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    Soundtrack

    Argo (Original Motion Picture Soundtrack)

    Different stars

    • 1 Александр ДесплаArgo 3:38
    • 2 Александр ДесплаA Spy In Tehran 4:18
    • 3 Александр ДесплаScent of Death 3:26
    • 4 Александр ДесплаThe Mission 2:08
    • 5 Александр ДесплаHotel Messages 2:04
    • 6 Александр ДесплаHeld Up By Guards 5:32
    • 7 Александр ДесплаThe Business Card 2:56
    • 8 Александр ДесплаBreaking Through the Gates 3:51
    • 9 Александр ДесплаTony Grills the Six 3:30
    • 10 Александр ДесплаThe Six Are Missing 3:22
    • 11 Александр ДесплаSweatshop 1:32
    • 12 Александр ДесплаDrive to the Airport 3:45
    • 13 Александр ДесплаMissing Home 3:00
    • 14 Александр ДесплаIstanbul: The Blue Mosque 2:18
    • 15 Александр ДесплаBazaar 3:46
    • 16 Александр ДесплаCleared Iranian Airspace 6:02
    • 17 FamilionHace Tuto Guagua 3:40

    14

    " The movie was fake. The mission was real."
    Country
    Spoken Language
    Runtime 2 hours
    Budget $44 500 000
    Premiere: World $232 325 503 October 11, 2012
    USA $136 025 503
    Other countries $96 300 000
    Box Office – Budget $187 825 503
    Premiere: USA $136 025 503 October 4, 2012
    first day $5 891 522
    theaters 3247
    rollout 446 days
    Digital: World December 3, 2013
    Parental Advisory
    • Profanity

      plenty

    • Frightening & Intense Scenes

      average

    • Violence & Gore

      average

    • Alcohol, Drugs & Smoking

      few

    Production Companies
    Also Known As

    Description

    Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.

    Сast and Crew

    The Real Story Behind "Argo"

    Background

    The film "Argo" is based on the true story of the "Canadian Caper," a covert operation that took place during the Iran hostage crisis in 1979-1980. The operation was a joint effort between the Canadian government and the Tony Mendez of the CIA to rescue six American diplomats who had escaped the U.S. Embassy in Tehran after it was overrun by Iranian revolutionaries.

    The Real Operation

    On November 4, 1979, Iranian militants stormed the U.S. Embassy in Tehran, taking 52 American hostages. However, six diplomats managed to escape and found refuge in the homes of Canadian diplomats, including Canadian Ambassador Ken Taylor. The CIA, with the help of the Canadian government, devised a plan to extract the six Americans by posing as a Canadian film crew scouting locations for a science fiction movie titled "Argo."

    The Plan

      • Fake Identities: The six Americans were given Canadian passports and identities as members of a film crew.

      • Hollywood Connection: Tony Mendez collaborated with Hollywood contacts to create a believable backstory for the fake movie, including a script, storyboards, and promotional materials.

      • Successful Extraction: On January 28, 1980, the group successfully passed through Iranian security at the airport and boarded a Swissair flight to Zurich, ultimately reaching safety.

    Accuracy of the Film

    The film "Argo," directed by Ben Affleck, takes some creative liberties for dramatic effect. While the core elements of the story are accurate, including the use of a fake movie as a cover, several aspects were altered or exaggerated:

      • Role of the Canadians: The film downplays the significant role played by the Canadian government and Ambassador Ken Taylor in the operation.

      • Airport Tension: The dramatic airport chase scene in the film did not occur in reality. The actual departure was relatively uneventful.

      • Hollywood's Involvement: The film emphasizes the role of Hollywood in the operation, which, while important, was not as central as depicted.

    Despite these embellishments, the film captures the essence of the daring rescue mission and the collaboration between the CIA and Canadian officials.

    FAQ

    What is “Argo” about?

    “Argo” is a biographical drama about a covert CIA operation to extract six U.S. embassy staff from Tehran during the Iranian Revolution. Operative Tony Mendez (Tony Mendez) devises a cover story: a fake sci‑fi film called “Argo,” enabling the group to leave posing as a film crew.

    How true to real events is “Argo”?

    The film is based on the real “Canadian Caper” and the story of Tony Mendez (Tony Mendez). The core idea—using a fake movie as cover—and the legend-building work are rooted in fact, but some high-tension sequences and certain specifics (notably airport suspense beats and attribution of credit) are dramatized for storytelling.

    Why did the operation use a “film production” cover?

    A film-production cover plausibly explained bulky paperwork, unusual travel patterns, and the need to rapidly “build” credible personal backstories. It also made sense for foreigners to ask questions about locations and architecture—exactly what a scouting film crew might do.

    What does the title “Argo” mean?

    “Argo” is the codename/cover title tied to the fictitious movie project used in the operation. In the film, it becomes the symbol of the fabricated identity that holds the extraction plan together.

    What themes does the film explore?

    It explores the power of a believable story, the human cost of political decisions, and the moral ambiguity of intelligence work. Another key theme is how the entertainment industry—skilled at selling fiction—can be leveraged as a tool in real-world geopolitics.

    Why is “Argo” often called a political thriller despite being billed as a biographical drama?

    Its core is historical and biographical, but it’s staged with suspense mechanics: deadlines, the risk of exposure, document checks, delicate negotiations, and sustained danger. That combination makes it feel like a political thriller while remaining grounded in real events.

    Who wrote the screenplay and what is it based on?

    The screenplay was written by Chris Terrio (Chris Terrio). It draws on published accounts of the operation, including reporting by Joshua Bearman (Joshua Bearman), and on the memoir/witness layer associated with Tony Mendez (Tony Mendez).

    What role do Hollywood and the “legend” consultants play in the story?

    The movie stresses that extraction depends not only on papers but on believable world-building: posters, a script, an office, phone coverage, and public “buzz.” The Hollywood-linked characters help make the cover feel real enough to survive scrutiny and casual questioning.

    What stands out about the direction and visual style?

    Ben Affleck’s (Ben Affleck) direction blends documentary texture (newsreel feel) with genre suspense. Editing and sound design heighten tension, while period styling makes the story feel anchored at the intersection of politics, street reality, and media.

    Are there major differences from what really happened?

    Yes. For dramatic effect, some sequences are made more perilous and time-pressured, and the distribution of credit is simplified for a clear cinematic narrative. Still, the main framework—hiding the diplomats, the “film crew” cover, and the extraction—matches the real backbone of Tony Mendez’s (Tony Mendez) story.

    Why does “Argo” include so much humor despite the serious context?

    Humor serves as contrast and release in a story driven by fear and uncertainty, highlighting the absurdity of certain bureaucratic and show-business processes against real danger. It also reinforces that the cover depends on an industry where performance is the job.

    What awards and recognition did the film receive?

    The film earned broad critical and audience acclaim and became one of the standout titles of the 2012–2013 awards season. It was especially praised for its screenplay, direction, editing, and sustained narrative tension.

    Who might not enjoy “Argo”?

    If you expect purely documentary accuracy with no thriller-style dramatization, it may feel “too cinematic.” It can also be intense for viewers sensitive to depictions of unrest, threats, and high-stress interrogations.

    What should you know beforehand to better understand the context?

    A basic understanding of the 1979 Iranian Revolution and the U.S. embassy hostage crisis in Tehran helps clarify why the situation became so dangerous and why the diplomats had to go into hiding. The film explains the rest clearly on its own.

    Is there a key moral dilemma in “Argo”?

    Yes. It frames the tension between saving lives at all costs and the consequences of manipulating truth—both for those involved and for public understanding. Tony Mendez’s (Tony Mendez) story is presented as a case where the “right” choice can be both heroic and ethically complicated.

    Production

    Argo is based on the "Canadian Caper" that took place during the Iran hostage crisis in 1979 and 1980. Chris Terrio wrote the screenplay based on Joshuah Bearman's 2007 article "How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran," which was published in Wired.

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    Ben Affleck — Top Rated Movies

    Critique: 58

    90%
    52 6
    Daily Telegraph November 8, 2012

    Talent borrows and genius steals, but Affleck does something in between: he mimics.

    entertainment.time.com September 10, 2012

    Argo is just so-so.

    Salon.com October 11, 2012

    With America’s tormented relationship with Iran back on the global front burner, "Argo" is also a crafty, reflective mood piece that wil...

    Philadelphia Inquirer October 11, 2012

    It’s high-class Hollywood, not the low-rent and exploitative route that the make-believe movie at the heart of this tale would have taken.

    Toronto Star October 12, 2012

    The film is a whopper of a tale, one designed for Oscar nominations, Best Picture and Best Director among them.

    MSN Movies October 10, 2012

    "'Argo' is quite a satisfactory impossible mission indeed."

    New York Daily News October 11, 2012

    An entertaining, real-life, race-the-clock thriller that nabs you at the start and never makes a wrong move.

    SFGATE October 11, 2012

    Even though most people know the outcome, this movie still will have you on the edge of your seat.

    Slate October 12, 2012

    Argo is a rollicking yarn, easily the most cohesive and technically accomplished of Affleck’s three films so far, but a part of me...

    Sydney Morning Herald January 13, 2015

    Only two scenes do more than hint at the poetic potential of the premise.

    TimeOut October 30, 2012

    For 100 minutes, 'Argo' is close to flawless.

    Shockya.com October 22, 2012

    Trusts the audience with a significant amount of detail and develops suspense on a more cerebral level, leaving you with a deeper respect...

    Rolling Stone October 11, 2012

    Ben Affleck doesn’t merely direct Argo, he directs the hell out of it, nailing the quickening pace, the wayward humor, the nerve-frying suspe...

    online.wsj.com October 11, 2012

    "Argo" exults in what a movie can do when its story has a compelling core.

    New Statesman January 13, 2015

    Sometimes the truth is stranger than fiction. And sometimes it isn’t, and it must be bent and twisted out of shape until any authenticity bec...

    Hollywood Reporter September 1, 2012

    Argo is a crackerjack political thriller told with intelligence, great period detail and a surprising amount of nutty humor for a serious...

    indieWire October 11, 2012

    Argo navigates these familiar qualities through a nice calibration of performances and breezy pace that pulls you along with the increasingly...

    filmcomment.com January 13, 2015

    Affleck is still building up his chops as a director, but the intelligence and ambition he brings to filmmaking are particularly apparent in A...

    Times (UK) January 13, 2015

    Ben Affleck has delivered a knuckle-muncher of a thriller and a satire on Hollywood, both in one unlikely package.

    Irish Times November 9, 2012

    The details make for a rip-roaring story, which Affleck invests with old-school directorial élan.

    New York Post October 12, 2012

    If you didn’t know otherwise, you’d swear this was the work of a veteran master like Steven Soderbergh.

    New Yorker October 10, 2012

    Clever, taut, and restrained.

    Observer October 10, 2012

    Argo is a triumph. It has tension, sincerity, mystery, artistic responsibility, entertainment value, technical expertise, a narrative arc and...

    London Evening Standard November 9, 2012

    Surprisingly enjoyable, given that you may have little prior commitment to this story and only mildly fancy Affleck.

    Variety September 6, 2012

    White-knuckle tense and less self-congratulatory than it sounds, Ben Affleck’s unexpectedly comedic third feature has the vital elements to d...

    Arizona Republic October 10, 2012

    It re-creates the mood of an era, a nation’s frustration and anger, all while rollicking along with a crackling adventure.

    The New Republic June 14, 2013

    Entertaining and suspenseful in old-fashioned ways.

    CNN.com January 4, 2013

    Affleck himself turns in a quietly impressive movie star performance. Tony Mendez is a kind of anti-Bourne, comfortable with his anonymity, li...

    Los Angeles Times October 11, 2012

    Affleck easily orchestrates this complex film with 120 speaking parts as it moves from inside-the-Beltway espionage thriller to inside Ho...

    Little White Lies (UK) November 8, 2012

    It’s impossible to be bored by a story this good, especially with that cast.

    USA Today October 11, 2012

    Fusing suspense and humor in a political thriller is a tricky prospect, but Argo is more than up to the task.

    San Jose Mercury News October 9, 2012

    Affleck captures not just the way we looked and acted during this era, but vividly brings history to life.

    Financial Times November 1, 2012

    There is an intelligent, funny film waiting to come out of this story; it will have to keep waiting.

    Entertainment Weekly October 3, 2012

    Argo is never less than wildly entertaining, but a major part of its power is that it so ominously captures the kickoff to the world we&rsquo...

    HollywoodChicago.com October 12, 2012

    Affleck has made a film that features multiple locations, dozens of speaking roles, and the kind of tonal shifting that veterans routinely scr...

    Chicago Reader October 11, 2012

    Fact-based but politically cautious.

    Perri Nemiroff (YouTube) October 26, 2012

    As a director, Ben Affleck is getting into Alan Pakula territory.

    askmen.com October 12, 2012

    Politically relevant but free of the usual cynicism and controversy that typically makes such movies a downer for general audiences, Ben Affle...

    London Evening Standard October 19, 2012

    Ar-go see them in action.

    Slant Magazine October 11, 2012

    Undeniably rousing, but deeply irresponsible, Argo fans the flames surrounding historical events likely to still remain raw in the memory of many v...

    CinemaBlend January 13, 2015

    The emotional catharsis of Argo isn’t what happens onscreen, but the sheer knowledge that the creaky old moviemaking system has put together...

    Independent January 13, 2015

    The old saw "truth is stranger than fiction" has had its teeth properly sharpened in the superb thriller Argo, a blend of political history and Hol...

    Guardian November 8, 2012

    Part of what makes this headspinning story believable is the fact that it pans out in an oddly uncomplicated way.

    San Diego Reader January 13, 2015

    The cast helps to keep things moving – particularly the hilarious interplay between Arkin and Goodman. And is it me, or should Bryan Cranston...

    NPR October 11, 2012

    The script is snappy, but the real accomplishment here is how Affleck, who both stars in and directs Argo, manages to segue from Ocean’s 11-s...

    Austin Chronicle October 11, 2012

    Affleck’s greatest talent, however, may lie in his casting instincts: In addition to the above-mentioned turns by Arkin and Goodman, stand-ou...

    TheWrap January 13, 2015

    Let’s just say that the movie’s final section is so nail-bitingly tense, thanks to a skillful combination of acting, writing and c...

    Guardian September 7, 2012

    An entertaining, if shamelessly embellished account of one of the CIA’s strangest operations.

    AV Club October 11, 2012

    The film glides skillfully from the perilous front lines of international espionage to the lower reaches of show business and back again, quietly d...

    Christian Science Monitor October 12, 2012

    The movieland satire is laid on thick, but it’s also deadly accurate. Schlock has never seemed so patriotic, and Arkin and Goodman have rarel...

    Movieline October 11, 2012

    Argo is a subdued thriller about a small triumph in a troubled moment in time, but it’s not without its sting.

    Newsday October 12, 2012

    It’s a well-told story that’s timely, topical and thoroughly entertaining.

    Film.com September 7, 2012

    Kudos to Ben Affleck, actor and director, for delivering a vital and thrilling political actioner.

    Globe and Mail October 12, 2012

    Argo is a movie of many parts, the sum of which can probably be best described as enjoyable Hollywood hokum.

    Reel Talk Online September 7, 2017

    Affleck continues to impress audiences with his keen eye for direction, knowing just when to fall back and allow this top-notch cast the freedom to...

    RogerEbert.com October 11, 2012

    Both spellbinding and surprisingly funny.

    A marvel of cunning, an irresistible blend of cool realism and Hollywood hokum.

    ReelViews October 10, 2012

    A lot of movies take us back to the late '70s/early '80s, but few have done it so forcefully and with so little application of kitsch.

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    Quotes

    Argo f*** yourself.

    This is the best bad idea we have, sir.

    If I’m doing a fake movie, it’s going to be a fake hit.

    You really believe your little story is going to make a difference when there’s a gun to our heads?

    There are only bad options. It’s about finding the best one.

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    friends impressions of the movie.

    Friends comments and ratings

    Ben Affleck took the real story of rescuing US citizens from a politically dangerous country, when it was not special forces that were used, but a whole scam related to the film industry, and the editing in the last third made you squeeze into your chair. Good movie. 8/10

    Translated to English

    Watched

    8.0/10

    There are spoilers in the comments.

    Not a bad story, it was interesting.

    In the end, it’s just unclear how the plane wasn’t detained after all, and how it crossed the Iranian border so quickly. They embellished it for greater excitement.

    But still, the film is not drawn out, it is well shot and the atmosphere is conveyed well.

    Translated to English

    Watched

    One of the true stories that NEED to be filmed. That’s the only way your ass sweats. Affleck did a great job making a fascinating and important drama. The actors are well chosen (Bryan Cranston is one love), and the music at the right moments really gives you goosebumps. "Argo fuck yourself."

    Translated to English

    Watched

    The film as a whole is not bad, worthy of 7 out of 10, but the ending, my respect, keeps you in such tension as if you were sitting on pins and needles. So I raised it to 8.

    Translated to English

    Watched

    A well-made film based on real events that keeps you in suspense until the end. The main roles are played by excellent actors: Ben Affleck and Bryan Cranston. I didn’t know the outcome of the operation, so the tension remained until the end of the film.

    The final chase, with the entire Tehran police force chasing them down the runway, is really cool – like a Fast and Furious 6 on a low setting.

    Rating: 8.0/10

    Translated to English

    Watched

    The rescued workers turned out to be wooden, and at first I didn’t want and wasn’t going to worry about them. But they forced me, in the good sense of the word. Throughout the entire part at the airport I was worried and in tension. Excellent work by the writers, director and actors

    Translated to English

    Watched

    A fairly simple but enjoyable movie. A true story that sounds like something from a collection of movie tales. And Affleck is still so young.

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    Watched

    Just for once. The plot is similar in idea to the film "Wag" from 1997.

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    Watched

    A very good film, an interesting story, quite palpable tension, and Affleck didn’t spoil it or let us down. A striking example of how a film without bright and sophisticated special effects can be interesting.

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    Watched

    Good film. To some extent, even a standard one. One of those that you watch in one breath, in frantic tension because of what is happening on the screen.

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    Watched

    A good, tense drama about a special operation that looks more like a large-scale, but very risky scam. It is important to remember that most embassy employees spent more than a year in captivity. I also really liked the solution in the credits, when stills from the film are compared with real photos

    Translated to English

    Watched

    i started watching it as if it were a film about some distant, "alien" events. But from about the middle, the suspense does not let up for a minute. By the end I was sweating! and this takes into account the fact that the outcome of the plot is known from the very beginning. I don’t know how it works, but bravo everyone! Especially the director.

    Translated to English

    Watched

    Magnificent, first of all, Ben Affleck’s directorial work, as well as the performances of all the main characters. The picture at one time became a discovery for me; it will make you worry about the characters and watch their fate with tension. Of course, the film deserves all its numerous awards.

    Translated to English

    Watched

    There are examples when a film is made by cinematography, but here is a case when editing makes it. Great work by Goldenberg. An excellent thriller with a good balance between humor and drama. It turned out very tense, although embellished, but without cheap tricks and other manipulations.

    Translated to English