The Forgiven
(2021)3
| Country | |
| Spoken Language | english, arabic, french |
| Runtime | 1 hr 57 min |
| Premiere: World | $1 371 556 July 1, 2022 |
| USA | $340 222 |
| Other countries | $1 031 334 |
| Premiere: USA | $340 222 July 1, 2022 |
| first day | $41 519 |
| first weekend | $135 476 |
| theaters | 139 |
| rollout | 184 days |
| Digital: World | June 17, 2022 |
| Parental Advisory | Frightening & Intense Scenes, Alcohol, Drugs & Smoking, Profanity, Violence & Gore, ... |
| |
| Production Companies | |
| Also Known As | Contrecoups Canada |
Description
A fatal accident disrupts the lives of Western visitors to a lavish party in the High Atlas Mountains of Morocco, and will ultimately lead to a reckoning in the desert.Сast and Crew
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The Book Behind the Film "The Forgiven"
About the Book
The Forgiven is a novel written by Lawrence Osborne. The book was published in 2012 and is known for its exploration of themes such as guilt, morality, and cultural clash.Author: Lawrence Osborne
Lawrence Osborne is a British novelist and journalist. He has written several novels and non-fiction works, often focusing on themes of travel, culture, and the human condition. Osborne's writing is characterized by its rich descriptions and psychological depth.Book vs. Film
The film adaptation of The Forgiven attempts to stay true to the novel's core themes and narrative. However, as with many adaptations, certain elements are altered or condensed to fit the cinematic format. The film captures the essence of Osborne's exploration of cultural tensions and personal redemption, though some nuances of the book may be lost in translation to the screen.Key Themes in the Book
- Guilt and Redemption
- Cultural Clash
- Moral Ambiguity
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John Michael McDonagh — Top Rated Movies
Critique: 15
A wonderful film noir that feels like something straight out of the 1940s.
McDonagh loves his monsters, and in casting someone as adept at conveying the nuances of the character’s transformation as Fiennes, he shows...
Mostly, though, it allows you to spend time with Fiennes, whose performance says more about this world’s nihilism than all the brittle chatter.
Whatever satire of white elite society is intended by The Forgiven has been blunted by monotony.
A dark and dirty morality play where nobody’s very concerned with morals, John Michael McDonagh’s "The Forgiven" takes some extrem...
A wrong-footing combination of crime thriller, dark comedy and shaggy hangout movie.
[McDonagh] seems wholly amused by tearing asunder a Dionysian display of the rich and bored, gathered for a debaucherous jamboree in the...
Fiennes and Chastain loathe each other well, convincingly bickering about whatever emerges from the other’s mouth while still ensuring enough...
There have, if we’re being honest, been quite enough stories that sacrifice the disadvantaged so that the privileged can learn a little...
Even considering that numerous subplots might benefit from a mini-series approach to the material, the transformation of the central character...
McDonagh’s film is well-crafted throughout but ultimately has nothing fresh or insightful to say about the ugliness of white privilege.
Beneath the rubber ears, he’s all granite-chinned and haunted eyes. Off duty, he’s a tragic, wan, raccoon-eyed Bruce Wayne. He hurts. He suffe...
Sneering at slick emptiness becomes itself a kind of slick emptiness, only worse, since it’s self-congratulatory.
There may have been higher ideals in mind, but "The Forgiven" fails to gracefully reach them.
Scripted, directed and acted with intelligence and panache, it’s a very grown-up film but never a bore, a morally alert drama that leave...
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Watched
Starring Ralph Fiennes and Jessica Chastain, the film should already be good, but I didn’t enjoy the film, it’s a stretch to give it an eight.
Watched
A good, but too superficial and unsophisticated story about the focus of human vices framed by popular popular Moroccan tourist color, so loved by tourists. McDona correctly groped for accents, but either he was afraid, or he could not press the gas pedal to the fullest.
Watched
The weakest film by J. McDonagh. Ok, bad white, killed his only son. And why was the only son on duty on the road to rob a white man with a friend? Where was the friend when his comrade was shot down? This levels out, for me, the high morality of the confrontation between cultures, the bourgeois and the poor.
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