Following the bad critical reception of The Long Kiss Goodnight and a rejection letter from the Academy of Motion Picture Arts and Sciences, Shane Black decided he would attempt something out of the action genre. Following the example of James L. Brooks, Black attempted to make a romantic comedy, "a quirky story of two kids in L.A." Brooks liked Black's first draft, but felt his later attempts were losing focus. Trying to salvage what he had liked, Brooks suggested Black imagine Jack Nicholson from As Good as It Gets playing Nicholson's role from Chinatown. This led Black to add action elements - "I said, you know, 'Fuck it. I have to put a murder in it.'" - and re-work the screenplay, adding the character of detective "Gay" Perry, who Black said was an attempt to break stereotypes, as he had never seen "the gay guy who kicks down the door, shoots everyone, and bails your ass out before". Old detective novels were a major influence, with Black saying he tried to re-invent the genre "using realistic characters, in a modern setting, but with the spirit of the 1950s and 1960s". The crime plot drew from Brett Halliday's Bodies Are Where You Find Them, and Black homaged Raymond Chandler by splitting the film into chapters named after Chandler's books.
Kiss Kiss Bang Bang
(2005)7
Country | |
Runtime | 1 hr 43 min |
Budget | $15 000 000 |
Premiere: World | $15 785 148 September 6, 2005 |
USA | $4 243 756 |
Other countries | $11 541 392 |
Box Office – Budget | $785 148 |
Premiere: USA | $4 243 756 September 14, 2005 |
first day | $54 285 |
theaters | 226 |
rollout | 437 days |
Digital: World | March 18, 2013 |
Parental Advisory | Profanity, Frightening & Intense Scenes, Alcohol, Drugs & Smoking, Violence & Gore, ..., Sex & Nudity |
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Production Companies | |
Also Known As | L.A.P.I. United States |
Description
After being mistaken for an actor, a New York thief is sent to Hollywood to train under a private eye for a potential movie role, but the duo are thrown together with a struggling actress into a murder mystery.Сast and Crew
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Critique: 30
Black’s postmodern take lives up to its title, though an added Laugh Laugh might have said it all.
While Downey’s rumpled insouciance jibes with the movie’s jaded, narcissistic tone, it’s a hard tone to take for a hundred m...
[A] smart, hilarious blend of detective story and action film, relishing the viciously twisting plot and the chance to take sarcastic swipes at lif...
A silly, self-reflexive lark oozing spitfire sarcasm and nonchalant cool.
Kiss Kiss, Bang Bang contains a lot of comedy and invention, but doesn’t much benefit from its clever style.
A smart, hilarious and affec tionate spoof of detective movies – and Hollywood – starring the inspired team of Robert Downey Jr. and Val...
A very writerly film, incessantly displaying a preoccupation with its own storytelling structure and cheekily blowing the lid off other movies...
A self-referential noir-screwball-action movie that never wears out its welcome – although it delights in taking that risk, over and over again.
Shane Black’s film noir is a movie with no particular reason for existing, a flashy, trifling throwaway whose surface cleverness masks&n...
All three actors give it their all, but Monaghan stands out with a sexy yet oddly down-to-earth variation on the Midwest girl gone wrong, than...
Pretty damned funny in its insubstantial, gratuitously violent, gratuitously everything way.
Kiss Kiss is such a delightful bombardment, we barely notice that Black’s convoluted, serpentine plot doesn’t make a lick of...
As a slice of disposably self-referential entertainment, it more than earns its keep, and also acts as an effective witness-protection program...
The plot of the film is almost willfully convoluted. But it’s also largely beside the point, an excuse for quite a few good scenes, most...
It convinces you that Black should have been directing his own scripts long before now.
It’s the laugh-a-minute repartee of this odd couple that drives the movie far more than the ridiculously overly complicated plot.
[Robert Downey Jr. is] the quickest, sharpest, slyest and wryest comic actor on the screen.
Jumpy and ironic, Downey is a quicksilver delight and Kilmer is funny as the gay Perry.
Kiss Kiss, Bang Bang turns into a film that is too ostentatiously pleased with itself, so in love with its own cleverness it doesn’t not...
A sarky, sniping film noir homage that assassinates the character of every LA archetype you could imagine.
A trippy tribute to L.A. noir that blazes through its running time, a genre-busting blitzkrieg attack on Hollywood pretentiousness that’s jus...
[A] cheerful mess of a pulp-fiction parody, pumped full of laughs by Michelle Monaghan, Val Kilmer, and Robert Downey Jr.
The movie itself may be the slyest bit of all, proving that it’s possible to come back not just adequately, but better than before.
Kiss Kiss, Bang Bang is a terrific one-night stand, but you may wake up, as Harry does, and wonder exactly who you slept with.
Black has concocted a zany detective dramedy, a jokey, nocturnal Chinatown and an amazingly, amusingly verbose movie, all banter and hard-as-n...
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Watched
It’s a little absurd, but events follow each other without ceasing. Really funny jokes and Robert’s great charm are all very cool. It’s a bit of an acquired taste, and there is dark humor, but for me these are only advantages. Translated to English
"Smack Smack Bang Bang" features excellent acting by Downey Jr. Kilmer looks good only in an ensemble with Downey. Michelle Monahan is great. The Last Action Hero style dialogue is memorable. The film is fast-paced, elegant, witty and worth watching. Translated to English
Watched
There was comedy, there was action, the detective did not disappoint, there was romance. Interesting to see) Translated to English
Watched
A one-off comedy-detective with a storyline that could have been much shorter and much more interesting. 6.5 out of 10. Translated to English
Watched
McDonagh’s "Low Budget" two years before McDonagh’s breakthrough into cinema. A pleasant comedy detective story with an intriguing premise and a not-so-steep ending to make the film so twisted. Black overdid it with the script; the core of the story is simple, but with a lot of unnecessary details. Translated to English
Watched
The film can be called post-noir – so cleverly and inventively it satirizes much of the aesthetics of noir detectives of the past. The plot, of course, picks up a wild pace of humorous turns, and then… it turns out that there is much less comedy. Because corpses, murders and failures… something like noir. Translated to English