Screenwriter Simon Beaufoy wrote Slumdog Millionaire based on the Boeke Prize-winning and Commonwealth Writers' Prize-nominated novel Q & A by Vikas Swarup. To hone the script, Beaufoy made three research trips to India and interviewed street children, finding himself impressed with their attitudes. The screenwriter said of his goal for the script: "I wanted to get (across) the sense of this huge amount of fun, laughter, chat, and sense of community that is in these slums. What you pick up on is this mass of energy."
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Slumdog Millionaire
(2008)12
| Country | |
| Spoken Language | english, french, hindi |
| Runtime | 2 hours |
| Budget | $15 000 000 |
| Premiere: World | $378 411 362 November 12, 2008 |
| USA | $141 319 928 |
| Other countries | $237 091 434 |
| Box Office – Budget | $363 411 362 |
| Premiere: USA | $141 319 928 November 7, 2008 |
| first day | $32 984 |
| theaters | 2943 |
| rollout | 415 days |
| Digital: World | October 1, 2010 |
| Parental Advisory | Frightening & Intense Scenes, Alcohol, Drugs & Smoking, Profanity, Violence & Gore, ... |
| |
| Production Companies | |
| Also Known As | Quisiera ser millonario United States स्लमडॉग करोड़पती India |
Description
When a teenager from the slums of Mumbai is interrogated about his suspicious performance on a quiz show, he revisits various events from his past to explain how he knew all the answers.Сast and Crew
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Slumdog Millionaire: The Book Behind the Film
The Book
Slumdog Millionaire is based on the novel Q & A by Vikas Swarup. The book was first published in 2005 and tells the story of a young boy from the slums of Mumbai who participates in a quiz show and surprises everyone by winning.About the Author
Vikas Swarup is an Indian diplomat and author. He has served in various capacities in the Indian Foreign Service and has been posted in several countries. Q & A was his debut novel, which gained international acclaim and was translated into numerous languages.Book vs. Film
While the film Slumdog Millionaire captures the essence of Q & A, there are several differences between the book and the movie. The film adaptation takes creative liberties, altering certain plot points and character arcs to better suit the cinematic narrative. Despite these changes, the core theme of overcoming adversity and the exploration of fate and destiny remain intact in both the book and the film.- The protagonist's name in the book is Ram Mohammad Thomas, while in the film, it is Jamal Malik.
- The structure of the book is more episodic, with each chapter corresponding to a question in the quiz show, revealing different aspects of the protagonist's life.
- The film introduces new characters and subplots that are not present in the book.
Production
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Danny Boyle — Best movies and TV Shows
Critique: 53
Boyle and Beaufoy, working from a novel by Vikas Swarup, uninsistently make the case that the most useful intelligence, in all its forms, come...
Once Slumdog launches into its final act, you’ll get that pang that comes with the last chapter of a great book you wish you weren&rsquo...
Slumdog Millionaire is [Boyle’s] liveliest fusion of style and content since Trainspotting.
It’s a wrenching fairy tale, a yarn rife with desperate want, loyalty and love, a fable of the vagaries of life that are often cruel but...
[A] taut, tense and witty tale of human tragedy and triumphant humanity set against the sweep of modern India.
Slumdog Millionaire is as acerbic as it is clear-eyed about the brutal power dynamics in modern-day Mumbai. But, at the same time, what makes it so...
Like Mumbai, Slumdog pulses and throbs with raw, unadulterated life and the hope for a better Bombay, today. It’s brilliant.
Four stars simply aren’t enough for Danny Boyle’s Slumdog Millionaire, which just may be the most entertaining movie I’ve ever la...
Slumdog Millionaire is not the cure for all the world’s ills, but it comes close. It solves, for instance, such endemic global problems as: a...
Romantic, action-packed and always held together by an intriguing social conscience, Slumdog Millionaire is a rapturous crowd pleaser.
Danny Boyle’s Slumdog Millionaire is trying very hard to be a Dickensian fable for our time.
Mumbai’s brand new skyscrapers sprout out of patches of mud; Jamal’s old-fashioned principles will forever be out of synch with the sli...
Don’t worry about suspending disbelief: for an hour or so Boyle will do it for you. The film’s visual panache is strong enough to ambus...
Like Mumbai, Slumdog pulses and throbs with raw, unadulterated life and the hope for a better Bombay, today. It’s brilliant.
Slumdog Millionaire is an exhilarating ride – a feel-good yarn about a Mumbai street kid directed by Danny Boyle with a wild energy that...
When Boyle pulls back to show us his grand vision, it’s a stunner. And everything suddenly falls into place, as if this uncommonly darin...
Slumdog Millionaire is fantasy yet its hyperactively effervescent (if still personal, intimate) portrait of both ingrained social barriers and altr...
It’s fair to say that the movie ends so well that it will redeem the entire experience for many viewers. It all depends on how you feel about...
A gaudy, gorgeous rush of color, sound and motion, Slumdog Millionaire doesn’t travel through the lower depths, it giddily bounces from one h...
What’s perhaps most fascinating about the film is Boyle’s relentless focus on the realities of present-day India as a vehicle for...
[E]ven at its most harrowing and heartbreaking, Slumdog Millionaire is never less than deliriously entertaining.
Slumdog Millionaire is skillful entertainment, with the simple message that the most intense life experiences yield the greatest education.
Boyle set out to make this particular film rather than a gritty social panorama along the lines of Brazilian favela drama City of God. But kee...
Danny Boyle’s Slumdog Millionaire is a stylish, ingeniously constructed bit of hokum, a sparkling trinket of a movie that’s a...
Slumdog Millionaire is the film world’s first globalized masterpiece.
This is a breathless, exciting story, heartbreaking and exhilarating at the same time.
There are no surprises in this movie, and most people will be able to predict, within the first ten minutes, roughly how the last ten will pan out.
I’ll keep this simple: Cancel whatever you’re doing tonight and go see Slumdog Millionaire instead.
Slumdog Millionaire features the simplest story Boyle has ever told, which may explain why its many pleasures are so pure.
Slumdog Millionaire has the goods to bust out as a scrappy contender in the Oscar race. It’s modern India standing in for a world in ful...
Slumdog is a good film and an appealing film with some lovely performances but it’s not a great film: it’s too sentimental and pre...
Despite being overpraised – it arrives garlanded with the kind of reviews that must have come out after the opening night of King Lear ...
The best old-fashioned audience picture of the year, a Hollywood-style romantic melodrama that delivers major studio satisfactions in an ultra-mode...
There are so many frantic pursuits through heaving streets that it is easy to lose track of who is chasing whom, or why. Energy and urgency are sub...
Slumdog Millionaire is nothing if not an enjoyably far-fetched piece of rags-to-riches wish fulfillment. It’s like the Bollywood version of&n...
Slumdog Millionaire, a film so upbeat and colourful that, by the time you’re relaying its infectious air of optimism to friends, you could fo...
It doesn’t happen often, but when it does, look out: a movie that rocks and rolls, that transports, startles, delights, shocks, seduces. ...
It’s not about poverty pornography. It’s not about a White guy showing us touchy Brown-skins squatting by the rail-tracks. In the...
The beautifully rendered and energetic tale celebrates resilience, the power of knowledge and the vitality of the human experience. Horrifying, hum...
The movie brushes against some of India’s worst social ills, but it’s essentially a fairy tale.
A story of coincidences and luck and eventually fate, it’s a classic, perhaps cliched tale – but one that has rarely felt or looked...
Boyle’s feature draws the viewer in, immersing him in a fast-moving, engaging narrative featuring a protagonist who is so likeable...
Dickens would undoubtedly have approved: after all, his stories invariably had happy endings.
Not that the movie from director Danny Boyle isn’t satisfying, isn’t more than worth seeing. But I had been expecting cinematic fi...
Danny Boyle’s finest since Trainspotting. In fact, it’s the best British/Indian gameshow-based romance of the millennium.
Much of the film is so overwhelming as sheer mass spectacle that it serves as a sobering view of an overpopulated part of the world that defie...
Why, when Boyle has for half a film been such a devastating purveyor of social class suffering, would he turn as glossy as a Disney cartoon?
Boyle takes his wildly high-energy visual aesthetic and applies it to a story that, at its core, is rather sweet and traditionally crowdpleasing.
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Friends comments and ratings
Watched
Tales of the peoples of the world. Volume 3. India. No, it seems to be quite good, but this excessive fabulousness, which at the end simply splashes over the edge, tired me a little. The child actors (actors?) looked great on camera.
Watched
I remember that for me it was an unusual experience of getting to know life in India. I liked the film primarily for the way it was shot.
Watched
I’m surprised that such a sweet, naive and simple fairy tale for adults in a modern setting could win so many awards and be so loved by the audience. The main feature of the script with predetermination of fate is pathetic, forgive me. I only liked Boyle’s direction and the soundtrack.
A bright, pleasant British movie about an Indian or a Hindu, not the essence, who plays in Who Wants to Be a Millionaire and all the selection questions are related to his difficult life. In general, this is a beautiful movie about love, and yes, there will be song and dancing at the end.
Watched
The case when it’s just a good movie and there’s nothing special to describe. Moderately Indian, just one dance)) specific due to its origin, but understandable.
Watched
The difference between the first and last views is 11 years. Little (I) has matured and no longer believes in fairy tales.
Watched
In the 17 years since the film’s premiere, it has become mercilessly outdated. It’s now difficult to imagine what it did to earn its universal acclaim, and its sheer number of awards (especially for screenplay and directing) is perplexing.
And just so you understand: Slumdog Millionaire beat out The Curious Case of Benjamin Button for the Academy Award for Best Picture by a wide margin. This is absurd!
Watched
This film was liked by both viewers and critics, because it is based on an easily understandable love story, and the combination of drama and the game of who wants to be a millionaire gives a sense of novelty in the style of presentation of the material. I liked the film, I recommend it
Watched
The film is clearly overrated by both critics and the general audience. Constant flashbacks do not allow you to feel sympathy for the characters, much less worry about them. Crossing a social drama with a fairy tale is like crossing a man with a monkey, it looks like a common ancestor, but the result is a freak.
Freida Pinto is so sweet that it’s for her sake that you want to spend time watching the film again. An attractive person.
Watched
Somehow I didn’t understand the joke of the film at all. Dude from India wins Who Wants to Be a Millionaire? thanks to the fact that life gave him answers to his questions. Very plausible, I believe it. How many Oscars come from? The only spoiler is that the host of the show is voiced by Dibrov.
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