In May 2000, Film4 Productions acquired feature film rights to Alice Sebold's novel The Lovely Bones, when it was a half-written manuscript. Producer Aimee Peyronnet had sought to attract studio interest to the manuscript, and an insider informed Film4's deputy head of production, Jim Wilson, of the project. The company attached Luc Besson and Peyronnet's production company Seaside to the project, two years before the novel's release. By February 2001, Lynne Ramsay was hired to direct and write the film adaptation of the novel. In July 2002, Channel 4 shut down Film4, causing Hollywood studios and producers to pursue acquisition of feature film rights to The Lovely Bones, which had spent multiple weeks at the top of the New York Times Best Seller list. The film adaptation, which had been estimated at a budget of $15 million, remained with Channel 4 under its newly developed inhouse film unit, with Ramsay still contracted to write and direct. By October 2002, Ramsay was writing the script with fellow screenwriter Liana Dognini, with filming planned for summer 2003. Author Sebold was invited by the producers to provide input on the project.
The Lovely Bones
(2009)8
Country | |
Runtime | 2 hr 15 min |
Budget | $65 000 000 |
Premiere: World | $93 621 340 November 25, 2009 |
USA | $44 114 232 |
Other countries | $49 507 108 |
Box Office – Budget | $28 621 340 |
Premiere: USA | $44 114 232 December 11, 2009 |
first day | $43 532 |
theaters | 2638 |
rollout | 386 days |
Digital: World | May 1, 2012 |
Parental Advisory | Frightening & Intense Scenes, Violence & Gore, ... |
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Production Companies | |
Description
Centers on a young girl who has been murdered and watches over her family — and her killer — from purgatory. She must weigh her desire for vengeance against her desire for her family to heal.Сast and Crew
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Peter Jackson — Top Rated Movies
Critique: 42
It’s a competently made movie – in Jackson’s hands it could hardly be anything but – yet rarely a moving one.
Both [Saoirse] Ronan and [Stanley] Tucci are worth the price of an admission ticket.
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You wanna know what purgatory feels like? Sit through all two-plus hours of this lurid mush and you’ll have a fair idea.
In Jackson’s simplified, sweetened, and CGI-besotted telling, The Lovely Bones is a sad-but-hopeful, dramatic-but-gentle fairy tale int...
The result is dumbfounding and ludicrous in equal measure, a too-muchness that makes the excesses of What Dreams May Come seem downright spartan.
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The Lovely Bones is difficult viewing, a meticulously crafted experiment that, it turns out, wasn’t worth it.
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A technically proficient picture, filled with interesting actors, telling a compelling story from a beloved best-seller. It’s remarkable...
Tonally, visually, conceptually, The Lovely Bones is all wrong.
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Instead of a compelling nightmare, he has created a bland, girly-sparkly dream.
Jackson takes a more scenic route. It looks like a New Zealand tourist poster animated with CGI and touched up with borrowings from Dali and M...
The movie strikes clashing tones, veering from lightheartedness to heavy-handedness.
Some books should stay between their covers, and The Lovely Bones may well be one of them.
A story about the unbreakable bonds between parents and children, a story about thwarted justice and monstrous revelations is diverted by Jackson i...
The miscalculation on almost every level is perversely thorough. It’s as if the filmmaker, faced with an endless series of daunting creative...
Jackson is too enamored with the idea of mixing heaven and the heebie-jeebies, so he’s made the skeevy equivalent of a Mitch Albom book...
Alice Sebold’s evocative best seller proves to be more unfilmable than Tolkien’s sprawling fantasy trilogy - a disappointment, yet...
[Ronan] captures the uncertainty and intensity of thwarted teenage passions perfectly but, set against the artifice and the manipulative tendencies...
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The imagery kills the fear. In a film which is essentially about a child serial killer, the constant blossoming of visual possibility leaves t...
There’s a blinkered quality to the film that might have been more intriguing had the story been given a stirring political context.
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Jackson’s version achieves a different, less palatable kind of novelty. It is a "heart-warming" film about murder.
Peter Jackson’s adaptation of Alice Sebold’s best-selling novel hovers just this side of Ghost Whisperer kitsch but remains compulsivel...
So infuriatingly coy, and so desperate to preserve the modesty of its soulful victim that it amounts to an ongoing clean-up operation.
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Despite significant cuts and instances of condensation, the plot’s skeleton tracks well with Sebold’s book, but therein lies the roots...
The Lovely Bones is a deplorable film with this message: If you’re a 14-year-old girl who has been brutally raped and murdered by a...
It’s an interesting way to tell a heartbreaking story a young girl whose life was taken away too soon, and whose family fights to pull t...
Everything that’s good is undermined by an overemphasis on one part of the story that is essential but has been allowed to overflow its bound...
Jackson’s film takes us on a journey of loveliness, but without the hard, stark strength of bone beneath it to give it the direction and...
The Lovely Bones does a fantastic job with revered, complex source material. As terrific on terra firma as it is audacious in its astral plane...
Under the hammy direction of Peter Jackson The Lovely Bones has lost its poetic bone structure. What was a complex, quirky novel has been turn...
The repulsive yet redemptive story is harrowing, but director Peter Jackson’s visions of heaven feel like a My Little Pony version of Lo...
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Watched
A very cool movie, from which you can take a lot of meaning. Everyone will find something for themselves in it. This presentation of a tragic story is very good. I advise everyone to watch this movie. It is filled with kindness, sadness, cruelty. 8.5/10 Translated to English
Watched
I watched the film many years ago, I really liked it and decided to leave a review, if you haven’t seen it, it’s a shame. Translated to English
Watched
I expected more emotion from the film, but it seems to be fine. To be fair, there is a very young Saoirse Ronan here, which is kind of pleasing, but not really for me. For me, the main star of the film is Stanley Tucci – without him, the film would be cheap… In short, it’s just average! Translated to English
Watched
I don’t even know how to write a review of a film on such a painful and heavy, like a concrete slab, topic. Translated to English
Watched
Sweet Ronan and unrecognizable Tucci, Andrew Lesnie’s signature camera sweeps, a combination of family drama, fantasy and horror, or the touching story of a 14-year-old girl Susie Salmon, who dies at the hands of a maniac pedophile and, having become a ghost, tries to accept her death Translated to English
Watched
It’s drawn out. The film is two hours long, but there isn’t much going on in it. Sometimes I even shouted to the screen: "Come on, hurry up." Saoirse gives a good performance, but the film didn’t touch me at all. Only my heartbroken mother made my eyes moisten a little. Translated to English
Watched
A good film, although a bit heavy, although it was obvious from the very beginning of the film. All teenagers should definitely watch it! I will definitely show my daughter what life is like, and that you need to be vigilant… Translated to English
Unusually bright and cloudy color frames of the film, like a girl’s dreams that are not destined to come true. Darkness and cold, laughter and joy, desires and hopes, love and inevitability. The film is like a silent cry, a sad and terrifying story: "I found a world in which I was not…" Translated to English