characters and s...
RogerEbert.com February 23, 2017 The film is worth seeing for its interest in eccentric but realistic people, in particular Ruth, who’s played with great intelligence and exa...
Los Angeles Times February 23, 2017 What’s delightful about "I Don’t Feel at Home in This World Anymore" … is how consistently the film challenges our worst assumptions ab...
I Don’t Feel At Home begins to resemble nothing so much as a Coen brothers imitation with thinner characters.
Village Voice January 25, 2017 Lynskey’s shivering rage and Wood’s Zen incompetence play off beautifully against each other, and Blair deftly juggles the suspense, hu...
Manages an impressive balancing act in term of its tricky, quicksilver tone, which constantly oscillates between foreboding, menacing, hilarity and...
The Verge January 25, 2017 [Melanie Lynskey’s] a huge asset to the movie, and so is Elijah Wood, playing his fragile-but-kinda-unsettling vibe to the hilt.