Movie's ratings

    5

    " One of the most legendary directors of our time takes you on an extraordinary adventure."
    Country
    Spoken Language
    Runtime 2 hr 6 min
    Budget $150 000 000
    Premiere: World $185 770 310 November 23, 2011
    USA $73 864 507
    Other countries $111 905 803
    Box Office – Budget $35 770 310
    Premiere: USA $73 864 507 November 23, 2011
    first day $1 681 250
    theaters 2608
    rollout 405 days
    Digital: World February 28, 2012
    Production Companies
    Also Known As

    Description

    In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.

    Сast and Crew

    The Book Behind the Film "Hugo"

    About the Book

    The film "Hugo" is based on the book The Invention of Hugo Cabret by Brian Selznick. This novel is a unique blend of words and pictures, creating a cinematic experience on the page. It was published in 2007 and has been praised for its innovative storytelling and beautiful illustrations.

    About the Author

    Brian Selznick is an American author and illustrator known for his distinctive style that combines text and illustrations. His work often explores themes of history, art, and the magic of storytelling. The Invention of Hugo Cabret is one of his most acclaimed works, earning him the 2008 Caldecott Medal.

    Book to Film Adaptation

    The film adaptation, directed by Martin Scorsese, stays true to the spirit of the book, capturing its visual and emotional essence. The movie translates the book's illustrations into a vivid cinematic experience, maintaining the magical and historical atmosphere that Selznick created. While some details and subplots may differ, the core story and its themes remain faithful to the original work.

    Production

    GK Films acquired the screen rights to The Invention of Hugo Cabret shortly after the book was published in 2007. Initially, Chris Wedge was signed in to direct the adaptation and John Logan was contracted to write the screenplay. The film was initially titled Hugo Cabret. Several actors were hired, including Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, and Helen McCrory. Jude Law, Ray Winstone, Christopher Lee, Frances de la Tour, and Richard Griffiths later joined the project. Hugo was originally budgeted at $100 million, but ran over with a final budget between $156 million and $170 million. In February 2012, Graham King summed up his experience of producing Hugo: "Let's just say that it hasn't been an easy few months for me—there's been a lot of Ambien involved".

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    Martin Scorsese — Best movies and TV Shows

    Critique: 37

    86%
    32 5
    Daily Telegraph December 1, 2011

    Hugo’s best moments are those that aren’t actually Hugo.

    TimeOut November 29, 2011

    It might be curtains for celluloid, but Scorsese, a boyish 69, clearly isn’t leaving the stage any time soon. He directs every film with the...

    thisislondon.co.uk December 2, 2011

    Hugo is cinema shining a light reverently up its own fundament.

    New Yorker November 22, 2011

    In Hugo, the hero has a terrifying dream, perhaps an unconscious recollection of that event. Reality, filmed illusion, and dreams are so inter...

    The Spectator August 31, 2018

    The first thing to say… is that it is a visual wonder… But the second thing to say is nothing else is as exciting as the look of it and if there is...

    Empire Magazine November 28, 2011

    This is a great director’s greatest love story.

    Philadelphia Inquirer November 23, 2011

    A state-of-the-art affair, an epic adaptation of Selznick’s pretty-epic-itself tome, full of dazzling visuals and rapturous tributes to Méliè...

    AV Club November 22, 2011

    It’s a complex fusion of film history and personal history, filled with dazzling embellishments and unabashed sentiment about the glorie...

    HollywoodChicago.com November 23, 2011

    In the film, the title character finds a broken-down automaton, a robot that he works to fix with his father. Hugo the film is not unlike that...

    Slant Magazine November 22, 2011

    What makes this Scorsese’s best film since The Age of Innocence is the curious view he takes of both this boy and the sea of artifice in whic...

    richardroeper.com November 23, 2011

    One of the most magical viewing experiences of the decade so far.

    Film.com November 22, 2011

    Arthur C. Clarke once wrote that 'any sufficiently advanced technology is indistinguishable from magic.' It’s a sentiment that Scorsese...

    MovieFreak.com January 27, 2012

    It is a miraculous achievement that, during this home stretch, engages on levels and in ways few other films can admit to, and as such makes&n...

    Shockya.com November 21, 2011

    The moment it begins, you step inside, the train station closes in around you and you’re fully immersed in Hugo’s adventure, which is p...

    Little White Lies (UK) December 1, 2011

    It’s possible to see the attraction, but when people break into applause over the credits, some are going to be left cold.

    MSN Movies November 23, 2011

    Aside from being one of Scorsese’s most personal films, it’s also one of the least cynical films of this or any other year.

    Time Out November 22, 2011

    An odd combo of Babe: Pig in the City and Godard’s Histoire(s) du cinéma, Hugo is the strangest bird to grace the multiplex in a while.

    entertainment.time.com November 22, 2011

    Bursting with earned emotion, Hugo is a mechanism that comes to life at the turn of a key in the shape of a heart.

    Financial Times December 1, 2011

    It is glorious to be thrown and blown about in this make-believe metropolis. The digitally enhanced shapes and colours suggest Jeunet and Caro rewo...

    Guardian November 23, 2011

    Scorsese has created an exquisite jewel box of a movie, polished and honed to glittering, diamond-hard brilliance.

    New York Post November 23, 2011

    It’s as if David Copperfield wandered into a History of Film lecture. Maybe it isn’t a great idea to wait till you’re nearly ...

    SFGATE November 22, 2011

    Ultimately, the biggest disappointment of Hugo is that it fails to make the case for 3-D as a legitimate tool for the serious filmmaker.

    Newsday November 23, 2011

    Although it brings Scorsese together with people and techniques he hasn’t worked with before, it also touches on themes close to his heart: t...

    New York Magazine/Vulture November 28, 2011

    For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film…

    Guardian December 1, 2011

    It’s a deeply felt piece of work, something which only Scorsese could have brought to the screen…

    Austin Chronicle November 28, 2011

    This love letter to the movies is something to cherish.

    Arizona Republic November 22, 2011

    What Scorsese has really made is a beautifully crafted love letter to movies, the passion of his life. What sounded like an odd pairing winds...

    Salon.com November 24, 2011

    I have seen the future of 3-D moviemaking, and it belongs to Martin Scorsese, unlikely as that may sound.

    50.56.238.19 November 30, 2011

    Hugo is nothing short of gorgeous.

    Christian Science Monitor November 23, 2011

    Hugo is a mixed bag but one well worth rummaging through.

    NPR November 23, 2011

    As befitting both its fetishistically detailed source material and the era in which it’s set, Hugo is Scorsese’s most visually accompli...

    Austin Chronicle November 28, 2011

    This love letter to the movies is something to cherish.

    ReelViews November 24, 2011

    It’s a fairy tale for mature viewers, but the airy exterior hides emotional depth.

    Los Angeles Times November 22, 2011

    "Films have the power to capture dreams," Méliès said, and the way they’ve captured Scorsese’s can’t be denied.

    Newark Star-Ledger November 22, 2011

    This isn’t a stuffy exercise for movie buffs. It’s a real and touching story, full of childlike wonder.

    Daily Telegraph November 23, 2011

    Scorsese films the action with immense brio, his cameras swooping and dashing along platforms and tracks, ladders and walkways, snaking round the c...

    Hollywood Reporter November 17, 2011

    A passionate brief for film preservation wrapped in a fanciful tale of childhood intrigue and adventure, Hugo dazzlingly conjoins the earliest...

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    Quotes

    I’d imagine the whole world was one big machine.

    Time hasn’t been kind to old movies.

    Happy endings only happen in the movies.

    This might be an adventure, and I’ve never had one before.

    Maybe that’s why a broken machine always makes me a little sad, because it isn’t able to do what it was meant to do.

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    Friends comments and ratings

    Watched

    Not a bad, naive children’s fairy tale. Interesting, unusual, beautiful, but nothing more. Butterfield wasn’t convinced, why did he think that his father used this thing to leave a message if he was just fixing it? Kingsley is gorgeous, Moretz is a typical 5 point adventurer. An unusual genre for Scorsese.

    Translated to English

    Watched

    A wonderful film in which the atmosphere of a family Christmas fairy tale is combined with the beauty of the picture and masterful direction. But the meaning of the tape is much deeper. This is a tribute to the cinematographer and special effects artist Georges Méliès. There was also room for time. I recommend seeing it

    Translated to English

    Watched

    The film probably looked great in the theater (no wonder it won an Oscar for visuals), but are the special effects the main thing? What about the characters and plot? This is very bad in the film. I expected more magic and more dynamics…

    Translated to English

    Watched

    The film collected many technical awards and deservedly so. The scenery, sound, and camera work are simply top notch. The setting of the film makes you fall in love with it immediately. The fairy tale is spoiled by a complex multi-act script that is very clumsily adapted and the main character with the facial expressions of an automaton!

    Translated to English

    Watched

    A wonderful film with a real declaration of love for those who created the wonderful world of cinema. In the second half, tears never left my eyes when the guys discovered it for themselves, and who better to talk about cinema than Scorsese and Georges Méliès. 9/10

    Translated to English