Animation movie's ratings

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    Tôkyô goddofâzâzu 1

    « Meet the ultimate dysfunctional family.»
    Country
    Spoken Language
    Runtime 1 hr 32 min
    Budget JPY 300 000 000
    Premiere: World $611 954 August 30, 2003
    USA $367 131
    Other countries $244 823
    Premiere: USA $367 131 August 30, 2003
    theaters 10
    rollout 351 days
    Digital: World May 19, 2020
    Parental Advisory
    • Alcohol, Drugs & Smoking

      average

    • Profanity

      average

    • Violence & Gore

      average

    • Frightening & Intense Scenes

      few

    • Sex & Nudity

      few

    Production Companies
    Also Known As

    About the film Tokyo Godfathers

    On Christmas Eve, three homeless people living on the streets of Tokyo discover a newborn baby among the trash and set out to find its parents.

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    Сast and Crew

    Production

    During the production of Millennium Actress, a producer from Madhouse asked Kon if he had any plans for his next film. After completing the film, Kon took two months to write and submit a brief proposal, which was immediately accepted by Madhouse.

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    Satoshi Kon — Best movies and TV Shows

    Critique: 38

    89%
    34 1

    Demonstrates an idiosyncratic human touch. Kon is unafraid of the unseemly and unsightly. People are captured as they really might be.

    When hope springs eternal, so does the film’s color palette.

    A well-told story, forged on vision and delivered with heart.

    This is a first-class film that will appeal to anyone who wants to see a plausible, witty, absorbing human story told well – indeed, told...

    An animated film both harrowing and heartwarming, about a story that will never, ever, be remade by Disney.

    Ends in magnificent fashion, with skyscrapers bowing to Beethoven’s Ninth. It’s a stirring ending to a sweet movie.

    A singularly strange and affecting comedy.

    Full of charm, grittiness and a solid storyline, the movie deserves an audience far beyond diehard animation fans.

    Like the comic strips of Ben Katchor, Tokyo Godfathers artfully appreciates the beauty and humanity in junked lives and landscapes.

    Unusual even for Japanese animation.

    As with the greatest animated films, the triumph of Kon’s work lies not just in its beauty and singularly sophisticated storytelling but in h...

    With its masterful grasp of comedy, pathos, social commentary and mystical weirdness, Tokyo Godfathers takes anime to a whole new level.

    Demonstrates an idiosyncratic human touch. Kon is unafraid of the unseemly and unsightly.

    A satisfying story that’s greater than the sum of its parts.

    A gorgeous animated film that’s as avid a tribute to the Japanese capital as Lost in Translation.

    A spellbinding piece of Japanese anime from one of the form’s new masters, director-writer Satoshi Kon.

    Japanese animator Satoshi Kon has a striking sense of composition, but I’m more impressed by his storytelling skills.

    Harrowing and heartwarming.

    Tokyo Godfathers is the kind of old-fashioned, all-ages entertainment Hollywood used to churn out in live-action form before the era of niche marke...

    Director Kon goes heavy on the schmaltz, but it doesn’t matter. He puts viewers in a comfy mode, where sentiment is a plus.

    The film is as lively as a cricket and often very funny, but it’s not for the cyberpunk crowd.

    Tokyo Godfathers stands as an excellent anime film and a really fun Christmas movie.

    The combination of high animé style and old-school heart gives the film a broad enough appeal to merit a wide release. Not that it isn’t...

    Gorgeous animated film.

    A welcome exercise in anime weirdness.

    A modern animé classic fit for rediscovery by both adults and kids-not to mention a stirring celebration of inclusivity that remains ahead of...

    Part of the spell cast by this magical film is its ability to make an unvarnished political statement about economic reality and social alienation...

    The story takes some kooky turns and, at times, delves into the supernatural.

    For all its echoes of Frank Capra and Charlie Chaplin (as well as Ford), the movie is also a love letter to modern Tokyo, whose alleyways and...

    Tokyo Godfathers just might be the equivalent of «It’s a Wonderful Life» or, to be hip and new-millennium about it, «Elf.»

    It’s a touching movie that, like the best animes, transcends the limitations of the genre.

    No amount of shoehorned-in razzle-dazzle can keep this forced fable from feeling like a shadow of Kon’s early work.

    Features phenomenally beautiful background animation and complex characterizations, and offers glimpses of a poverty-stricken Tokyo underclass...

    No amount of shoehorned-in razzle-dazzle can keep this forced fable from feeling like a shadow of Kon’s early work.

    Will probably appeal most to hard-core fans of Japanese animation and its wide-eyed style, both visual and philosophical.

    Artfully appreciates the beauty and humanity in junked lives and landscapes.

    Social indifference and injustice plague the protagonists, as well as our own consciences. This may very well be the point of the whole exercise.

    Japanese animator Satoshi Kon has a striking sense of composition, but I’m more impressed by his storytelling skills.

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    Watched

    A wonderful, heartfelt story about how a colorful trio of homeless people, trying to find the mother of a child, reflect on their personal family problems and try to live with them. Great Christmas anime. Separately, I would like to note the very flexible animation, especially the animation of faces.

    Translated to English