Untraceable

Untraceable essentially forces its audience to identify with those who would be willing accomplices to torture and murder.

This joyless thriller runs the gamut from unconscionable through unwatchable to unendurable. It’s also unfathomable that two talented people...

Untraceable demonstrates, once again, how unnecessary it is for audiences actually to understand technical jargon.

This tepid, borderline offensive cyber-serial killer thriller takes what feels like ages to rehash both better and worse examples of the current, v...

The villain may be Untraceable, but it’s easy to pin down the influences of Gregory Hoblit’s serial killer snoozer.

Untraceable often seems to go out of its way to tip off what’s coming, so that it’s hard to tell whether the film’s writers are l...

As plain awful as Untraceable is, possibly the worst thing about it is that it pretends to mean something.

Untraceable engenders a reaction that is one part fascination, one part disappointment, and two parts frustration.

There’s a good movie to be made about the power of the virtual mob, the ethical consequences of participating in it, the costs of free w...

Very unpleasant, though skilfully put together by director Gregory Hoblit and acted with beyond-the-call empathy by Ms Lane.

Hoblit and veteran cinematographer Anastas Michos try to darken the proceedings by giving us nocturnal characters and Portland at its grayest. But...

The problem with Hollywood films condemning the public appetite for torture is that they frequently pander to it, and this is a very lurid and...

[T]he honkingly stupid script is the kind that inspires Mystery Science Theater call-and-response.

Untraceable feels sleazy and gratuitous.

The movie chides us for being a sick voyeuristic society, hungry for the sight of violence. The purity of this moral stance is somewhat cloude...

Feels as if it’s been patched together using 'auto-fill' screenwriting software.