Abigail Bianchi, a recovering alcoholic and lawyer goes to work with her estranged father and two half-siblings. She's never worked in family law before, and suddenly finds herself having to manage not just her clients' family dysfunction, but her own. She must learn to navigate working with her father and siblings she doesn't know as part of her probation, all while trying to maintain her sobriety.
TV show's Ratings
| Country | |
| Runtime | 1 hour |
| Premiere: World | July 6, 2021 |
| Channel | Global (21:00, Canada) |
| Premiere: USA | October 2, 2022 |
| Production Companies | |
Description
This drama follows a group of flawed family members who reluctantly work together at their father’s law firm in downtown Vancouver.Сast and Crew
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Premise
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Critique: 26
[Mona Lisa and the Blood Moon] possess your senses at every one of its madcap turns.
Mona Lisa and the Blood Moon is a wonderfully strange take on New Orleans horror.
There is nothing flashy about Walter Hill’s latest western Dead for a Dollar.
With its hyper-saturated mood, hypnotic music and highly stylized cinematography, Mona Lisa and the Blood Moon will surely thrill the director&rsqu...
"Mona Lisa and the Blood Moon" may be pretty to look at it, but it seems flimsy when held up to the light.
Hill turns… shortcomings into virtues. The picture’s surface austerity and simplicity have a crystallizing effect, drawing our attention to th...
From binocular-vision shots to the sepia-tinged saloon bars, Hill has made a movie that doffs its ten-gallon hat to its forebears.
In a sense this is Amirpour’s most honest film. Unlike her previous ones, which struck a faux somber tone, this wears its neon, fun...
Amirpour takes on the Big Easy, mixing a heady cocktail of EDM beats, Hollywood treacle and southern sleaze and sipping down Bourbon Street.
You can quite literally feel the director’s own impatience emanating off the screen, made all the more acute by clipped performance styles and rush...
To say that this cast is squandered would be an under-statement.
Hill wants to "do justice" to each of these people, but the result is that "Dead for a Dollar" doesn’t have a dramatic core.
The film is ultimately little more than a trifle, but Hudson is the cherry topping: as this messy, crafty, grasping nightmare, Hudson is more...
It’s a bit like a John Cassavetes or Harmony Korine film that just happens to have Stephen King’s Carrie as one of the characters, and a...
While Hill may not have had the money to make his movie look as polished as his own "The Long Riders" or "Wild Bill,” he can still write crackling...
The film relishes its own trashiness. But the writing is not focussed enough to make this much more than a cheap thrill.
Mona Lisa and the Blood Moon offers street-food for the senses, served with lashings of hot sauce. It’s hardly nutritious but it tastes fine...
Rarely has so little tension been generated by a hero with so many bad guys lining up to kill him.
It’s suspenseful, jarring, and never descends to formal cheating of narrative cheapness to give the audience what it wants and deserve.
The movie, more often than not, has the look and feel of an edgy music video, which wouldn’t necessarily be a problem if it weren’t also oddly...
"Mona Lisa and the Blood Moon" is a lark, a contradiction - a lurid, violent, caught-in-the-gutter movie that’s also a nimble...
The movie isn’t exactly a rosy portrait of the world to come; but it has a warm, bright spark of hope.
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