On October 14, 2020, the same day his film The Last Duel (2021) wrapped filming, Ridley Scott announced Napoleon, at that point provisionally called Kitbag, as his next project for 20th Century Studios, based on Napoleon's life. He would direct and produce, while the screenplay was written by Scott's All the Money in the World (2017) collaborator David Scarpa. The film's working title was derived from the saying that "There is a general's staff hidden in every soldier's kitbag". During the same year, Scott also consulted with University of Oxford scholar Michael Broers regarding Napoleon's life, particularly collaborating with him in deconstructing the geography of the Battle of Waterloo. He also received Stanley Kubrick's script for his planned Napoleon film, which never materialized. By January 2021, Apple Studios announced its commitment to finance and produce the film, with filming scheduled to begin in the United Kingdom in 2022.
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News
- Joaquin Phoenix threatened to quit ‘Napoleon’ until Paul Thomas Anderson came on board to rewrite the script NME November 11, 2024
- Brian Cox: Joaquin Phoenix Was ‘Truly Terrible’ in ‘Napoleon’ and ‘I Would Have Played It a Lot Better’ Variety April 17, 2024
- Ridley Scott's 'Napoleon' Sails Onto Apple TV+ Next Month Collider February 15, 2024
- 'Napoleon' 10-Minute Sneak Peek — Witness the Battle of Austerlitz Collider January 9, 2024
- 'Napoleon' Global Box Office Charges to New Levels Collider December 10, 2023
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Soundtrack
Napoleon (Soundtrack from the Apple Original Film)
Martin Phipps, Martin Phipps & Ensemble Organum, Martin Phipps & Ensemble Spartimu
- 1 Martin PhippsNapoleon's Piano 2:13
- 2 Martin PhippsToulon 3:26
- 3 Martin PhippsJosephine 3:08
- 4 Martin PhippsSoldiers of the 5th Regiment 4:22
- 5 Martin PhippsLadies in Waiting 1:53
- 6 Martin Phipps & Ensemble OrganumAusterlitz Kyrie 2:55
- 7 Martin PhippsWe are Discovered 6:04
- 8 Martin PhippsMake the Rain Stop 2:07
- 9 Martin PhippsLook Down 1:58
- 10 Martin PhippsFirst Counsel 2:47
- 11 Martin PhippsRussia 4:15
- 12 Martin PhippsReturn to France 1:48
- 13 Martin PhippsWaterloo Requiem 4:24
- 14 Martin Phipps & Ensemble OrganumDownfall 3:33
- 15 Martin Phipps & Ensemble SpartimuBonaparte's Lament 2:43
Napoleon
(2023)45
| Country | |
| Spoken Language | english, deutsch, french, russian, italian |
| Runtime | 2 hr 38 min |
| Budget | $200 000 000 |
| Premiere: World | $222 435 664 November 14, 2023 |
| USA | $61 524 375 |
| Other countries | $160 911 289 |
| Box Office – Budget | $22 435 664 |
| Premiere: USA | $61 524 375 November 22, 2023 |
| first day | $7 733 795 |
| first weekend | $20 638 887 |
| theaters | 3500 |
| Digital: World | January 9, 2024 |
| Parental Advisory | Frightening & Intense Scenes, Violence & Gore, Sex & Nudity, ... |
| |
| Production Companies | |
About the film Napoleon
An epic that details the chequered rise and fall of French Emperor Napoleon Bonaparte and his relentless journey to power through the prism of his addictive, volatile relationship with his wife, Josephine.Смотреть онлайн
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The Real Story Behind the Film "Napoleon" (2023)
Introduction
The film "Napoleon" (2023) is inspired by the life and times of Napoleon Bonaparte, one of history's most renowned military leaders and emperors. This historical figure's life was marked by his rapid rise to power, his military conquests, and his eventual downfall.Napoleon Bonaparte: A Brief Overview
Napoleon Bonaparte was born on August 15, 1769, in Corsica. He rose to prominence during the French Revolution, becoming a general at a young age. His military prowess and strategic acumen led to numerous victories across Europe, establishing him as a formidable force.Key Events in Napoleon's Life
- Rise to Power: Napoleon's ascent began with his successful campaigns in Italy and Egypt, which bolstered his reputation and political influence.
- Emperor of the French: In 1804, he crowned himself Emperor of the French, marking the beginning of the Napoleonic Empire.
- Military Campaigns: His most notable campaigns include the Battle of Austerlitz, the Peninsular War, and the invasion of Russia, which showcased his military genius but also highlighted his overreach.
- Downfall: The disastrous Russian campaign and subsequent defeats led to his abdication in 1814. He was exiled to Elba, escaped, and briefly returned to power during the Hundred Days before his final defeat at the Battle of Waterloo in 1815.
- Exile and Death: After Waterloo, Napoleon was exiled to the remote island of Saint Helena, where he died in 1821.
Historical Accuracy of the Film
The film "Napoleon" attempts to capture the essence of Napoleon Bonaparte's life, focusing on his military campaigns and personal relationships. While the film takes creative liberties for dramatic effect, it strives to remain true to the key events and figures of the era.Elements of Historical Fidelity
- Military Campaigns: The film accurately depicts several of Napoleon's major battles, showcasing his strategic brilliance and the challenges he faced.
- Personal Relationships: The portrayal of his relationships, particularly with his first wife, Josephine, reflects historical accounts, though some dramatization is present.
Creative Liberties
- Characterization: The film may embellish certain aspects of Napoleon's personality and interactions to enhance the narrative.
- Condensed Timeline: To fit the cinematic format, the timeline of events may be condensed or altered.
Overall, while the film "Napoleon" takes some creative liberties, it provides a compelling portrayal of Napoleon Bonaparte's life, capturing the essence of his historical impact.
Production
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Critique: 60
One is left with the gnawing feeling that there isn’t much point to his Napoleon, that there are no messages/warnings for today in his narrative an...
Now 85, Scott again proves there is nobody so efficient at pressing contemporary technology to the limits. He also draws heroic performances from f...
If you’re looking to nitpick historical accuracy, Napoleon is going to drive you bonkers. But good gosh is it entertaining. And funny. Don’t forget...
The director’s 28th feature is a magnificent slab of dad cinema, with Phoenix a startling emperor and Vanessa Kirby brilliant as his wife.
As entertainment Napoleon delivers without glorifying his military record or painting the man as a hero. It’s a story about power, obsession a...
Besides the gags, there’s little to grasp onto, and try as it might to echo Barry Lyndon’s naturally-lit tableaus, Scott’s film lacks that film’s a...
Napoleon isn’t a failure on anyone’s part. But it’s not a rousing success, either. It’s not really a rousing anything, which is the probl...
There’s spectacle aplenty – you, go, Sir Ridley Scott – but the overall effect of this dry, unintentionally funny epic is far from specta...
Napoleon isn’t a movie about grand triumph, or about disastrous failure. It’s a story about masculine insecurity, and how it can reduce t...
Ridley Scott delivers a spectacular but flavourless French history lesson.
Napoleon is one of the handful of movies this year that benefits from being seen on a big screen. It’s an epic crowd-pleaser with a stellar ca...
We don’t need another hero, but when it comes to the man at its center, Napoleon could have used a lot more oomph.
Phoenix has always been good at depicting this kind of pathetic tyranny, deftly (and swiftly) shifting from bratty, toothless insouciance to genuin...
The film’s epic nature embraces not only size and scope but also the exquisite craftsmanship on display, from the detail work of Janty Yates and Da...
How Scott is able to pump out these grandiose set pieces with such practiced ease (and a little CGI embellishment) is beyond me; he remains on...
Starting with the French revolution and ending with Monsieur Bonaparte’s no-bang-all-whimper exit from this mortal coil, the director’s sweeping, s...
Satirical comedy, battlefield brutality and personal tragedy mix yet never completely gel in Napoleon, a biopic starring Joaquin Phoenix as the mer...
Its glimmers of comic rage and generous helpings of battlefield carnage, though patchily entertaining on their own, never coalesce into a cohe...
The film, while technically superb, feels like it wins several battles but doesn’t entirely qualify as a success in terms of the overall war.
Waterloo makes for a clear and terrific setpiece that’s almost on par with the digital spectacle that Scott creates from the cold death of Aus...
Napoleon was without a doubt a complex and controversial character whose shadow loomed large over the first quarter of the 19th century. He deserve...
Say what you will about Scott’s most divisive movies—they’re usually big swings with big ideas. What’s so disheartening about «Napoleon» is how sma...
For all its brawn and atmosphere and robustly choreographed combat, this is a distended historical tapestry too sprawling to remain compelling...
Lovers of the currently unfashionable historical epic, however, mostly aren’t eager to see Napoleon for the love story at its core. What they want...
Epic in scope, intimate in execution, Napoleon is a thrilling, surprisingly funny account of the infamous French Emperor’s rise and fall.
As far as truly caring about anything that goes on in this epic, well, that’s a chore. And with a run time of more than 2½ hours, that chore b...
Director Ridley Scott’s Napoleon sweeps aside this caricature, craftily sidestepping the pitfalls of many conventional biopics and delivering ...
It is less a rich, twisty drama than a journey through a historical figure’s greatest hits, punctuated by more engrossing moments of vuln...
Scott’s take on Napoleon is distinctively deadpan: a funny, idiosyncratic close-up of the man, rather than a broader, all-encompassing a...
The result, while flawed, is glorious: majestic, atmospheric, visually stunning, led by two charismatic leads. Scott, at 86, shows the young ‘uns h...
Phoenix is the key to it all: a performance as robust as the glass of burgundy he knocks back: preening, brooding, seething and triumphing.
It’s amusing, in a Barry Lyndon sort of way, but also feels a bit blinkered. Discounting Napoleon Bonaparte as a buffoon who merely benefitted...
Napoleon is consistently surprising partly because it doesn’t conform to the conventions of mainstream historical epics, which is especially true o...
Napoleon was many things, and with this dutiful career highlights reel, Phoenix and his director deliver glancing blows to as many aspects of the w...
At times, Napoleon is a costume drama. For long stretches, it is a bloody war film. And occasionally – in its best moments – it beco...
Here is a sweeping historical tapestry – no one does it better today than Scott – with a damning, almost satirical portrait at its c...
It’s too bad Scott could not deliver a brilliant character study of one of the world’s great military leaders – and instead settled for lettin...
Envisions Napoleon as a complex mix of the imposing and the absurd, his dreams of conquest—and single-minded ability to make them a reali...
Even when it goes off the rails, this epic take on the notorious French emperor boasts state-of-the-art battle scenes from master tactician Ridley...
More times than not, the film’s bursts of humor clash awkwardly with the far more frequent attempts at gravitas that the filmmakers strive for when...
Napoleon is not a complete wash, mercifully, its strengths pooled in extended and gory battle sequences. You can feel Scott’s excitement at th...
As a historical epic, Napoleon is handsome but a little impersonal – you can really feel the absence of texture lost in getting it down u...
It feels like a tantalising trailer for the longer and presumably richer and deeper film that is still to come.
It’s sometimes boring and pretentious and often a little silly, almost to the point—almost—of parody. But even with all its flaws tallied and...
Napoleon is a grand film, both in terms of Scott creating a story with a size we’ve rarely seen from him, and the bold, large choices mad...
Napoleon is not, thank god, a hagiography. But it has the faltering rhythms of a rough draft – it plays as though Scott gave up on trying to c...
Napoleon features exceptional battle scenes as well as tart back-and-forths between these romantic combatants, resulting in a lavish, thoughtf...
For Napoleon, Scott gives every last little slice of himself – the dramatist, the set-piece strategist, even, and especially, the comedian – to del...
In short, it’s the life of Napoleon as only Scott can tell it, full of verve, spectacle, and machismo. Its battle scenes are thrilling, a throwback...
The result is a colossal bore that is never passionate, exciting, sexy or entertaining, with an ill-fated titled performance by Joaquin Phoeni...
Try as he might to capture the political complexities of their relationship and how it was sacrificed because of the needs for an heir, Scott tells...
A man, even a man as combative as Napoleon, amounts to more than the battles he has fought. And it is in this respect that the film is less su...
Dense without feeling rushed, then done without ever having really sprung to life, Napoleon seems determined to cover a great deal of ground o...
It’s a tall order to deliver a portrayal of such an auspicious historical character. Little effort is made to glorify him, and Scott makes sur...
Fierce and chaotic, the re-creations of war also fall short – the CGI in many scenes is shockingly bad. Whenever the movie threatens to become...
The feeling persists that something is missing here. That Scott and company are merely lightly touching on things that require deeper exploration...
No one should mistake Scott’s Napoleon as an overtly political film. It’s true ambitions are to entertain and inform, in that order.
As you’d expect, Ridley Scott’s sweeping, decades-spanning and magnificently filmed epic Napoleon is a stylized and violent interpretation of the l...
A beautifully shot film that doesn’t quite conquer the big screen.
As it is now, Napoleon plays more like a hastily compiled highlight reel of a life than the full-fledged historical epic its director seems to...
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Reviews: 7
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Watching now
It’s not good to keep Scott’s filmography for a long time not 100% watched, so I’m closing the gap, despite the crap ratings and the marenge timing.
Watched
I don’t particularly like historical films, but in most respects this one turned out to be quite good. First of all, thanks to Joaquin Phoenix and Vanessa Kirby: a beautiful tandem that you don’t want to take your eyes off. Visually, the film is also impressive in its scale, it is clear that the budget was fully worked out. And the most important thing for me is that the narrative does not get boring: if other similar films would make me sleepy, here it only became more interesting to watch. 7.5
Watched
A very long film with a stellar cast. Although sometimes it seemed to me that despite his talent, Joaquin Phoenix is not suitable for the role of the emperor. But it was Ridley Scott himself who made the choice. He doesn’t care what anyone thinks, since he said that he doesn’t care what the French think.
Napoleon
This is a distended historical tapestry too sprawling to remain compelling
Hollywood Reporter
Watched
Something in terms of artistic quality and level of script comparable to the films of Zack Snyder. From the incomprehensible concept to the faceless, soulless production, a damn movie. Ridley should have been embarrassed to release something like this. Not as a Briton or a bearer of his views – but as a filmmaker.
Watched
An outstanding epic about the most famous Frenchman, a historical educational program for the Unified State Examination generation. Will the promised four-hour version be better? Not sure. It definitely worked with Kingdom of Heaven… Phoenix is good. I practiced playing with another Moomin before the Joker sequel.
Watched
Only for the military battles I give it a 7. But overall, it’s a very boring movie.
Watching now
Oh, such a cast – Joaquin Phoenix , Vanessa Kirby , Tahar Rahim and many other European actors from famous TV series. A film like this should have been turned into a mini-series.
Watched
Ridley Scott continues his series of pessimistic, iconoclastic films. This one is a kind of brother to El Conde; Scott, like Larraín, finds the very fact of the emergence of a mythology around the main characters laughable, and he consistently, deliberately absurdly knocks off the gilding and mocks the dead monument in every possible way.
Watched
Oh, Ridley, go to hell. He constantly takes a ton of lyams, spends them on battles, connects them with a soap-opera plot and presents them as a historical epic. It turned out again to be loose, boring and superficial, who this Napoleon is is generally incomprehensible, some pathetic guy in a cocked hat.
Watched
Joaquin Phoenix. Vanessa Kirby. Ridley Scott. Based on real events, it covers the time period from 1799 to 1821 – from Bonaparte’s rise to power in France and to St. Helena. Another one who liberated and wanted peace by attacking countries and killing their citizens by the millions.
Watched
The film certainly falls into kitsch, which is already native to Ridley since the days of Gucci. But what a magnificence it is: battles, music and the tragedy of one little man. Phoenix is luxurious. I don’t understand the low ratings on tomatoes.
Watched
Ridley Scott adapted the Wikipedia article about Napoleon, adding several large-scale and spectacular battle scenes. But he «blundered» a little by not adding a single homoerotic scene, thereby depriving Joaquin Phoenix and the film itself of even an Oscar nomination. At least I thank him for this.
Watched
The skill of Ridley Scott and the talent of Joaquin Phoenix could not overcome the clearly unsuccessful screenplay. The film turned out to be very crumpled. The picture is beautiful, but there was no coherent story. Still, a running time of 150 minutes is very little for a story 25 years long.
Watched
Beautiful battle seeds and nothing more. As with Openheimer, here we need to refresh our memory on European history. Napoleon himself seemed like a wimp. In general, just take a look
Watched
Shot with dignity. But it’s crumpled, dark, soulless and stuffy. I didn’t catch any charisma, no character, no motives, no aspirations, no love. Just a dry listing of some events. No France, no army, no Josephine… What is all this for, Ridley? Only for Joaquin? But it didn’t really help him either…
Watched
Again, half the film is in darkness, plus a crumpled, incomprehensible plot; the duration is not enough to cover the era of the emperor’s reign. Much attention is paid to the love line, and not to the epic and history…
It seems to be 2.5 hours long but it seems like they didn’t really tell anything. No revealing of Napoleon’s character, no history of France, no how he fought. And Phoenix walks around the whole movie with a stone face. In general, strictly watch only at home with a 100% discount and beer.
Watched
Very unclear. Whichever way you approach it, it doesn’t work anywhere. Not as a historical drama, not as a biopic, not as a love story. Here, in principle, such a personality cannot be covered in full. Idk, at least they took a segment and set the accents… In short, a completely unnecessary and empty movie.
Watched
Of course, I wasn’t there, and in general I went to hell, but something tells me that Napoleon, as emperor, did not gallop in the vanguard under bullets against Bagration’s flushes at Borodino. And since we are looking at a caricature, then why is it so neither funny, nor shocking, and so dull to the point of banality?
Watched
The historical figure himself – Napoleon, is very ambiguous! After watching, I would like to note the performance of the main actors, Vanessa Kirby played with dignity, but Joaquin Phoenix was simply incomparable – he is a maestro in his field, not everyone can evoke so many different emotions with his acting!
Watched
Everything was somehow superficial and chaotic, the plasticine Phoenix played the fee without emotion, the burning of Moscow and the final battle of Waterloo presented the viewer with the greatness of England. You can highlight the colorful battle scenes and, in general, that’s all. It’s fine for one time, but I won’t watch it again.
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