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The Chronicles of Narnia: The Voyage of the Dawn Treader (Original Motion Picture Soundtrack)
David Arnold
- 1 David ArnoldOpening Titles 1:07
- 2 David ArnoldThe Painting 2:28
- 3 David ArnoldHigh King and Queen of Narnia 1:33
- 4 David ArnoldReepicheep 0:58
- 5 David ArnoldLand Ahoy 1:43
- 6 David ArnoldThe Lone Island 1:51
- 7 David ArnoldLord Bern 1:01
- 8 David ArnoldThe Green Mist 1:16
- 9 David ArnoldMarket Forces 1:53
- 10 David Arnold1st Sword 1:18
- 11 David ArnoldEustace on Deck 1:11
- 12 David ArnoldDuel 1:45
- 13 David ArnoldThe Magician's Island 4:30
- 14 David ArnoldLucy and the Invisible Mansion 5:24
- 15 David ArnoldCoriakin and the Map 2:58
- 16 David ArnoldTemptation of Lucy 1:16
- 17 David ArnoldAslan Appears 0:49
- 18 David ArnoldThe Golden Cavern 2:04
- 19 David ArnoldTemptation of Edmund 1:58
- 20 David ArnoldDragon's Treasure 2:53
- 21 David ArnoldDragon Attack 2:30
- 22 David ArnoldUnder the Stars 2:56
- 23 David ArnoldBlue Star 1:04
- 24 David ArnoldAslan's Table 2:32
- 25 David ArnoldLiliandil and Dark Island 1:30
The Chronicles of Narnia: The Voyage of the Dawn Treader
(2010)| Country | |
| Spoken Language | english |
| Runtime | 1 hr 52 min |
| Budget | $155 000 000 |
| Premiere: World | $415 686 217 December 2, 2010 |
| USA | $104 386 950 |
| Other countries | $311 299 267 |
| Box Office – Budget | $260 686 217 |
| Premiere: USA | $104 386 950 December 10, 2010 |
| first day | $8 255 202 |
| first weekend | $24 005 069 |
| theaters | 3555 |
| Digital: World | November 12, 2012 |
| Parental Advisory | Frightening & Intense Scenes, Violence & Gore |
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| Production Companies | |
About the film The Chronicles of Narnia: The Voyage of the Dawn Treader
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they sail with King Caspian to help Narnian lords banished by an evil usurper of the throne.Смотреть онлайн
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The Chronicles of Narnia: The Voyage of the Dawn Treader
About the Book
C.S. Lewis is the author of the book The Voyage of the Dawn Treader, which is part of the famous series The Chronicles of Narnia. This book is the third in the publication order and the fifth in chronological order within the series. It was first published in 1952.Plot Summary
The story follows the adventures of Edmund and Lucy Pevensie, along with their cousin Eustace Scrubb, as they return to the magical land of Narnia. They join King Caspian on a voyage aboard the ship Dawn Treader to find the seven lost lords of Narnia. The journey takes them to various islands, each with its own unique challenges and magical elements.Author
- Name: C.S. Lewis
- Notable Works: The Chronicles of Narnia series, Mere Christianity, The Screwtape Letters
- Genre: Fantasy, Christian literature
Book to Film Adaptation
The film adaptation of The Voyage of the Dawn Treader attempts to capture the essence of C.S. Lewis's work, maintaining the core plot and characters. However, like many adaptations, certain elements and scenes were altered or omitted to fit the cinematic format. The film introduces new subplots and character developments that are not present in the book, aiming to enhance the visual storytelling and appeal to a broader audience.FAQ
What is “The Chronicles of Narnia: The Voyage of the Dawn Treader” about?
Edmund and Lucy Pevensie, along with their cousin Eustace, return to Narnia and sail aboard the Dawn Treader to find seven banished lords. The voyage leads them through test-filled islands, temptations, and magic, gradually turning into a spiritual quest about confronting fear, pride, and darkness.
Is it a sequel, and do I need to watch the previous films?
It follows the events after “The Lion, the Witch and the Wardrobe” and “Prince Caspian,” but it’s also designed to stand on its own: the basics of Narnia and character relationships are explained along the way. Still, the earlier films add context to Edmund, Lucy, and Caspian’s arcs.
Who is Eustace, and why is he so annoying at first?
Eustace is Lucy and Edmund’s cousin—rational, controlling, and self-centered at first, skeptical of Narnia and eager to feel superior. His early abrasiveness is intentional: the voyage is built to transform him and show that courage and character come from choices and lived experience. (Eustace is played by Уилл Поултер.)
How do Edmund and Lucy end up in Narnia again?
They’re pulled into Narnia through a magical painting of a ship that comes to life and draws them into the sea. The device underscores the idea that Narnia ‘calls’ when its help—or its lessons—are needed again.
What is the main goal of the Dawn Treader’s voyage?
On the surface, it’s to locate seven lords exiled during Miraz’s rule and restore justice. Thematically, the voyage is a sequence of moral tests—loyalty, temptation, fear—suggesting darkness is defeated less by force than by inner choice.
Who is Caspian, and what is his role in this installment?
Caspian is the King of Narnia leading the Dawn Treader’s expedition. He’s trying to live up to the crown while wrestling with self-doubt, making the journey a test of leadership, responsibility, and the temptation of power. (Caspian is played by Бен Барнс.)
What are the film’s main themes?
Core themes include temptation (gold, power, vanity), faith versus doubt, growing up, friendship and responsibility, and confronting an inner ‘darkness.’ These ideas closely reflect the spirit of К.С. Льюиса’s source material.
How close is the film to the book “The Voyage of the Dawn Treader”?
The film keeps the central sea-voyage structure and many major stops, but it amplifies a through-line threat (the ‘green mist’/darkness) and builds a clearer end-goal to fit a more cinematic arc. The book feels more episodic and reflective; the film plays more like a unified adventure narrative.
Who directed the film, and who wrote the screenplay?
The film was directed by Майкл Аптед. The screenplay credits include Майкл Петрони as well as Кристофер Маркус and Стивен МакФили.
Why are there fewer large-scale battles than in the previous films?
The story is structured as an island-hopping odyssey: conflict is often internal or contained to specific episodes rather than full-scale warfare. That matches the nature of the “Dawn Treader” tale, where personal trials outweigh battlefield spectacle.
Who are Lucy and Edmund within the broader series?
Lucy and Edmund are Pevensie siblings who were among the first to enter Narnia and shaped its fate. Here they return older: Lucy wrestles with self-worth and identity, while Edmund focuses on maturity and supporting others. (Lucy is Джорджи Хенли, Edmund is Скандар Кейнс.)
Is there a dragon in the film, and why does it matter?
Yes. The dragon thread isn’t just spectacle—it’s a metaphor for what greed and vanity can turn you into, and how painful (yet possible) real change can be. It becomes a turning point for Eustace.
What does the ‘green mist’ (darkness) mean, and how is it tied to the characters’ fears?
The mist functions as a visual manifestation of inner darkness: it feeds on fear, doubt, and despair, projecting visions and amplifying weaknesses. Defeating it is portrayed not only as an adventure outcome, but as personal overcoming.
What role do the talking mice play, and why do fans love them?
The talking mice provide comic relief while embodying chivalry and unwavering devotion to Aslan in small, everyday actions. Their courage is bigger than their size, which makes them memorable. One of the most prominent mice is voiced by Питером Динклэйджем.
Why does the ending feel both complete and a bit sad?
The ending resolves the voyage’s goal and shows the characters’ growth, yet it emphasizes farewell: not every journey can be repeated at will. For Lucy and Edmund it’s also a step toward adulthood—accepting that wonder doesn’t erase real life and its choices.
Are there post-credits scenes?
No—there typically isn’t a full post-credits scene; the story concludes before the credits roll.
Is the film suitable for family viewing with kids?
Generally yes: it’s an adventure fantasy with limited graphic violence, clear moral lessons, and an emphasis on friendship and choice. That said, there are intense moments (frightening visions, sea dangers), so sensitive kids may benefit from watching with an adult.
How does this installment differ in tone from the previous films?
It’s more nautical and episodic: less politics and land warfare, more exploration, wonder, and self-contained moral fables across different islands. The tone is lighter and more adventurous, though temptation and fear add weight beyond a simple kids’ romp.
Which characters undergo the most noticeable growth?
The clearest transformation is Eustace’s: from an arrogant skeptic to someone capable of empathy and courage. Lucy (self-worth) and Caspian (leadership and temptation) also have major internal arcs.
Are there ties to the real world and WWII like in the earlier entries?
The real-world frame remains—life in England and returning home—but the direct wartime context is less prominent here. The focus shifts to personal struggles and teen insecurities that Narnia brings into sharper relief as trials.
Why do some characters from earlier films barely appear?
The book and film are centered on Caspian, Lucy, Edmund, and Eustace’s sea voyage, so the story naturally narrows the traveling cast. It’s less a rejection of past characters and more a shift of focus to a different chapter of the Narnia saga.
Do the ship and sea sequences feel distinct compared to typical fantasy?
Yes: the Dawn Treader is framed as a symbol of hope and journey, and many sea episodes revolve around moral choices and temptation rather than action alone. The vibe is closer to a fairy-tale odyssey than a war-driven epic.
Which moments are most often considered the most spectacular?
Viewers often point to the Dawn Treader’s introduction and life aboard, the island-hopping set pieces with shifting moods, and the climactic sequences near the world’s end. Visually, it leans into sea imagery—light, mist, and the contrast between wonder and unease.
What role does the ship’s captain play, and why is he memorable?
The captain serves as the crew’s practical backbone—keeping order, discipline, and survival at sea on track while staying loyal to the king and the mission. He’s memorable for mixing humor, toughness, and heart. (The captain is played by Гари Свит.)
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Critique: 56
I’m confounded by the fact that, aside from the Pevensie siblings and their nicely obnoxious cousin, absolutely everything and everyone aboar...
It’s difficult to make this mediocre adaptation of perhaps the best-loved book in C.S. Lewis' Narnia series – seem particularly interest...
True to the intent of the Christian apologist Lewis' novels, there are lessons to be learned, many of them delivered by the chivalrous mouse, Reepi...
A big improvement on the first two and a potent antidote to HP7.1, Narnia III is strongly recommended, whatever your Narnian status may be.
Well-paced, well-performed and full of visual wows, The Voyage of the Dawn Treader bobbles a hectic story by stopping just short of committing...
Oh, there are sword fights aplenty (as bloodless as ever), but instead of a real story, we are left clinging to individual moments.
A decent family adventure, perfectly suited to a cold Saturday morning – and likely to be forgotten by Sunday.
The Dawn Treader, like its predecessors, has no real struggle or drama. We’re dealing with kids for whom everything comes too easily for us t...
They essentially replace the book’s blank spaces with gaping plot holes and laughable clichés.
Apted seems too often to think like an old-hand action director and not enough like the 12-year-old boy who probably read Lewis’s book. To en...
Its attempts to overcome the story’s episodic nature are clumsy, its effects only intermittently special, and its dufflepuds not nearly funny...
It takes great skill to make something so ponderously stultifying as this third film entry in the ongoing adaptation of C.S. Lewis' series of splen...
Unfortunately, between its ripsnorting beginning and moving finale, Apted’s film sails into the doldrums.
This is a rip-snorting adventure fantasy for families, especially the younger members who are not insistent on continuity. Director Michael Ap...
Michael Apted’s direction veers into listlessness, but there is, at times, a pleasing elegance to the production, too. It doesn’t assau...
After all, it isn’t every kid’s movie that wrestles with the subject of faith in a higher power, or sin, or the afterlife. And it...
An utter shipwreck, a would-be adventure with meager rations of magic and a listless crew.
Voyage of the Dawn Treader has all the magic of a toy boat in a bathtub – it doesn’t look real, feel real or provide much excitemen...
The Dawn Treader will henceforth be known as the Yawn Spreader…for its magical ability to bring boredom to cinemas between here and the outermost r...
A dull, meandering storyline and visuals all-but destroyed by a second-rate 3-D conversion make this movie inferior to its predecessors.
Apted gives it little sense of scope or purpose; everything feels perfunctory as in a bad video game.
Maybe it’s the postproduction 3-D enhancements, but in this effects-laden Odyssey for tweens, sometimes humans and beasts seem more wax-and-p...
Another mixed Narnian offering which, while it doesn’t bust through the series' three-star ceiling, at least gives us its best FX, biggest mo...
Only two characters are worth much notice; neither is a prince, and one is a really big mouse, which tells you something sad about Narnia...
The best thing about the film is neither the top-notch CGI nor the shallow moral lessons but the performance of Will Poulter as Lucy and Edmund&rsq...
Where the others aimed for greatness and missed, this one aims for middle-of-the-road and basically hits it.
This is a rip-snorting adventure fantasy for families, especially the younger members who are not insistent on continuity.
The Voyage of the Dawn Treader may not reinvent the fantasy genre, it may not transcend the medium, but it is an impressive feat of imagination.
The eye-popping and entertaining The Chronicles of Narnia: The Voyage of the Dawn Treader offers a merry seafaring jaunt together with plenty...
Is it possible that the makers of The Voyage of the Dawn Treader have made the best film in the series to date while while charting a course even f...
A strong filmmaking voice was clearly not called for in an entertainment that has been carefully calibrated for maximum blandness. Mr. Apted is abo...
Kids, of course, are unlikely to get the religious allusions. All they’ll see is a decent family adventure, perfectly suited to a c...
So vivid are many of Lewis’s tableaux that you are barely given time to linger before being whisked on to the next.
The beguiling creature design – from minotaur to dragon, sea serpent to one-footed dwarf – and 3D effects heighten the illusion of a...
The 3-D effects are standard, the children and the prince are a bit bland, and Michael Apted’s direction veers into listlessness, but th...
Michael Apted opts for a certain dated and mannered appeal with a whiff of nostalgia for more innocent times, which lends added enchantment.
After slipping badly with the second installment two years ago, the Narnia franchise does a full-on belly flop with this third.
The Dawn Treader doesn’t so much reinvent the «Narnia» franchise as do what’s needed, and expected, with a little more zip than th...
If only the makers of Dawn Treader had learned the lesson Lucy does when she casts that forbidden spell: Don’t try to be something you&rsquo...
Dawn Treader, the name of the ship in the story, should here be rechristened Yawn Treader. If this movie were a bedtime book, the wee ones wou...
While Dawn Treader is competent enough, with good special effects, it never rises to great heights. There’s something a little stolid an...
Oh, there are sword fights aplenty (as bloodless as ever), but instead of a real story, we are left clinging to individual moments.
Apted brings back a sense of the old-fashioned fun of the low-tech 1960s myths-and-monsters matinees, when no roiling sea ever failed to harbo...
The third installment isn’t up to par in many aspects, but that’s not to say that there isn’t some fun to be had out to sea.
The beguiling creature design--from minotaur to dragon, sea serpent to one-footed dwarf--and 3D effects heighten the illusion of a storybook c...
The best thing about the film is neither the top-notch CGI nor the shallow moral lessons but the performance of Will Poulter («Son of Rambow») as L...
This f/x-heavy third adaptation of the Christian-themed fantasy series feels routine and risk-averse in every respect, as if investment anxiety had...
Discerning young people aren’t likely to find Dawn Treader very challenging or engaging and the accompanying adults are certain to find it pr...
Alas, in the third instalment of the C.S. Lewis odyssey, the devolution continues with the inexorability of a fairy tale thrust in reverse – t...
There’s a businesslike, barrel-ahead determination to the proceedings, as if the players (and, in the bigger picture, the producers) wer...
This picture… mostly plays like a perfunctory cross between watered-down iterations of The Wind in the Willows and any Pirates of the Caribbea...
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