TV show's Ratings

    6014 5469
    Pause

    12

    " A new gold rush begins."
    Country
    Runtime 48 min – 1 hr 16 min
    Premiere: World February 19, 2021
    Premiere: USA October 15, 2019
    Channel Apple TV+ (United States)
    Digital: World November 1, 2019
    Parental Advisory Alcohol, Drugs & Smoking, Profanity...
    • Alcohol, Drugs & Smoking

      average

    • Profanity

      average

    • Frightening & Intense Scenes

      few

    • Violence & Gore

      few

    • Sex & Nudity

      few

    Production Companies

    Description

    In an alternative version of 1969, the Soviet Union beats the United States to the Moon, and the space race continues on for decades with still grander challenges and goals.
    Season 1
    s1: e1 — Season 1, Episode 1  

    Red Moon

    October 15, 2019 7.7
    s1: e2 — Season 1, Episode 2  

    He Built the Saturn V

    November 1, 2019 7.4
    s1: e3 — Season 1, Episode 3  

    Nixon’s Women

    November 1, 2019 7.8
    s1: e4 — Season 1, Episode 4  

    Prime Crew

    November 8, 2019 7.4
    s1: e5 — Season 1, Episode 5  

    Into the Abyss

    November 15, 2019 8.3
    s1: e6 — Season 1, Episode 6  

    Home Again

    November 22, 2019 7.6
    s1: e7 — Season 1, Episode 7  

    Hi Bob

    November 29, 2019 7.8
    s1: e8 — Season 1, Episode 8  

    Rupture

    December 6, 2019 8.1
    s1: e9 — Season 1, Episode 9  

    Bent Bird

    December 13, 2019 8.1
    s1: e10 — Season 1, Episode 10  

    A City Upon a Hill

    December 20, 2019 8.4

    Сast and Crew

    The History of the Show

      • The premiere of “For All Mankind” landed on November 1, 2019 on Apple TV+ as one of the service’s early flagship titles, so discussion of the show was closely tied to early perceptions of the platform itself.
      • The series has rolled out season-by-season on Apple TV+: Season 1 (2019), Season 2 (2021), Season 3 (2022), Season 4 (2023); that cadence kept audience attention returning at each new launch and sustained long-tail conversation between seasons.
      • Early audience and critical reaction often pointed to a deliberate pace and character-focused drama as more prominent than “big” sci-fi spectacle, while later seasons were more frequently praised for escalating stakes and larger alternate-history inflection points.
      • Viewer reception strengthened over time through word of mouth: it developed a reputation as a show that may not spike instantly at premiere but grows as more seasons accumulate and new viewers come in via recommendations.
      • Reviews and online discussion consistently noted that the show encourages renewed interest in real-world NASA history and the Space Race, sending viewers to documentaries, biographies, and historical explainers to compare facts with the series’ alternate assumptions.
      • Because it streams episodically, audience engagement centered on week-to-week conversation, theory-building about timeline divergences, and predictions about political and technological ripple effects—helping keep it visible between episodes.
      • Its broader impact includes reinforcing “alternate history” as a viable prestige-TV mode where science fiction is driven by political and social drama rather than only technology-forward spectacle.
      • The show was frequently cited as evidence that Apple TV+ could compete in the prestige drama space; that, in turn, influenced how audiences judged the platform’s overall value beyond library size.
      • Season premieres repeatedly acted as catalysts for debate about cultural change and equality within an alternate-history framework, with viewers arguing over where the series feels historically plausible versus intentionally accelerated for drama.
      • A notable audience “aftereffect” is its commonly shared viewing advice: many fans frame it as a series that “opens up” over time, shaping expectations and helping newcomers stick with the slower early stretch.

    Premise

    In an alternate timeline, in 1969 a Soviet cosmonaut, Alexei Leonov, becomes the first human to land on the Moon. This outcome devastates morale at NASA, but also catalyzes an American effort to catch up. With the Soviet Union emphasizing diversity by including a woman in subsequent landings, the United States is forced to match pace, training women and minorities who were largely excluded from the initial decades of U.S. space exploration.

    Related Titles There are no related titles yet, but you can add them:

    Critique: 31

    68%
    21 10
    Boston Globe November 1, 2019

    Cool idea. But the story doesn’t gel well, and the video-game-like combat sequences can be exhausting.

    Rolling Stone October 31, 2019

    Now and then it manages to fly beautifully – and on the whole is easily the best of Apple TV+'s underwhelming debut class of shows – but...

    Daily Telegraph June 10, 2022

    After two seasons of relative obscurity, maybe it is time an unheralded masterpiece finally achieves blast-off.

    Collider February 20, 2021

    That’s the sense of wonder For All Mankind has proven capable of capturing, and while Season 2 has its flaws, it’s exciting t...

    Entertainment Weekly October 28, 2019

    For All Mankind distinguishes itself by speculating how far a truly dedicated space race could’ve gone without shying away from the ugly...

    USA Today December 29, 2021

    Although it started off unevenly, the third season of FX’s riotous vampire mockumentary offered some of its best episodes ever.

    Times (UK) July 8, 2022

    Yes, episodes still feel overlong, but the stakes seem real again and the world genuinely terrifying, far more in keeping with the show’s Stephen K...

    RogerEbert.com October 30, 2019

    For a series about a battle of innovation, as fueled by brilliant minds and wounded egos, For All Mankind feels too slack.

    Rolling Stone June 8, 2022

    At its best – which it still so often is – For All Mankind is able to present so many different, exciting movies at the same time that th...

    indieWire June 7, 2022

    Effective in its quiet moments and in the sequences where catastrophe strikes, For All Mankind still struggles with that middle ground.

    The Daily Beast June 11, 2022

    Around every corner, For All Mankind finds fraught geopolitical and interpersonal dynamics.

    USA Today June 9, 2022

    In the endless barrage of mediocre series pushed out weekly, "Mankind" stands out, a shining star (or moon or planet) among the replaceable rest.

    The Guardian October 31, 2019

    It might therefore be faint praise to label glossy space race drama For All Mankind as the best of the bunch but it’s adequately entertaining...

    Vox November 1, 2019

    It’s honestly pretty fun to watch, all glossy and zippy. But it’s also fundamentally at war with itself.

    Vox March 23, 2021

    [It’s] bona fides stem from many corners – terrific production design, visual effects that might be TV’s best, stellar performance...

    Slant Magazine November 1, 2019

    The series suffocates its promising characters with the tedium of backroom politics.

    Chicago Sun-Times November 7, 2019

    As we’d expect, Aniston and Witherspoon are electric in their scenes together.

    Sydney Morning Herald November 7, 2019

    For All Mankind deftly blends fictional and historical characters… The series also does a good job of portraying outdated attitudes and environment...

    USA Today November 1, 2019

    The stakes are low, the writing is clichéd and the overwhelming vibe is one of disappointment and wasted potential. Rachel Green deserved better.

    indieWire October 28, 2019

    Even walking a different path, "For All Mankind" still finds ways to take one step forward and a giant leap back.

    Inverse June 6, 2022

    The power of For All Mankind is that it makes space both unreachable and attainable simultaneously. It’s a serious and gritty show, but throug...

    Vulture June 10, 2022

    Much of For All Mankind’s third season retains the show’s best qualities.

    New York Times November 5, 2019

    Care was taken in the hiring of performers and consultants to make the presentation of blindness convincing. But no one seems to have done the more...

    Hollywood Reporter October 28, 2019

    Guessing fairly easily where things are going is a problem in For All Mankind, because if the plot is familiar and also dragging at the same t...

    Vulture October 31, 2019

    It only got more frustrating that I still couldn’t quite see it as the show I most wanted it to be - a daring, swashbuckling, women-cent...

    CNN.com October 30, 2019

    Although the show creates a ruthless world – the action is brutal and visceral, and the story advances quickly – it’s not inve...

    Rolling Stone February 11, 2021

    The characters feel more specific and three-dimensional now, which in turn makes the long swaths focusing on interpersonal dynamics more interestin...

    Variety October 28, 2019

    It makes the smarter choice to keep the drama as grounded in character choices as possible, with some key overarching "what if?" scenarios tha...

    Vulture November 1, 2019

    It’s fun, to be honest, that a show built on the premise of a "what if" also has other "what ifs" in the chamber, especially o...

    indieWire February 20, 2021

    There’s rarely a time in "For All Mankind" where these big swings are unwelcome, but the show still has a little more to go before...

    Daily Telegraph October 28, 2019

    The Morning Show charges smack bang into MeToo, as well as showing women competing with women in the workplace and even, in one succulent moment, t...

    Add critique link

    Quotes

    The sky is not the limit. We are.

    We came all this way to explore the moon, and the most important thing is that we discovered the Earth.

    History is not made by those who did nothing.

    We are not just fighting for our country, we are fighting for the future.

    Add a short review

    280 characters

    Or write an article...

    Sign up and you will see here
    friends impressions of the TV show.

    Friends comments and ratings

    It is unlikely that you will find an alternative story about the space race here. Rather, an alternative history in the genre of "feminist surrealism", with a constant emphasis on the fact that women become ship captains, flight control center commanders, lesbian ship commanders, etc.

    Translated to English
    Season 1

    Watched

    The second season is still just as good as the first. A little more relationship, but still space and science. And all this against the backdrop of the unfolding Cold War. Which is nice, without any special cranberries (although I laughed at the funeral borscht). Still the best AI in a long time

    Translated to English
    Season 2

    Watching

    Correct alternative history. Somewhat slow at first (but with a miraculous landing on the moon in the first episode), with each episode picking up pace and maintaining tension. We are waiting for the second season.

    Translated to English

    Watched

    Many people ask the question "What if?", so this is a good example of the artistic vision of "what if?" in the space race everything was different and went according to a different scenario.

    Translated to English

    Watched

    This is an alternate NASA history in which America lost the space race. Stories of people who connected their lives with NASA. The daily hard work of engineers, mission managers, astronauts and how this work affects their personal lives.

    Translated to English

    Watched

    An alternative history of the space race, which did not stop at the end of the last century but continued further, sounds like a very interesting concept, and the first episode only confirms this!

    Translated to English
    Episode 2 — 6 (season 1)

    Watching

    The first half of the season was interesting. A little drawn out, but thoroughly – better than the recent "Mars", where the most interesting things were left behind the scenes. And then there is the feminism of a healthy person – it is discussed, and not just stuffed into the viewer until they choke.

    Translated to English

    Watched

    I kind of understand that the first season was built better. But there’s such an ending that I can’t remain indifferent. Great series.

    Translated to English
    Season 2

    Watched

    I don’t know why I found it boring the first time I watched it. The dramaturgy is well constructed. Some moments are infuriating, but so many characters with real dramatic arcs are a win. And space. Space makes everything better)))

    Translated to English
    Season 1

    Watched

    The first season, in hindsight, is one of the best things about alternate history. The second one let us down in this sense, they tried to do the same as the first one, but several dramas played out of nowhere ruined the atmosphere.

    Translated to English
    Season 2

    Watched

    I really like the theme of the series – I love viola. history, and space. Race is an interesting topic. The topics of feminism and homosexuality are appropriate here, but I would like more time to be devoted to space, and not to all sorts of social topics.

    Translated to English
    Season 1

    Watched

    Interesting alternative reality. I liked the second season even more, about how the competition would take place in outer space.

    Translated to English
    Season 2