In 1997, Sony Pictures Entertainment purchased the film rights to Astro Boy from Tezuka Productions, intending to produce a live-action feature film. Todd Alcott was set to write the screenplay, but the film halted in 2000 when Steven Spielberg began A.I. (2001), another film with a robot boy who replaces a dead child. In December 2001, Sony hired Eric Leighton to direct an all-CGI film, with Angry Films and Jim Henson Productions producing it for a 2004 release. A screenplay draft was written, but the film did not go into production, and Leighton left in early 2003 to pursue other film projects. In June 2004, animator and Dexter's Laboratory creator Genndy Tartakovsky was hired to direct a live-action/animatronics/CGI feature film. After writing the script, the film didn't go into the production, and Tartakovsky left next year to direct 3-D-animated feature films at a new studio, Orphanage Animation Studios. Few months later it was revealed, that he was set to direct The Dark Crystal (1982) sequel, The Power of the Dark Crystal, another co-production with Jim Henson Productions. In September 2006, it was announced that Hong Kong-based animation firm Imagi Animation Studios would produce a CGI animated Astro Boy film, with Colin Brady directing it. A year later, the studio made a three-picture distribution deal with Warner Bros. and The Weinstein Company, which also included TMNT (2007) and Gatchaman. In 2008, Summit Entertainment took over the film's distribution rights. The same year, Brady was replaced with David Bowers, who previously directed Flushed Away (2006), the last project under the relationship between DreamWorks Animation, the creators of the Shrek and Madagascar franchises and Aardman, the creators of the Wallace & Gromit franchise and Chicken Run.
Astro Boy
(2009)Country | |
Spoken Language | english, japanese |
Runtime | 1 hr 34 min |
Budget | $65 000 000 |
Premiere: World | $39 886 986 October 5, 2009 |
USA | $19 551 067 |
Other countries | $20 335 919 |
Box Office – Budget | – $25 113 014 |
Premiere: USA | $19 551 067 October 19, 2009 |
first day | $1 823 193 |
theaters | 3020 |
rollout | 435 days |
Digital: World | March 16, 2010 |
Production Companies | |
Also Known As | Atom Japan |
Description
When an android replica of a boy is rejected by his aggrieved creator, he goes off to find his own identity in an adventure that would make him the greatest hero of his time.Сast and Crew
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Spin-off Version: 4
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Critique: 25
Astro Boy succeeds at creating a complex world filled with second-class robots and sometimes careless, greedy humans, providing food for thoug...
It’s a totally serviceable reboot for young people who are just discovering the joys of manga, but I can’t help but miss the...
This computer-animated adaptation of the 1950s-created future boy from Osamu Tezuka, the godfather of Japanese manga, is actually a sweet and...
David Bowers' retro-cool update on the titular icon looks so great, it may take a while to notice it’s a clunky political parable wrapped in...
It is a bold and even poignant idea and the movie certainly zips along. It’s not in the Wall-E league, but it’s well made and inve...
It’s hardly groundbreaking, and some of the voicework is bland, but it doesn’t drag.
Astro Boy is a blast, a jolt of Japanese anime channeled through British slap-shtick that ends up yet another cool cartoon for both kids and a...
Astro Boy is better than most of its recent competitors, such as Monsters vs. Aliens and Kung Fu Panda.
Lacklustre design and rudimentary storytelling sink Astro Boy below the level of the recent hits of Pixar and DreamWorks.
The animation bar has been raised, and not just by Pixar. Poor little Astro Boy hasn’t a prayer of clearing it.
What makes this peppy kids' film interesting is the human/robot apartheid system that has evolved in the futuristic world that Astro inhabits.
Tenma wisely powers the boy’s heart with positive energy, something that spreads to the movie as well.
The sci-fi cityscapes are gleaming, the action energetic and entertaining.
Astro Boy should please new-generation fans as thoroughly as nostalgia-hungry adults who grew up with the cartoons of the 1960s and 1980s.
If all of this sounds a bit heavy, even dark and scary, indeed some of it is. But it’s also very funny, action packed and pithy.
It strays too far from the original to please hard-core fans and it is so confused in tone and purpose that it is hard to tell where it’s aimed.
Astro Boy alternately soars and sputters through a story line that’s not quite sure who it’s aimed at.
There’s very little that the filmmakers haven’t borrowed here, making Astro Boy feel as copied as its title character.
A muddled film full of one-dimensional characters and insultingly strident politics.
Any critic who complained about the lack of story in "Where the Wild Things Are" should be forced to watch the escapades and high jinks of "Astro&n...
Osamu Tezuka’s groundbreaking 60s anime series gets a stylish CGI update in this sci-fi animation.
Astro Boy is a marvelously designed piece of cartoon kinetics, with the pleasing soft colors and rounded-metal tactility of an atomic-age dayd...
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