TV show's Ratings

    676 6338

    Soundtrack

    Terminator: The Sarah Connor Chronicles (Original Television Soundtrack)

    Different stars

    • 1 Bear McCrearyTerminator: The Sarah Connor Chronicles (Opening Title) 0:44
    • 2 Bear McCrearySarah Connor's Theme 3:16
    • 3 Bear McCrearyCromartie in the Hospital 1:09
    • 4 Bear McCrearyAndy Goode's Turk 3:09
    • 5 Bear McCrearyCentral America 1:33
    • 6 Bear McCrearyJohn and Riley 2:26
    • 7 Bear McCrearyDerek Reese 2:51
    • 8 BrEndAn's BandAint We Famous 3:34
    • 9 Bear McCrearyMotorcycle Robot Chase (feat. Captain Ahab) 2:48
    • 10 Bear McCrearyThe Hand of God 3:08
    • 11 Bear McCrearyPrisoners of War 6:24
    • 12 Bear McCrearyMiles Dyson's Grave 2:42
    • 13 Bear McCrearyAtomic Al's Merry Melody 1:21
    • 14 Bear McCrearyThe Reese Boys 1:39
    • 15 Bear McCrearyRemoving Cameron's Chip 3:13
    • 16 Bear McCrearyEllison Spared 2:21
    • 17 Bear McCrearyI Love You 2:29
    • 18 Bear McCrearyCatherine Weaver 2:04
    • 19 Bear McCrearyDerek's Mission 1:45
    • 20 Bear McCrearyThere's a Storm Coming 3:00
    • 21 Bear McCrearyHighway Battle 3:57
    • 22 Bear McCrearyPerfect Creatures 2:13
    • 23 Bear McCrearyTerminator: The Sarah Connor Chronicles (End Credits) 0:35
    Cancelled

    2

    " This season a mother will become a warrior, a son will become a hero, and their only ally will be a friend from the future."
    Country
    Runtime 41 – 46 min
    Premiere: World January 13, 2008
    Premiere: USA January 13, 2008
    Channel FOX (20:00, United States)
    Digital: World October 14, 2025
    Parental Advisory
    • Frightening & Intense Scenes

      average

    • Violence & Gore

      average

    • Alcohol, Drugs & Smoking

      few

    • Profanity

      few

    • Sex & Nudity

      few

    Production Companies
    Also Known As

    Description

    Set after the events in Terminator 2: Judgment Day (1991), Sarah Connor and her son, John, try to stay under-the-radar from the government, as they plot to destroy the computer network Skynet in hopes of preventing Armageddon.
    Season 1
    s1: e1 — Season 1, Episode 1  

    Pilot

    January 13, 2008 7.2
    s1: e2 — Season 1, Episode 2  

    Gnothi Seauton

    January 14, 2008 7.2
    s1: e3 — Season 1, Episode 3  

    The Turk

    January 21, 2008 7.4
    s1: e4 — Season 1, Episode 4  

    Heavy Metal

    February 4, 2008 7.5
    s1: e5 — Season 1, Episode 5  

    Queen’s Gambit

    February 11, 2008 7.8
    s1: e6 — Season 1, Episode 6  

    Dungeons & Dragons

    February 18, 2008 7.6
    s1: e7 — Season 1, Episode 7  

    The Demon Hand

    February 25, 2008 7.8
    s1: e8 — Season 1, Episode 8  

    Vick’s Chip

    March 3, 2008 7.9
    s1: e9 — Season 1, Episode 9  

    What He Beheld

    March 3, 2008 8.0

    Сast and Crew

    The History of the Show

      • The U.S. premiere aired on Fox on January 13, 2008, launching with a two-hour block (pilot + follow-up episode) after NFL playoff coverage, which delivered a very large lead-in audience and strong immediate visibility.
      • The debut drew a major audience and ranked among Fox’s most noticeable new launches that season, though ratings declined as the series settled into its regular time period.
      • The show quickly developed a reputation as a TV continuation of the Terminator story that played the material straight; viewers and critics often pointed to the character-driven approach and performances by Lena Headey and Thomas Dekker as key reasons for a loyal core audience.
      • Season 1’s 2008 run was disrupted on the schedule: the 2007–2008 U.S. writers’ strike contributed to an abbreviated season, which affected momentum and week-to-week buzz.
      • Season 2 premiered in fall 2008 in a more typical broadcast-season window, but it still faced heavy competition and the broader fragmentation of network TV audiences.
      • Even as live ratings softened, the series built an active fandom and above-average engagement, with ongoing discussion on forums and early social platforms keeping interest high between episodes and seasons.
      • Audience reception often centered on how the series expanded Terminator mythology for long-form television, using future-war stakes and time-paradox plotting as a way to deliver scale through serialized storytelling.
      • Its franchise impact included reinforcing the idea that Terminator could function in long-form serialization, shaping audience expectations for later continuations and reboots.
      • A notable pop-culture footprint was the sustained, episode-by-episode development of a more sympathetic “protector terminator” archetype, frequently discussed in comparisons with other franchise iterations.
      • The show was repeatedly cited in critical lists and retrospectives as a standout sci-fi drama of its era on U.S. broadcast television, helping it persist in recommendations after it ended.
      • Fox cancelled the series in 2009 after two seasons; the decision was widely attributed to broadcast economics and declining audience levels, and its most immediate consequence for viewers was an unresolved cliffhanger ending.
      • Following cancellation, fans organized campaigns urging renewal, often referenced as an example of the growing wave of genre-television fan activism in the late 2000s.
      • The cliffhanger and absence of a third season became part of the show’s legacy: for some it discouraged starting the series, while for others it fueled ongoing debate about how the story “should have” concluded.
      • In later years, the series found a second life through home video and streaming (depending on territory and licensing windows), expanding its audience beyond the original broadcast run.
      • Within genre TV discourse, it is often used as a case study: ambitious, high-regarded network sci-fi can still be fragile when judged against ratings math and the cost of retaining viewers.
      • Long-term, many viewers continued to associate the show’s identity with lead performances by Summer Glau, Lena Headey, and Thomas Dekker, which helped keep it prominent in retrospective conversation.

    Production

    On November 9, 2005, Variety reported that a television series based on the Terminator franchise was being produced by C2 Pictures, which produced Terminator 3: Rise of the Machines, in association with Warner Bros. Television. The Fox Broadcasting Company also joined the project by making a commitment to the pilot, with Josh Friedman set to write the pilot and to serve as an executive producer for the series. Among the executive producers were C2 Pictures' Andy Vajna, Mario Kassar and James Middleton.

    Related Movies There are no related titles yet, but you can add them:

    Critique: 16

    81%
    13 3
    San Jose Mercury News April 16, 2018

    Certainly, there is some promise to the opening episodes.

    Hollywood Reporter April 16, 2018

    Director David Nutter gets the series off to a rousing start, practically packing every frame with suspense, special effects and an urgency th...

    SFGATE April 16, 2018

    Fox has taken the wholly predictable course of putting a lot of money into explosions and regenerating cyborgs (and the makeup that helps them...

    New York Times April 16, 2018

    One of the more humanizing adventures in science fiction to arrive in quite a while, the series is taut, haunting, relevant and an exploration...

    Denver Post January 28, 2020

    Large-scale fun, terrific effects and a rich mythology all pull in this show’s favor, not to mention the lack of other fresh scripted fa...

    Variety April 16, 2018

    The Sarah Connor Chronicles continue to deliver, on a program where surviving in the here and now, finally, is the principal measure of success.

    Variety April 16, 2018

    Strategically it all makes perfect sense, provided that Friedman and company can continue meeting the daunting task of oiling the tracks on this th...

    content.time.com April 16, 2018

    This grim Chronicles needs to put some flesh on its humans.

    Newark Star-Ledger April 16, 2018

    It’s a step in the right direction for a series that struggled to live up to its potential and pedigree last spring.

    Slant Magazine January 28, 2020

    Though Sarah Connor Chronicles often lags viscerally as a result of its relatively tame TV aesthetic, it tends to make up for it in narrative...

    Slant Magazine April 16, 2018

    Only time will tell if this exhibited teasing is building to something more worthwhile. Until then, Sarah Connor Chronicles will be just another wa...

    Empire Magazine April 16, 2018

    James Cameron’s name on the writing credits and the sight of a newly rebuilt T unit sitting in a bath of blood go a long way toward maki...

    New York Magazine/Vulture January 11, 2018

    Better, in fact, than the usual sci-fi alternatives of triffids, pods, blobs, and body snatchers…

    articles.latimes.com April 16, 2018

    Focus, if you must, on Sarah Connor as a surprising and rich parable of modern parenting, or better yet, just enjoy the ride.

    Smart, tough and entertaining, Terminator: The Sarah Connor Chronicles gets most everything right that Bionic Woman got so glaringly wrong.

    Entertainment Weekly April 16, 2018

    My interest ebbs and flows depending not on the plot but on which character is in the action.

    Add critique link

    Quotes

    There is no fate but what we make for ourselves.

    Sometimes it’s better to be alone. Nobody can hurt you.

    The future is not set. There is no fate but what we make.

    You can’t stop the future. You can’t stop Skynet.

    Every day is a new chance to change your life.

    Add a short review

    280 characters

    Or write an article...
    Hidden 2 comments

    Sign up and you will see here
    friends impressions of the TV show.

    Friends comments and ratings

    Watched

    Summer Glau is a CULT! This series, which also features Lena Headey (even singer Shirley Manson looks amazing), is a very heartfelt and humanizing exploration of what was missing in the full-length Terminator films. I often rewatch some episodes (I changed my rating from a 9 to a 10).

    Translated to English

    Watched

    Oddly enough, the relatively low-budget Terminator series is much better than the franchise’s feature-length sequels. Lena Headey and Summer Glau’s performances as Sarah Connor and the female Terminator, respectively, are truly remarkable. I definitely recommend the first season.

    Translated to English
    Season 1