GK Films acquired the screen rights to The Invention of Hugo Cabret shortly after the book was published in 2007. Initially, Chris Wedge was signed in to direct the adaptation and John Logan was contracted to write the screenplay. The film was initially titled Hugo Cabret. Several actors were hired, including Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, and Helen McCrory. Jude Law, Ray Winstone, Christopher Lee, Frances de la Tour, and Richard Griffiths later joined the project. Hugo was originally budgeted at $100 million, but ran over with a final budget between $156 million and $170 million. In February 2012, Graham King summed up his experience of producing Hugo: "Let's just say that it hasn't been an easy few months for me—there's been a lot of Ambien involved".
Hugo
(2011)5
| Country | |
| Spoken Language | english |
| Runtime | 2 hr 6 min |
| Budget | $150 000 000 |
| Premiere: World | $185 770 310 November 23, 2011 |
| USA | $73 864 507 |
| Other countries | $111 905 803 |
| Box Office – Budget | $35 770 310 |
| Premiere: USA | $73 864 507 November 23, 2011 |
| first day | $1 681 250 |
| theaters | 2608 |
| rollout | 405 days |
| Digital: World | February 28, 2012 |
| Production Companies | |
| Also Known As | La invención de Hugo Cabret United States |
Description
In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.Сast and Crew
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The Book Behind the Film "Hugo"
About the Book
The film "Hugo" is based on the book The Invention of Hugo Cabret by Brian Selznick. This novel is a unique blend of words and pictures, creating a cinematic experience on the page. It was published in 2007 and has been praised for its innovative storytelling and beautiful illustrations.About the Author
Brian Selznick is an American author and illustrator known for his distinctive style that combines text and illustrations. His work often explores themes of history, art, and the magic of storytelling. The Invention of Hugo Cabret is one of his most acclaimed works, earning him the 2008 Caldecott Medal.Book to Film Adaptation
The film adaptation, directed by Martin Scorsese, stays true to the spirit of the book, capturing its visual and emotional essence. The movie translates the book's illustrations into a vivid cinematic experience, maintaining the magical and historical atmosphere that Selznick created. While some details and subplots may differ, the core story and its themes remain faithful to the original work.Production
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Martin Scorsese — Best movies and TV Shows
Critique: 37
It might be curtains for celluloid, but Scorsese, a boyish 69, clearly isn’t leaving the stage any time soon. He directs every film with the...
In Hugo, the hero has a terrifying dream, perhaps an unconscious recollection of that event. Reality, filmed illusion, and dreams are so inter...
The first thing to say… is that it is a visual wonder… But the second thing to say is nothing else is as exciting as the look of it and if there is...
A state-of-the-art affair, an epic adaptation of Selznick’s pretty-epic-itself tome, full of dazzling visuals and rapturous tributes to Méliè...
It’s a complex fusion of film history and personal history, filled with dazzling embellishments and unabashed sentiment about the glorie...
In the film, the title character finds a broken-down automaton, a robot that he works to fix with his father. Hugo the film is not unlike that...
What makes this Scorsese’s best film since The Age of Innocence is the curious view he takes of both this boy and the sea of artifice in whic...
One of the most magical viewing experiences of the decade so far.
Arthur C. Clarke once wrote that 'any sufficiently advanced technology is indistinguishable from magic.' It’s a sentiment that Scorsese...
It is a miraculous achievement that, during this home stretch, engages on levels and in ways few other films can admit to, and as such makes&n...
The moment it begins, you step inside, the train station closes in around you and you’re fully immersed in Hugo’s adventure, which is p...
It’s possible to see the attraction, but when people break into applause over the credits, some are going to be left cold.
Aside from being one of Scorsese’s most personal films, it’s also one of the least cynical films of this or any other year.
An odd combo of Babe: Pig in the City and Godard’s Histoire(s) du cinéma, Hugo is the strangest bird to grace the multiplex in a while.
Bursting with earned emotion, Hugo is a mechanism that comes to life at the turn of a key in the shape of a heart.
It is glorious to be thrown and blown about in this make-believe metropolis. The digitally enhanced shapes and colours suggest Jeunet and Caro rewo...
Scorsese has created an exquisite jewel box of a movie, polished and honed to glittering, diamond-hard brilliance.
It’s as if David Copperfield wandered into a History of Film lecture. Maybe it isn’t a great idea to wait till you’re nearly ...
Ultimately, the biggest disappointment of Hugo is that it fails to make the case for 3-D as a legitimate tool for the serious filmmaker.
Although it brings Scorsese together with people and techniques he hasn’t worked with before, it also touches on themes close to his heart: t...
For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film…
It’s a deeply felt piece of work, something which only Scorsese could have brought to the screen…
What Scorsese has really made is a beautifully crafted love letter to movies, the passion of his life. What sounded like an odd pairing winds...
I have seen the future of 3-D moviemaking, and it belongs to Martin Scorsese, unlikely as that may sound.
Hugo is a mixed bag but one well worth rummaging through.
As befitting both its fetishistically detailed source material and the era in which it’s set, Hugo is Scorsese’s most visually accompli...
It’s a fairy tale for mature viewers, but the airy exterior hides emotional depth.
"Films have the power to capture dreams," Méliès said, and the way they’ve captured Scorsese’s can’t be denied.
This isn’t a stuffy exercise for movie buffs. It’s a real and touching story, full of childlike wonder.
Scorsese films the action with immense brio, his cameras swooping and dashing along platforms and tracks, ladders and walkways, snaking round the c...
A passionate brief for film preservation wrapped in a fanciful tale of childhood intrigue and adventure, Hugo dazzlingly conjoins the earliest...
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Quotes
Maybe that’s why a broken machine always makes me a little sad, because it isn’t able to do what it was meant to do.
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Friends comments and ratings
Watched
Not a bad, naive children’s fairy tale. Interesting, unusual, beautiful, but nothing more. Butterfield wasn’t convinced, why did he think that his father used this thing to leave a message if he was just fixing it? Kingsley is gorgeous, Moretz is a typical 5 point adventurer. An unusual genre for Scorsese.
Watched
A wonderful film in which the atmosphere of a family Christmas fairy tale is combined with the beauty of the picture and masterful direction. But the meaning of the tape is much deeper. This is a tribute to the cinematographer and special effects artist Georges Méliès. There was also room for time. I recommend seeing it
Watched
The film probably looked great in the theater (no wonder it won an Oscar for visuals), but are the special effects the main thing? What about the characters and plot? This is very bad in the film. I expected more magic and more dynamics…
Watched
The film collected many technical awards and deservedly so. The scenery, sound, and camera work are simply top notch. The setting of the film makes you fall in love with it immediately. The fairy tale is spoiled by a complex multi-act script that is very clumsily adapted and the main character with the facial expressions of an automaton!
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