Set in the fictional, medieval European kingdom of Dreamland, the series follows the story of Bean, a rebellious, alcoholic, and adventurous princess, her elf companion Elfo, and her destructive but caring "personal demon" Luci. Over the course of four parts, the troupe explores Dreamland and other neighboring lands and uncovers a mythical conspiracy.
Animated series' Ratings
2
| Country | |
| Runtime | 23 – 37 min |
| Channel | Netflix (United States) |
| Digital: World | August 17, 2018 |
| Parental Advisory | Alcohol, Drugs & Smoking, Violence & Gore, ... |
| |
| Production Companies | |
Description
Princess Tiabeanie, 'Bean', is annoyed at her imminent arranged marriage to Prince Merkimer. Then she meets Luci, a demon, and Elfo, an elf, and things get rather exciting, and dangerous.Сast and Crew
Stars • Characters
Composer
Composer
designer
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The History of the Show
- The premiere of “Disenchantment” landed on Netflix on August 17, 2018 as a full-season drop, shaping the show’s reception into season-wide verdicts rather than week-to-week momentum.
- Early audience and critical response was notably mixed: some viewers expected the punchier joke density associated with Matt Groening, while others embraced the slower pace and darker fairy-tale tone as a deliberate departure.
- The series was repeatedly benchmarked against Groening-adjacent touchstones; that brand association boosted initial reach, but also amplified disappointment among viewers who wanted a more familiar, purely comedic formula.
- As more episodes accumulated, perception shifted for many viewers from “rocky start” to a steadier fanbase, with engagement often rising alongside the ongoing plotlines and expanding world.
- Netflix’s “Parts” release pattern helped create recurring spikes of attention: each new drop revived trending discussions, fueled rewatches, and intensified theory-crafting around cliffhangers.
- In terms of influence, the show reinforced mainstream streaming appetite for adult animation in a fantasy setting, and served as a prominent example of mixing comedy with darker elements (horror-tinged, grim fairy-tale vibes) in Netflix’s catalogue.
- A lasting consequence of its run was a persistent audience split: viewers who valued serialized worldbuilding and long arcs versus those who judged it mainly on immediate comedic payoff expected from the Matt Groening name.
- Critical and user scores fluctuated across releases, and discussion frequently noted the show plays better as a long-form story than as a collection of standalone episodes—affecting first impressions for casual or selective viewers.
- Culturally, it maintained visibility as a late-2010s streaming title, with quotes, memes, and fan art emerging in waves around new releases rather than steadily over time—typical of binge-drop distribution.
- End-of-run outcome: Netflix concluded “Disenchantment” with Part 5; the final episodes released on September 1, 2023, turning it into a closed, complete narrative rather than an open-ended ongoing property.
- After completion, it developed a “long tail” of viewership as a finished fantasy saga, with retrospectives focusing more on arc coherence and the ending than on individual episodic punchlines.
- Its broader impact includes normalizing expectations for hybrid tonal adult animation (comedy plus darker adventure) on streamers, and becoming a reference point for later fantasy-leaning animated releases.
Premise
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Critique: 103
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Maleficent makes two fatal mistakes, the first being a problem of narrative.
Reaffirms its indelible appeal while making it feel bold, surprising and new.
Great animation, solid voice work. Otherwise, Disenchantment can be servitude.
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It’s a hell of an achievement, and the rare case where a remake feels like an act of fervent fandom.
How do you honor the past and acknowledge its errors? With thoughtfulness and skill and Rita Moreno.
Steven Spielberg’s "West Side Story" has a brash effervescence. You can feel the joy he got out of making it, and the kick is infectious.
There’s a little bit of bloat, but overall, a decent balance of story and whip-smart gags, many of which take advantage of Netflix&rsquo...
As much as I have the same political inclinations as Adam McKay and these liberal movie stars, I don’t think I want to watch a movi...
There’s no pain in surrendering to the sheer beauty and high style of a big-screen entertainment that’s both a reimagining informed by...
Spielberg – who rivals his student J.J. Abrams in his use of lens flares here – retells "West Side Story"but doesn’t update it. It...
Disenchantment is salty and driven by a groan-worthy, wordplay-driven sensibility.
Here is a fitting, accidental tribute to Stephen Sondheim, whose lyrics still crackle above Leonard Bernstein’s score, a few weeks after...
The most surprising thing about West Side Story, Spielberg’s most dynamic movie in years, is how at home the director seems in a genre h...
Whatever this new adaptation’s popular reception, it’s five times the movie the '61 movie was.
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"Disenchantment" compensates for its lackluster writing/originality with its first-rate animation, but that won’t be enough to keep "adult" v...
Mr. Spielberg did not waste his time-or ours. The new West Side Story is simply fabulous.
Cynicism will wither on contact with the movie, one that feels exactly like a film made in tribute to a cherished memory.
Steven Spielberg is at the top of his game, delivering a musical marvel that is overflowing with emotion and visual splendor.
You could probably do a shot-for-shot between this and the original…all that was alive and present in that time is still very relevant today.
Steven Spielberg’s dazzling update earns a place alongside the iconic 1961 original.
It’s a classic Spielberg joint, a classic hat-tip to Hollywood, and a classic, period. If this were the only musical of the last de...
They’ve made ill-conceived additions and misguided revisions. In the process, they’ve managed to subtract doubly from the original.
The push for the shock of the new doesn’t always produce good results, but it wouldn’t have hurt for Disenchantment to branch out on it...
A solidly entertaining remake peppered with a few transcendent moments, the film boasts intimacy and emotion, creating a warm sense of de...
"West Side Story" is Spielberg’s first musical but it’s solidly in his comfort zone.
Zegler is the true find, a marvelous singer and a radiant persona, and Spielberg and Kaminski film her like a bright flare in a twilit oc...
Given the abundance of genre tropes they have to work with, it’s surprising that Groening and co-developer Josh Weinstein… haven’t made...
Alas, though the heart of "Disenchantment" is in the right place, its episodes feel overly long and thin on pep.
How can a film look this good, feel so moving, and still come up lacking?
Spielberg and Kushner give the venerable property a new paint job, secure a few walls, move a few windows and ultimately build their...
This is still the "West Side Story" we know and love. It’s just been enhanced, and in all the right ways.
Steven Spielbergs take on West Side Story is his best film since Munich, and the 4K transfer is an early contender for the best-looking home v...
Spielberg’s West Side Story is loaded with stellar choreography and powerhouse performances – Ariana DeBose and Mike Faist in particular...
Playing against the seriousness and self-glorification of so much sword-clanging fantasy, it makes the most of slapstick pestilence and the absurdi...
Steven Spielberg has shown us how you remake one of the great movie musicals. Yet I’m not sure if, at any point in this peerless homage, he m...
The main feeling you get is that everyone’s stoked to work for a service without any apparent standards and practices division.
McKay has a point, though his frame of reference hardly stretches beyond the United States, and the stink of localized political contempt all...
I’m well aware that this sort of obsessive plot-policing only kicks in for me when a show is really flying along.
I had no idea I needed this West Side Story until I saw it. This, possibly, is the best kind of movie, the stealth achievement that has been h...
Disenchantment is a pleasant and pleasing show that you’ll happily pass a Saturday afternoon with. But it’s no The Simpsons.
Spielberg quite rightly doesn’t try hiding any of those stage origins. His mastery of technique is thrilling; I gave my heart to this po...
The design and look is very much in keeping with the cartoon style of "The Simpsons," while the jokes revel in a kind of dry, smart-alecky wit...
West Side Story’s dazzling dance routines are fit for the big screen.
West Side Story is, I believe, Spielberg’s finest film in 20 years, and a new milestone in the career of one of our greatest l...
Silly and fun, the first episode is a decent start but there’s a long road to the show becoming a hit, and it winds through an increasin...
The new West Side Story doesn’t entirely answer the most obvious question, which is why essentially remake a 60-year-old classic. Director St...
Individual elements work, but just flat and stiff in the main. And Elgort a dead weight right at the centre.
Is it sacrilege for Spielberg to re-imagine this 1961 musical classic? Not when it’s this thrilling. Not when two new stars-Rachel...
Heartfelt and heart-breaking, this feels like Spielberg has made an adaptation faithful to its roots but also, always, alive to the modern world.
I’d always prefer original material get produced, but when a movie is as grandly entertaining as this one, who am I to get angry at Spie...
The jokes are stale, their set-ups are mundane, the plot is predictable, the execution is rarely inspired.
There is promise in Disenchantment, but we will have to wait for it to be realised.
Disenchantment only slightly tweaks the hermetic formula of Groening’s other shows.
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Think about the efforts here to extend that prologue and showcase the grittiness of the streets… Neighborhoods aren’t neglected, they are bei...
Conviction - a commitment that can’t be faked, and a quality by which every musical lives or dies – is what underpins, energiz...
Spielberg revels in the opportunity to revive the glamour of a bygone era of Hollywood musicals, all while making some crucial, thoughtful upg...
It’s a visually splendid show, and a clever one, too. Groening and his collaborators have given a lot of thought to how their...
"Disenchantment" is the first Groening show where making you sympathize with the characters appears to be as much of a goal as making you laug...
Steven Spielberg worked wonders with a shark before, and he makes magic with a bunch of Sharks and some Jets, too.
Spielberg and Kushner were right to bring modern attitudes to this beloved warhorse. Their movie, at its best, isn’t just a remake. It&rsquo...
Spielberg and Kushner have done justice to what Bernstein, Robbins, and the quite recently late Stephen Sondheim made all those years ago-not subve...
"West Side Story" moves like a freight train, its 156 minutes passing in barely a breath, and that breakneck pace, combined with the...
Spielberg triumphantly pulls it off, delivering a finger-snapping "West Side Story" that faithfully honours the past while energetically showcasing...
It’s narrative, context and authenticity that give Spielberg’s West Side Story its own verve. It most definitely still plays the hits...
It’s the "ET" director’s most visually exciting film in a zillion years.
It’s actually the voice talent behind this reasonably funny program that elevates the sometimes inconsistent writing.
"Disenchantment" doesn’t move the story beyond easy parody and old-fashioned humor into a more original and timely place… It’s som...
Isn’t that all we really want from the movies? Brain soft, Gucci soothing, and that’s all she wrote.
It’s made by skilled, veteran craftspeople, who genuinely seem to be enjoying working with this new material. Their sense of fun is infectious.
Perhaps "Why now?" is the wrong question in the face of such a stirring enterprise. Better to ask: "Why not?"
I started crying at the end of a certain "rumble" and though the film’s stuffed with wit, I more or less didn’t stop.
Steven Spielberg’s West Side Story is at its best when it zooms in and settles down into character study.
With its depiction of a world ruled by ignorance… coupled with the utter lack of the kind of tenderheartedness that The Simpsons, especially...
What Mr. Spielberg’s film does best, with zest to spare, is the dancing, choreographed by Justin Peck – the "America" number is a s...
A big, cinematic film. It’s West Side Story, is what it is.
Steven Spielberg and screenwriter Tony Kushner have taken the best from the original and made the essence of the story even more powerful and meani...
Here is a glorious and genuine movie-movie: a vivid, sweeping, beautiful piece of top-tier pop-art. You will leave the theatre swooning, in lo...
Out of the box Disenchantment has just Bean, Luci and Elfo and while some characters are rich with promise only time will tell what Groening makes...
It feels like a rare achievement to even attempt to scale the unscalable and still, after more than half a century, be able to make it sing.
In its manners and its humour, Disenchantment feels closer to a Monty Python film, or maybe even Blackadder… It’s reliably adolescent, a...
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