TV show's Ratings
Naeil
Country | |
Runtime | 58 min – 1 hr 4 min |
Premiere: World | March 25, 2022 |
Channel | MBC (21:50, South Korea) |
Digital: World | April 1, 2022 |
Parental Advisory | Frightening & Intense Scenes, Alcohol, Drugs & Smoking, Violence & Gore, ... |
| |
Production Companies | |
Also Known As | Tomorrow (South Korea) |
Description
Made half-human and half-spirit by accident, a young man is employed by a company of grim reapers in the underworld to carry out special missions.Сast and Crew
Producer
Producer
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Critique: 52
It’s a thoroughly pleasant if flimsy film… with a distinct perfume of nostalgia wafted towards us, say by the sight of Gitanes lit up on cross...
Abbasi’s film feels more invested in the killer than his victims, who were women with lives and families who deserve better than to be remembered a...
The moral incoherence of "Holy Spider" arises precisely from… pretensions, which the movie ultimately can’t reconcile with its garden-variety...
Mrs Harris Goes to Paris could never be mistaken for a Ken Loach polemic. But whilst showing us a lot of pretty frocks, it gets awfully close...
Director Anthony Fabian has made a broad and cheery snowglobe of a film.
A frustrating but fascinating film, made by an evidently talented filmmaker, which never quite manages to resolve the tensions between its apparent...
It’s rare to find movies that value the mere idea of beauty, and this one—directed by Anthony Fabian—does so unapologetically.
What’s so lovely is that Mrs. Harris Goes To Paris is a celebration of beauty and the importance of cherishing those special things in life th...
Yes, Saeed has been exposed to cruelly patriarchal mores, but the fetishistic way in which the killings unfold take us well past any social statement.
An intensely stylish and appropriately troubling film, with stomach-churning murders and a pacy first half that’s reminiscent of David Fincher...
Few films from the past few years have given me as much continuous pleasure as Mrs. Harris Goes to Paris.
If viewers get stuck on the "this would never happen in real life" notion, they will miss the point of this charming tale.
Holy Spider is a dark, atmospheric character study of one of the most difficult humans to sympathise with.
The film’s designers spent a lot of time exploring the Dior archives and it shows. It’s Mrs Harris’s story, but it’s also a fond tribute to&nb...
Tight, taut and not one beat out of place, Holy Spider captivates from start to finish; it gets its claws in and refuses to let go.
Mrs. Harris Goes to Paris stretches a bit to make high and low meet harmoniously, but it often manages the feat, thanks especially to Manville...
What made the short film so effective—the universality of a concept that reaches back to our primitive fears of the dark—Muldowney trades for ...
It’s far from subtle filmmaking, but Holy Spider is equal parts gripping and disturbing, and not always for the squeamish.
Trying to be objective here, but this will likely be a love/loathe prospect for many.
… Against this backdrop of exploitation, decay and corruption, we’re asked to cheer for a brainwashed blue-collar cleaner who’s about to blow half...
Screenwriter Simon Allen and director Toby Meakins have come up with a genuinely clever concept that could be repeatable in multiple sequels&n...
If the first half of the film shies away from the cheap thrills of its serial killer story, the pointed banality of its final chapters proves as ho...
The most immediate problem with The Cellar is that everybody but Cuthbert seems to have made this movie on autopilot.
The film is an Iranian social history that looks, at first, like a serial killer movie… it is both.
Preposterous though it may be, this is a terrific family movie in a style audiences may not have seen since Mary Poppins.
It’s unabashed froth, as substantial as a tulle skirt. And perhaps that’s exactly what we need right now.
It wouldn’t work quite so well, however, were it not for Iranian stage actor Mehdi Bajestani in the lead, giving a subtle and effective perfor...
Anyone who reads the news, anywhere in the world, will respond to these rote hypocrisies of misogyny with little other than jadedness.
There is a definite implausibility factor here, but the movie’s final act, showing Saeed’s eerie self-possession and unrepentant d...
It’s a tense, atmospheric piece of film-making but it made me profoundly uncomfortable – and not, I should add, in a good way.
Holy Spider trickily manages to bridge the gap between social realism and exploitation cinema in a way that hints at how both are rooted in a...
It’s relentlessly ridiculous in the same way those Weird Al parodies were, lyric by lyric, perfectly wrong yet so right.
As a concept, it’s urgent and timely, but the execution is so muddled that the movie feels entirely defanged.
Not a nadir in recent horror cinema, but well below average – and sea level – "The Cellar" is a logy contraption whose bas...
It is handsomely mounted, Manville mostly keeps the sentimentality under control, and if you are in the mood for something pleasantly untaxing you...
It’s the action that sells the popcorn, and this film really delivers on that front, especially when it’s time to put the impossible bombing raid i...
Writer-director Brendan Muldowney is better at contriving striking images of horror, filmed with umbral gloom by cinematographer Tom Comerford, tha...
At once exploitative and contemplative, thrilling and disgusting, the film makes a bloody mess of itself before coming close to solving its ow...
Manville… brings her own set of dynamics to the role and scores a huge personal triumph.
Saeed Hanaei, the real-life serial killer reimagined in Ali Abbasi’s tense and convincing procedural, believed that God was behind his grand missio...
A basement deeper than the soil or laws of physics can allow. The Knights Templar. Irish gateway horror The Cellar has it all.
The two leads go at their roles with gusto, and I’m happy to watch Hall in anything, but unless you’re truly surprised by the idea that there’s cor...
Newman bathes the story in so many broad, dusty tropes and odd tonal shifts that nothing really feels real for a moment.
It may sound dismissive to call a film ‘nice’, but that’s exactly what this is. It’s beautifully produced, entirely uncynical niceness. If you...
Holy Spider's rendition of this grisly tale is powerful and precise, commendably lacking the sensationalistic tone of some serial killer movies.
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