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    Soundtrack

    World Trade Center

    Different stars

    • 1 Craig Armstrong, Alison Lawrance, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran & The Hollywood Film ChoraleWorld Trade Center Cello Theme 3:44
    • 2 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceWorld Trade Center Piano Theme 4:01
    • 3 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceNew York Awakes 2:30
    • 4 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceThe Drive Downtown 3:52
    • 5 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceRise Above The Towers 2:26
    • 6 Craig Armstrong, Susie Stevens Logan, Pete Anthony, The Hollywood Studio Symphony, The Hollywood Film Chorale, Catherine O'Halloran & Alison LawranceWorld Trade Center Choral Piece 2:41
    • 7 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceJohn & Donna Talk About Their Family 1:25
    • 8 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceEthereal 5:25
    • 9 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceJohn's Woodshed 1:39
    • 10 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceMarine Arrives At Ground Zero 2:57
    • 11 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceWill and Allison in the Hospital 1:54
    • 12 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceAllison At The Stoplight 1:08
    • 13 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceJimeno Sees Jesus 1:43
    • 14 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceJohn and Will Found / Will Ascends 5:06
    • 15 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceJohn's Apparition 2:31
    • 16 Craig Armstrong, Catherine O'Halloran, Pete Anthony, The Hollywood Studio Symphony, The Hollywood Film Chorale, Susie Stevens Logan & Alison LawranceJohn Rescued / Resolution 7:47
    • 17 Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale & Alison LawranceElegy 4:39
    • 18 Craig Armstrong, Susie Stevens Logan, Catherine O'Halloran, The Hollywood Film Chorale, Alison Lawrance, Hollywood Studio Symphony Orchestra & Pete AnthonyEthereal Piano Coda 2:10

    1

    « The World Saw Evil That Day. Two Men Saw Something Else.»
    Country
    Spoken Language
    Runtime 2 hr 9 min
    Budget $65 000 000
    Premiere: World $163 247 198 August 9, 2006
    USA $70 278 893
    Other countries $92 968 305
    Box Office – Budget $98 247 198
    Premiere: USA $70 278 893 August 9, 2006
    first day $4 455 247
    theaters 3021
    rollout 145 days
    Digital: World May 1, 2012
    Parental Advisory
    • Frightening & Intense Scenes

      plenty

    • Profanity

      average

    • Violence & Gore

      average

    • Alcohol, Drugs & Smoking

      few

    Production Companies

    About the film World Trade Center

    Two Port Authority police officers become trapped under the rubble of the World Trade Center.

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    Сast and Crew

    The real story

    On September 11, 2001, Port Authority Police sergeant John McLoughlin and officer William Jimeno were sent to the World Trade Center after the terrorist attack.

    They were inside the complex when the South Tower collapsed. Both men were trapped under the debris. Other Port Authority officers were with their group; several members of that group died.

    John McLoughlin and William Jimeno remained buried for many hours. They were among the few people found alive in the ruins of the World Trade Center.

    Their rescue took place late on September 11 and during the night of September 12. Rescue workers, police officers, and volunteers took part in the search, including former Marine Dave Karnes, who helped locate the trapped survivors.

    Both men suffered serious injuries. Their wives, Donna McLoughlin and Allison Jimeno, waited for news about them on the day of the attack.

    Accuracy

    The account that John McLoughlin and William Jimeno were sent to the World Trade Center, became trapped after the collapse, and were rescued alive matches known facts. The main real people and circumstances of their rescue are also based on documented events.

    Production

    The Port Authority police officers portrayed by Nicolas Cage and Michael Peña, John McLoughlin and Will Jimeno, and their wives, played by Maria Bello and Maggie Gyllenhaal, were involved with the writing and overall production. John McLoughlin and Will Jimeno said they wanted to have a film made to honor their rescuers and comrades who died on September 11, not for personal gain.

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    Oliver Stone — Top Rated Movies

    Critique: 58

    62%
    36 7

    World Trade Center is fatally benign – an unexceptionable and therefore unexceptional heroic narrative that does little to further the tentati...

    A physically impressive, well-acted, sometimes emotionally powerful – and mostly apolitical – re-creation of that awful day that has some...

    Oliver Stone has made an honorable film, in other words, and almost the best thing I can say about it is that it doesn’t feel like an Ol...

    World Trade Center yields lovely and touching moments but proves a slow-going, arduous movie experience.

    Very simply, World Trade Center is a powerful movie experience, a hymn in plainsong that glorifies that which is best in the American spirit.

    Like Stone’s «Platoon," World Trade Center has the visceral stuff it takes to appeal to audiences of all political stripes. Unlike «Platoon...

    A true story of courage and survival, yes. But viewing the destruction of the World Trade Center--in a film called World Trade Center--through this...

    World Trade Center is Stone’s most potent motion picture since Platoon, and may be the most accessible across-the-board since Wall Street.

    Where «United 93» was a superb example of masterful storytelling, World Trade Center is a more conventional rendering.

    Despite being true, it feels fictional: a distillation of human values rather than an objective chronicle. That’s not necessarily a bad...

    At its best it shares with Stone’s finest work a feeling for the imminence of death and salvation.

    For all its crude effectiveness as a true-life melodrama of survival, World Trade Center doesn’t do much with 9/11, except to sentimenta...

    Sometimes this kind of writing can evoke unaffected sincerity; other times, it seems merely trite, perhaps reflecting the inexperience of first-tim...

    Without being too glib about it, World Trade Center is a most improbable thing: an upbeat film about September 11, one of the few stories to e...

    [World Trade Center] doesn’t pretend to encompass the entire catastrophe of 9/11, and that is its great negative virtue.

    In ten years (or even next week), I don’t know that this will be seen as anything more than an average TV movie about a not-so-recent di...

    It displays optimism, patriotism, emotional frankness and faith. Detractors might call it sentimental. Most of all, it exhibits no political slant...

    It celebrates the courage of the rescue teams and the fortitude of their families while giving you a visceral sense of what it was like to be...

    The old Stone was not exactly a bargain, but he was never this pious or this conventional.

    World Trade Center celebrates the ties that bind us, the bonds that keep us going, the goodness that stands as a rebuke to the horror of that...

    Almost unforgivably sentimental.

    Even without his box of political tricks, Oliver Stone remains the foremost cinematic shrink for America’s distress.

    World Trade Center shows us many things we already know, though with impressive flair, then plunges underground for an unconvincing drama based on...

    Undeniably affecting, but you leave it wanting more.

    A scrupulous and honorable film. Yet it never comes close to being a revelatory one; it sentimentalizes more than it haunts.

    It may not tell us anything about terror in the new millennium, but the filmmakers' work is solid and affecting. In its own over-emphatic, sometime...

    Although the conclusion is heavily sentimentalized, Stone finds the common ground Americans can rally around for relief from the devastation: We ar...

    Piercingly moving and utterly unpolitical, World Trade Center holds us in a fierce grip.

    Stone, the master of the epic conspiracy and the operatic spectacle of diametrically opposed forces at war for men’s souls, is so entangled i...

    Stone does everything he can to do justice to the real-life people he’s depicting, and yet nothing he does can cover up the film’s sing...

    The strong personalities of Maria Bello and Maggie Gyllenhaal, who play typical supportive wives, keep scenes from sagging.

    A straightforward, earnest, sentimental picture: It’s all the things you’d think a Sept. 11 movie directed by Oliver Stone wo...

    It telegraphs its emotions loud and clear, but somehow they don’t reach us.

    Despite the best efforts of the cast (Cage is especially evocative in a literally confined role), Stone can’t disguise the fact that his...

    Stone does everything he can to do justice to the real-life people he’s depicting, and yet nothing he does can cover up the film’s sing...

    When Stone’s movie is at its best, it simply ignores the temptation to say everything about 9/11, instead keeping its focus tightly trained o...

    It’s as harrowing as moviegoing gets.

    Underscored by the fragility of a plinking piano and well-timed flourishes to uplift, this heroic heartstring-tugger is still frequently and u...

    Where «United 93» was lean and merciless and got you thinking hard about how you might conduct yourself in a no-win situation, World Trad...

    Stone takes one of the most tragic events of this century and focuses on the hope, humanity and determination that also held sway amid the darkness.

    World Trade Center is Stone’s rehabilitation. It’s not just courage that’s honored, it’s God’s Will. It isn’t o...

    I don’t question the legitimacy of celebrating the courage of these individuals and their families, and I can even tolerate the hokey no...

    Stone has concentrated on one of the catastrophe’s stories and has fashioned it well--with almost palpable physical detail, and with performa...

    Despite my strong reservations, World Trade Center is strongly acted and has sequences of undeniable power. At its best it shares with Stone&rsquo...

    The politics of Stone’s 9/11 movie lean right, if they lean any way at all. Mostly, the film sits up straight and just wants to be...

    The problem is not so much that World Trade Center is an attempt to make a feel-good movie about a ghastly situation, it’s that the resu...

    The lack of stellar performances gradually becomes a virtue of the movie as we forget we’re watching actors in roles, and Stone builds a...

    Although the conclusion is heavily sentimentalized, Stone finds the common ground Americans can rally around for relief from the devastation: We ar...

    This square movie, at its best, is very powerful.

    Perhaps only a marginally effective movie about 9/11, because, I suspect, there can be no such thing as an effective movie about 9/11...

    One reason World Trade Center is such a good, healing cry is that it absolves us of the discomfort of thinking about everything that has happe...

    The script by Andrea Berloff is stunning in its simplicity and aching details.

    Mr. Stone has taken a public tragedy and turned it into something at once genuinely stirring and terribly sad. His film offers both a harrowing ret...

    World Trade Center is Stone’s most potent motion picture since «Platoon," and may be the most accessible across-the-board since «Wall St...

    Stone slyly sneaks virtuoso moments into his story, bringing a modest elegance to a script that frequently feels creakily old-fashioned.

    World Trade Center hits us where we live. And it reminds us how lucky we are to live, and love, and even struggle.

    This is a film of terrific selectivity. By focusing on two of the few who did survive the collapse, the film achieves emotional power and an u...

    It’s almost as if Stone wants to ingratiate himself with the mainstream public that rejected his historical blockbuster Alexander and win the...

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    Watched

    A classic movie based on !real events! from the 2000s. The mustachioed Nicolas Cage lies there throughout the film.

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