One year after the events of Avengers: Endgame (2019), Clint Barton must partner with Kate Bishop to confront enemies from his past as the Ronin in order to get back to his family in time for Christmas.
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Soundtrack
Hawkeye: Vol. 1 (Episodes 1-3) [Original Soundtrack]
Different stars
- 1 Christophe Beck & Michael ParaskevasHawkeye's Theme 1:49
- 2 Christophe Beck & Michael ParaskevasClock Tower Mishap 1:57
- 3 Christophe Beck & Michael ParaskevasBattle of New York 3:49
- 4 Christophe Beck & Michael ParaskevasCarol of the Buy & Sells 3:17
- 5 Christophe Beck & Michael ParaskevasRonin 1:52
- 6 Christophe Beck & Michael ParaskevasSincerity 1:28
- 7 Christophe Beck & Michael ParaskevasAction at the Auction 4:00
- 8 Christophe Beck & Michael Paraskevas2012 2:50
- 9 Christophe Beck & Michael ParaskevasIn Like Clint 2:06
- 10 Christophe Beck & Michael ParaskevasMolotov Mazeltov 2:02
- 11 Christophe Beck & Michael ParaskevasDiscovery 2:59
- 12 Christophe Beck & Michael ParaskevasBows of Holly 0:52
- 13 Christophe Beck & Michael ParaskevasLARP in the Park 2:32
- 14 Christophe Beck & Michael ParaskevasMistletoe to Toe 2:42
- 15 Christophe Beck & Michael ParaskevasIt's Beginning to Look a Lot Like Clint's Mess 2:47
- 16 Christophe Beck & Michael ParaskevasMaya's Theme 4:11
- 17 Christophe Beck & Michael ParaskevasSorry Santa 3:37
- 18 Christophe Beck & Michael ParaskevasDo You Hear What I Fear? 2:13
- 19 Christophe Beck & Michael ParaskevasLittle Dragon 1:46
- 20 Christophe Beck & Michael ParaskevasFighting Over Toys 3:21
21
Country | |
Runtime | 39 min – 1 hr 1 min |
Budget | $150 000 000 |
Premiere: World | November 11, 2021 |
Channel | Disney+ |
Digital: World | November 24, 2021 |
Parental Advisory | Violence & Gore, ... |
| |
Production Companies | |
Also Known As | Anchor Point (United States) |
Description
Series based on the Marvel Comics superhero Hawkeye, centering on the adventures of Young Avenger, Kate Bishop, who took on the role after the original Avenger, Clint Barton.Сast and Crew
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Premise
Chronology: 59 Spin-off: 2
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Critique: 98
It’s easily the most mannered movie Anderson has made, which is really saying something. It’s so mannered at times as to be almost unmo...
It’s a manic movie in a familiarly corporate kind of way that provides kids with a computer-generated candy rush. The movie’s own busin...
If it lacks a compelling story, only one filmmaker could have made this film. And, in these cookie-cutter-director days, it’s a vis...
The endlessly inventive Wes Anderson uses all the tools of cinema to give a big, fat, loving smooch to, of all things, print journalism and th...
The three major episodes in The French Dispatch are of roughly equivalent length, weight, and quality, although to be honest I only really lik...
If nothing else, the deranged plotting of this most unwieldy chapter should instill a hearty sense of awe for what children are willing to con...
Steinfeld and Renner are good foils for each other, as Bishop pushes Barton to relax and he tends to her like a fussy aunt.
For lovers of the comic, the series nails specific aspects – the ones that count.
By Anderson’s own standards, The French Dispatch is below par. Yet compared to the average film, it’s a winner.
Save for Wright, and perhaps Del Toro, the distance is rarely breached, the archness lacks the heart. They’re all just another object to quic...
Between the perfect references come real insights too – about artists and markets, the cult of youth and commodification of revolt.
Returning director Tom McGrath and screenwriter Michael McCullers had an opportunity to build on an entirely workable formula, but instead have set...
There is something unmistakably elegiac in this dream of a bygone world.
Anderson’s extraordinary 10th feature, which premiered at the festival earlier this evening, is the cinematic equivalent of a brakeless freew...
The director’s 10th feature is among his most visually remarkable, each frame filled with meticulously crafted small details that add up to&n...
Anderson seems to aim for whimsy but one thing whimsy cannot be is heavy-handed.
The series was loosely inspired by the excellent Matt Fraction and David Aja run of Hawkeye comics, and some of that fun makes its way into the show.
It’s strange that such a crowded, dazzling, visually-insistent film leaves so much space for free association, but it does. Now that&rsq...
Like the very best of Anderson’s films, The French Dispatch is both utterly exquisite and deceptively complex - a film that, like the fi...
If anything, "The French Dispatch" perhaps suffers because of its abundance which on first viewing can seem like overwhelming excess, but I th...
Taken by itself, Hawkeye is a perfectly serviceable action romp. But when there’s so many of these things saturating the market, it need...
Even a show that approaches its episodic run like an extra-long movie owes the audience a bit more momentum than this, especially when those i...
This chapter doesn’t deviate much from the previous effort, in both its handful of qualities and numerous defects.
The setup has potential, with trapped miners needing saving but icy roads making rescue efforts difficult. But it hits the skids and ends up formul...
The French Dispatch is a lovely, lovely thing. But it is as impossible to grasp as a handful of water. Or claret. Or Pernod. You get the...
I can’t help but wonder if the frantic pastiche and rampant nostalgia of this film weakened my ability to enjoy it. It feels hollow.
Anderson is so hell-bent on cramming every frame with allusions, and squeezing a whole film’s worth of plotting into every chapter, that...
It has everything that we’ve come to expect from Wes Anderson-carefully crafted aesthetics, perfect color palettes, and intricate tableaux of...
"Hawkeye" is too beholden to the larger MCU as a guiding narrative force and generic house style of filming to truly find its own voice…
A beguiling curio, and one that no other filmmaker could have created.
By showing Clint away from Avengers duties, Hawkeye has turned the character’s weaknesses across the films-his normalcy and vulnerability-int...
Bill Murray, Timothee Chalamet, Benicio del Toro and Frances McDormand are among the stars enjoying pinpoint dialogue in the exquisitely rendered c...
If you come to The French Dispatch loving Anderson, there’s much to continue loving here.
The French Dispatch is a movie made with such deliberate, patient skill, and such brio, that its meandering structure and oddly low emotional...
"The French Dispatch" is a work of such unparalleled Andersonian wit, that at times the sheer level of detail – mobile, static, graphic a...
Hawkeye is modest in terms of threats and mythos compared to its MCU Disney+ predecessors, but it is nonetheless charming and full of heart.
Whatever the reason, the pleasures of witnessing a miniaturized bigwig in full-on CEO rant mode are largely denied here. It’s a like a versio...
Anderson employs a light touch with serious topics, if only to create fluid transitions between scenes and locations, and to not get too bogge...
Mostly, though, "The French Dispatch" is a fun watch because it keeps reinventing itself. Each chapter gives another journalist the chance to...
One’s eye is at first dazzled, then sated, and eventually tired by this pitiless inflation of scale.
Its untidy, unpredictable, and unmannerly form does, indeed, evoke the exhausting, mucky business of baby tending, albeit with nothing like the fam...
It’s hard to describe how ingenious, creative, and bold this work is.
"Hawkeye" is clearly more concerned with setting up Kate Bishop for future MCU phases than creating a problem worthy of two heroes' time. And...
It’s best, maybe, to think of "The French Dispatch" as a series of exquisite miniatures – amusing, meticulously designed and impecc...
Hawkeye rocks a great mix of playfulness and a sense of real danger. It’s also hard to imagine better casting for Kate Bishop than Hailee Ste...
Everything about Denis Villeneuve that keeps me from loving his previous works really works here… [Villeneuve’s] chilly, inhuman quality real...
Another infant adventure that hits the same notes as the original, and has little to show for it.
Though it is incredibly intricate, inventive, and impossibly accomplished, it even becomes, sorry to say, a bit boring.
Visually stunning, beautifully acted and genuinely thrilling offering from one of the masters of modern sci-fi.
Writer-director Wes Anderson and an ensemble cast deliver an endlessly creative series of stand-alone stories.
Further complicating the already indecipherable lore of the first film, The Boss Baby 2: Family Business is nice to look at but unfunny, uneng...
Set at an upscale midcentury magazine, the new movie is an ode to print and a slice of escapism.
It’s a pleasure to be in the hands of a storyteller who cares so deeply about every aspect of his work.
Anderson this time has driven straight into a cul-de-sac, stranding every sort of good and great actor in the cinematic equivalent of a d...
While not entirely unwatchable, the film’s demented levels of energy will recommend it to younger audiences and may trigger stress headaches...
On a first viewing I found it to be among the most punchable films I have ever seen…
A delightful mix of understated humor, wild fantasy, cheeky needle-drop songs and some of the best-constructed action scenes in animated films.
The French Dispatch proves itself to be an act of devotion – both to a specific kind of writing, and to human attachment itself.
It’s possible to love the past and still be aggravated by Anderson’s particular brand of tweed-and-fondant nostalgia, and now he&rsquo...
It’s a coming-of-age story told with a sophistication that only makes it all the more touching. In recalling her youth, Rakoff is revisi...
Steinfeld deserves a better introduction than this piece of tinsel which, in its first two episodes, never transcends the rating of fine.
The movie is an anthology not only of vibrant magazine stories come to life, but of seemingly everything Anderson knows how to do as a directo...
It’s more of the same, for better or worse, but likely with enough bells and whistles – especially those new characters – to please...
A pro forma mix of gags, frantic action, and 'importance of family' bromides as tired as they are transparently insincere.
Hawkeye may not be a resounding bullseye but it hits the spot well enough.
Compared to the first film, Family Business moves along at a swift and stimulating clip, with fewer diversions into world-building and halluci...
"The French Dispatch" is perhaps Anderson’s best film to date. It is certainly his most accomplished.
Anderson, who lives in Paris, is presumably writing a mash note to his adopted country. But he’s doing it in such a shallow, generalized...
You know what you’re in for, and it’s either going to flatten you with joy, as it did me, or it won’t.
The key to The French Dispatch’s sneaky resonance, tucked into the spaces between its moving parts, is Anderson’s balancing act of reve...
Anderson has given us an anthology, made up of everything you’d expect in a New Yorker issue: a table of contents, some lighthearted ske...
What a spectacle. This is the event movie audiences have been waiting for and theaters have been coveting.
The movie isn’t "Lawrence of Arabia in Space," but it comes pretty close, and I say that as someone who went in a doubter.
If you like Anderson movies such as "The Royal Tenenbaums" and "The Grand Budapest Hotel," you’ll like "French Dispatch," which he wrote and...
For a series about a pair of sharpshooters, Hawkeye frustratingly misses the mark too often. Well, at least for viewers who aren’t its t...
Yes, there’s still an ironic distance between such elements and the audience, but "The French Dispatch" feels less safe than Anderson’s...
Like most anthologies, some segments are better than others but they all highlight different inspirations Anderson’s woven together for ...
The film’s formal inventiveness pushes the envelope, even for Anderson.
This series lacks the zip and polish that Kate Bishop and Clint Barton deserve.
It’s a Wes Anderson movie. Bill Murray is here. Isn’t that enough for you people?
This is not the first time Anderson has devoted too much time to minutiae and too little to actual storytelling. Even devotees of his work may find...
The action scenes are perfunctory, the dialogue glum rather than glittering. And the mentor-protégée chemistry between Renner and Steinfeld might b...
If you are very much plugged into the Marvel Universe, yes its a Must Watch. If youre not that bothered, then no.
It’s not lightweight, and it’s not silly, and there’s a moment of genuine pathos at the end of the third story that’s...
This is Anderson in full flower, one that only grows in a rarified altitude.
One thing’s for sure: there is nothing quite like The French Dispatch – except Anderson’s other films, of course.
One of the privileges of filmmaking is the power to re-create the world as you would like it to be. There has never been any doubt what Anderson&rs...
Anderson has always played by his own rules and created his own version of reality. It doesn’talways click, but when it does, it creates some...
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friends impressions of the TV show.
Friends comments and ratings
Watched
Preparing the ground for Hawkeye’s well-deserved retirement. Hearing aid included. Translated to English
Watched
Very weak. The chemistry of the characters is the only thing that can be praised. Mostly not any villains, just guys in sweatpants, no interesting action, they added cool arrows, but there is no purpose for them. And somehow everything looks very fake Translated to English
Watched
It’s not a hawk’s eye, it’s a chocolate eye. Always yours, professional film critic. Translated to English
Watched
Pretty good, perfect for relaxing. Not boring like Falcon and Soldier, and not stressful like WandaVision. More mundane plot, interesting characters and atmospheric musical accompaniment. Always loved Clint, and this Kate Bishop is definitely my favorite. Translated to English
Watched
A new Marvel miniseries about a superhero with no superpowers but with a folding bow and super-cunning arrows who tries to make it to his family for Christmas, losing his hearing along the way, saying goodbye to the ghosts of the past, fighting the mafia in sportswear and meeting a man who changes him for the better Translated to English
Watched
I liked only one thing – some kind of humanity. Few superheroes, more domestic and personal problems. The characters are more down to earth. The impression and assessment was spoiled by Steinfeld’s overacting and the appearance of the redneck woman Pew (talking about the character, though…). Translated to English
Watched
Everything turned out very primitive and like in a fairy tale. There are absolutely no villains. One has only to rejoice at the appearance of Florence Pugh and Vincent D’Onofrio, who somehow diluted the boring plot. Translated to English
Watching
Hawkeye is perhaps the most humane and down to earth hero, that’s why I sympathize with him more I’m glad that he retired so lightly (Christmas-like) Well, Tracksuit Mafia is beautiful! Trust A Bro 🤣 Translated to English
Watched
An adaptation of Matt Fraction’s favorite comic book + cutest Hayley + Christmas vibes + highly anticipated comebacks=hard to miss with this arsenal. Translated to English
Watched
This is not exactly a series about our beloved Clint "Hawkeye" Barton, played by the wonderful Jeremy Renner, but about his future version of Kate Bishop, played by the insanely charming Hailee Steinfeld. The episode is very touching and sweet. The best thing to watch for the New Year! Translated to English
Watched
Sadly. The series does not keep pace, you do not believe him. After all the Marvel movies, it’s just ridiculous and boring to watch. Problems are unrestrained, the hero is indifferent, everything is dragged out. What difference does it make to us to his routine? If it had come out earlier in Bourne’s style, it would have been normal. And so late. Translated to English
Watched
No matter how hard the writers try to raise serious topics about love, death and revenge in the dialogues, Hawkeye still hits the exact center of the target for a children’s series that all adults will miss. Translated to English
Watched
Somehow, but it really suited me. It turned out to be moderately dramatic, in connection with Clint’s departure and his past, the first episodes on this (and not only) occasion I felt some empathy. And in a moderately emotional way, just in time for the holidays, they created a pleasant, warm state. I don’t know, I think everything was filmed very nicely here Translated to English
Watched
Nothing special not to be missed. Good marvel chewing gum with cakes and fan service. A bit funnier than usual and with its New York Christmas vibe. But they started making garters for old TV shows, if you know what I mean) Translated to English
Watched
For fans, it does not particularly carry new details. For fans of blockbusters, it does not contain very good action scenes. For those looking for a New Year’s mood, it may fit, but not to the fullest. If there is nothing else to watch, then you can. To sum it up, I wouldn’t say it’s bad, but it’s not very good either. Translated to English
Watched
In general, the series turned out to be quite good. I’m glad that Clint now has his own solo album. And Kate was a very nice bonus. Translated to English
Watched
It’s funny what one Marvel logo can do. Only it made me and many other people watch this project. The series itself is no good at all. It does not cause rejection, but it does not deliver any emotions either. Everything is somehow dull and cheap. Okay, the final song was good. Translated to English
Season 1
Heavy holidays with a temperature of +40.2 reduced the ardor. It’s a good show to watch over Christmas/New Year’s Eve. Further in the process of writing reviews (including micro) I pause. Translated to English
Watched
Predictable (except for the appearance of 1 character), cheap (action is only normal in the finale) and poorly played (Renner stopped trying a long time ago, but Steinfeld here is terribly overacting and foreign in action scenes). Watchable, but with each new Marvel series, the bar drops lower. Translated to English
Watched
Good Christmas atmosphere, very pleasant and chemical Hayley, Barton was given a walk in retirement, funny brothers in sweatpants, but at the same time it is drawn out and not without burdensomeness, a lot of blunders. The whole series would be like the last episode in pace. Translated to English