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    Soundtrack

    The Da Vinci Code (Original Motion Picture Soundtrack)

    Different stars

    • 1 Hans Zimmer & Richard HarveyDies Mercurii I Martius 6:03
    • 2 Hans Zimmer & Richard HarveyL'Esprit des Gabriel 2:49
    • 3 Hans Zimmer & Richard HarveyThe Paschal Spiral 2:49
    • 4 Hans Zimmer & Richard HarveyFructus Gravis 2:50
    • 5 Hans Zimmer & Richard HarveyAd Arcana 6:07
    • 6 Hans Zimmer & Richard HarveyMalleus Maleficarum 2:19
    • 7 Hans Zimmer & Richard HarveySalvete Virgines 3:14
    • 8 Hans Zimmer & Richard HarveyDaniel's 9th Cipher 9:31
    • 9 Hans Zimmer & Richard HarveyPoisoned Chalice 6:20
    • 10 Hans Zimmer & Richard HarveyThe Citrine Cross 5:22
    • 11 Hans Zimmer & Richard HarveyRose of Arimathea 8:12
    • 12 Hans Zimmer & Richard HarveyBeneath Alrischa 4:23
    • 13 Hans Zimmer & Richard HarveyChevaliers de Sangreal 4:07
    • 14 Разные артисты & Richard HarveyKyrie for the Magdalene 3:55

    4

    " Seek The Truth"
    Country
    Spoken Language
    Runtime 2 hr 29 min
    Budget $125 000 000
    Premiere: World $801 349 858 May 17, 2006
    USA $217 536 138
    Other countries $583 813 720
    Box Office – Budget $676 349 858
    Premiere: USA $217 536 138 May 19, 2006
    first day $28 630 324
    first weekend $77 073 388
    theaters 3757
    Digital: World November 14, 2007
    Parental Advisory
    • Violence & Gore

      plenty

    • Frightening & Intense Scenes

      average

    • Alcohol, Drugs & Smoking

      few

    • Profanity

      few

    • Sex & Nudity

      few

    Production Companies
    Also Known As

    Description

    A murder and clues in paintings lead to the discovery of a closely guarded religious mystery.

    Сast and Crew

    The Da Vinci Code: The Book

    About the Book

    The Da Vinci Code is a mystery thriller novel written by Dan Brown. Published in 2003, it is the second book in Brown's Robert Langdon series, following Angels & Demons. The novel explores themes of symbology, religion, and conspiracy, weaving a narrative that challenges historical and religious beliefs.

    Plot Summary

    The story follows Robert Langdon, a Harvard symbologist, who is called to the Louvre Museum in Paris to investigate the murder of the curator, Jacques Saunière. Alongside cryptologist Sophie Neveu, Langdon uncovers a series of puzzles and hidden messages that lead them on a quest to uncover a secret protected by a clandestine society. The narrative delves into the mysteries surrounding the Holy Grail and the role of Mary Magdalene in Christian history.

    Author: Dan Brown

    Dan Brown is an American author known for his engaging and controversial thrillers. His works often incorporate themes of cryptography, art, and conspiracy theories. Brown's writing style is characterized by fast-paced plots and intricate puzzles, which have captivated millions of readers worldwide.

    Book vs. Film

    The film adaptation of The Da Vinci Code was released in 2006, directed by Ron Howard and featuring Tom Hanks as Robert Langdon. While the film remains largely faithful to the book's plot, certain elements were altered or condensed for cinematic purposes. The film captures the essence of the novel's mystery and intrigue, though some fans of the book noted differences in character development and the omission of specific details that enriched the novel's narrative.

    Key Differences

      • The film simplifies some of the book's complex puzzles and historical references to fit the runtime.

      • Certain characters and subplots are either altered or omitted to streamline the story.

      • The film's visual representation of locations and artworks adds a new dimension to the story, enhancing the book's descriptive passages.

    FAQ

    What is the 2006 film “The Da Vinci Code” about (spoiler-free)?

    It’s a mystery thriller where a symbology professor and a cryptologist are pulled into a Louvre murder investigation. Their trail leads through codes, symbols, art history, and secret societies, with stakes that escalate far beyond a standard crime case.

    Is it a book adaptation? How close is the film to the novel?

    Yes—it's based on the novel by Dan Brown. The film keeps the major plot beats and core puzzles, but streamlines, rearranges, or alters some scenes and motivations to fit pacing and cinematic structure.

    What genre is it, and what’s the storytelling pace like?

    It’s a mystery thriller with adventure and conspiracy-driven puzzle elements. The pace is largely clue-chasing: lots of explanatory dialogue, rapid location changes, and occasional bursts of action.

    What themes does “The Da Vinci Code” explore?

    It touches on faith versus historical interpretation, institutional power, secret societies, symbols and art as meaning-carriers, and the question of who shapes what becomes the “official” story of the past.

    Do you need art history or religious knowledge to follow the movie?

    No. The film explains most essentials as it goes. But a basic familiarity with Christian symbolism and European art can enhance the experience by making the clues and references land more strongly.

    Is the movie more about puzzles or action?

    More about puzzles, decoding, and investigation. Action is present, but it’s mainly there to propel the plot rather than define it.

    Why did the film generate so much controversy?

    Because it uses religious subject matter and alternative interpretations of historical and theological ideas. Many viewers read it as making factual claims, even though it’s fundamentally a fictional thriller built around speculation and provocative concepts.

    Who is behind the film’s directing and screenplay?

    It was directed by Ron Howard, with the screenplay adapted by Akiva Goldsman from Dan Brown’s novel.

    Is it suitable for family viewing?

    It skews adult: tense sequences, a murder investigation, pursuits, and religious conflict themes. Teens can watch, but it may work best with some contextual discussion.

    Where does the story take place—mostly Paris?

    It starts in Paris at the Louvre, but the investigation quickly expands: the characters move across multiple European locations, each adding new clues and raising the tension.

    Can you watch it without reading the book?

    Yes. It’s structured so viewers can follow the main mysteries and motivations without prior knowledge. The book simply offers more internal explanation and character detail.

    Does the film have sequels or related movies?

    Yes. It’s part of a series of adaptations centered on Robert Langdon. Later installments continue the puzzle-and-symbolism approach with different storylines.

    Is it very puzzle-heavy—easy to track the clues?

    It’s moderately puzzle-heavy: clues are often explained in dialogue, and visual details are highlighted. Still, the jargon and quick shifts can reward focused viewing without distractions.

    What parts are grounded in reality versus fiction?

    It uses real locations, artworks, and select historical facts as a backdrop for a fictional thriller. The connective logic, conclusions, and many in-story claims are presented as narrative invention rather than a documentary account.

    Who might not enjoy “The Da Vinci Code”?

    Viewers who dislike lengthy exposition, conspiracy-style leaps, or “lecture-like” symbolic explanations may not connect with it. It can also frustrate those expecting pure action or strict historical rigor without creative liberties.

    Which acting performances are most often singled out (without listing roles)?

    People often point to Tom Hanks at the story’s core, along with notable supporting turns by Audrey Tautou, Paul Bettany, Jean Reno, and Ian McKellen.

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    Ron Howard — Top Rated Movies

    Critique: 22

    14%
    3 19

    The film lacks the deductive appeal of the book – the way it compelled you to match wits with the protagonists. Instead, what might have been...

    Toronto Star May 19, 2006

    The Da Vinci Code the movie suffers the sin of being afraid to make the same kind of mischief with its sacred text – Brown’s book ...

    New Statesman September 26, 2017

    By the end, the film degenerates into wishy-washy relativism of the school that says "the only thing that matters is what you believe", a real cop...

    Austin Chronicle June 3, 2006

    If you take this stuff seriously, one way or another, you’re sure to be duped. You’ve got to hand it to Mr. Brown: So dark the con of m...

    Boston.com May 19, 2006

    As a film derived from a book, The Da Vinci Code isn’t a fiasco on the order of The Bonfire of the Vanities nor is it a triumph a l...

    Observer May 23, 2006

    I won’t go so far as to recommend it, and I can’t imagine ever wanting to see it again.

    Chron May 19, 2006

    Absent is the pure guilty joy of sequential puzzle-solving; instead of participating in the hunt, we’re shoved off to the side as a coup...

    Globe and Mail May 19, 2006

    Like a two-bit philosopher working the wrong side of the stone, Howard has managed to turn gold into lead.

    I.E. Weekly May 14, 2009

    What seems credible on page is ludicrous in action.

    Austin Chronicle June 3, 2006

    If you take this stuff seriously, one way or another, you’re sure to be duped. You’ve got to hand it to Mr. Brown: So dark the con of m...

    Decent Films May 19, 2006

    That it is risible and dim-witted doesn’t make it less disgusting.

    ReelViews May 19, 2006

    One could classify The Da Vinci Code as diverting, but it has sidestepped greatness by a wide margin.

    RogerEbert.com May 18, 2006

    The movie works; it’s involving, intriguing and constantly seems on the edge of startling revelations.

    empireonline.co.uk May 20, 2006

    An out of sorts Howard transforms what should be a fun treasure trail romp into something inert and borderline dreary.

    Slate May 18, 2006

    Howard takes a strangely respectful approach to the overheated mysticism of the novel, turning the film into that most boring of genres: the p...

    SFGATE May 18, 2006

    The truth is that The Da Vinci Code is a pretty-good-but-who-cares effort, a moderately interesting diversion that will hold audiences in the...

    USA Today May 17, 2006

    … a melodramatic, sometimes lifeless film that is missing the suspense of the popular novel.

    calendarlive.com May 17, 2006

    … competent if only occasionally thrilling.

    TimeOut June 24, 2006

    Completing the trail of cryptic clues simply becomes an end in and of itself – think Sudoku: The Movie – with little in the way of whimsy...

    Newsweek May 18, 2006

    Ron Howard and screenwriter Akiva Goldsman struggle mightily to cram as much as possible of Dan Brown’s labyrinthine thriller into a 2-h...

    BBC May 23, 2006

    Frankly, it’s a stinker.

    Slant Magazine May 18, 2006

    Ron Howard’s adaptation of Dan Brown’s The Da Vinci Code is a marriage made in mediocrity.

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    Quotes

    So dark the con of man.

    The only thing that matters is what you believe.

    Every faith in the world is based on fabrication.

    You are the last living descendant of Jesus Christ.

    The quest for the Grail is the quest for the divine in all of us.

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    Friends comments and ratings

    Watched

    I really liked this film, despite the fact that it is criticized for its slowness and blurred lines with Silas. I recommend it to connoisseurs of the genre and religious thrillers like Crimson Rivers or Stigmata. I give the film a nine out of ten. Health, goodness and good cinema to everyone!

    Translated to English

    Watched

    Tom Hanks. Film adaptation by Dan Brown. You start looking at what seems like a banal murder investigation. Then the secrets come into play. Ends with a surprise ending!

    Translated to English

    Watched

    Well then. It was interesting to watch, even exciting in places. But often the film was suffocating and it would be difficult to sit through it in one sitting. Here the plot twists are also guessed from the very beginning. Conclusion – I’d rather review the nation’s top treasures. And here even Hanks’s hairstyle is like Cage’s

    Translated to English

    Watched

    The final scene is one of the best on my list. In fact, the entire film leads up to it. Fanatic monks, mad scientists, riddles, and all for the sake of: The Grail under ancient Roslin awaits you, The vessel and the sword there guard the entrance. Decorated by a masterful hand, She found peace under the stars.

    Translated to English