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    RoboCop

    Different stars

    • 1 Pedro Bromfman, Gavin Greenaway & Everton NelsonMattox and Reporters 1:35
    • 2 Pedro Bromfman, Gavin Greenaway & Everton NelsonFirst Day 3:24
    • 3 Pedro Bromfman, Gavin Greenaway & Everton NelsonTitle Card 0:50
    • 4 Pedro Bromfman, Gavin Greenaway & Everton NelsonRestaurant Shootout 2:48
    • 5 Pedro Bromfman, Gavin Greenaway & Everton NelsonOmnicorp 1:41
    • 6 Pedro Bromfman, Gavin Greenaway & Everton NelsonCalling Home 2:45
    • 7 Pedro Bromfman, Gavin Greenaway & Everton NelsonMade in China 2:28
    • 8 Pedro Bromfman, Gavin Greenaway & Everton NelsonFixing RoboCop 1:57
    • 9 Pedro Bromfman, Gavin Greenaway & Everton NelsonUploading Data 1:36
    • 10 Pedro Bromfman, Gavin Greenaway & Everton NelsonReputation on the Line 1:31
    • 11 Pedro Bromfman, Gavin Greenaway & Everton NelsonExplosion 1:06
    • 12 Pedro Bromfman, Gavin Greenaway & Everton NelsonRoboCop Presentation 1:43
    • 13 Pedro Bromfman, Gavin Greenaway & Everton NelsonIf I Had a Pulse 2:41
    • 14 Pedro Bromfman, Gavin Greenaway & Everton NelsonGoing After Jerry 3:13
    • 15 Pedro Bromfman, Gavin Greenaway & Everton NelsonVallon's Warehouse 2:21
    • 16 Pedro Bromfman, Gavin Greenaway & Everton NelsonMurphy's Case is Filed 1:19
    • 17 Pedro Bromfman, Gavin Greenaway & Everton NelsonThey're Going to Kill Him 3:16
    • 18 Pedro Bromfman, Gavin Greenaway & Everton NelsonRooftop 2:57
    • 19 Pedro Bromfman, Gavin Greenaway & Everton NelsonMattox Is Down 1:40
    • 20 Pedro Bromfman, Gavin Greenaway & Everton NelsonClara and David 2:56
    • 21 Pedro Bromfman, Gavin Greenaway & Everton NelsonSellars Lies 2:28
    • 22 Pedro Bromfman, Gavin Greenaway & Everton NelsonCode Red 2:00
    • 23 Pedro Bromfman, Gavin Greenaway & Everton Nelson2.6 Billion 1:23
    • 24 Pedro Bromfman, Gavin Greenaway & Everton NelsonIran Inspection 2:12
    • 25 Pedro Bromfman, Gavin Greenaway & Everton NelsonBattling Robots 2:47

    3

    " We’ve got the future under control."
    Country
    Spoken Language
    Runtime 1 hr 57 min
    Budget $100 000 000
    Premiere: World $242 688 965 January 30, 2014
    USA $58 607 007
    Other countries $184 081 958
    Box Office – Budget $142 688 965
    Premiere: USA $58 607 007 February 10, 2014
    first day $2 808 698
    first weekend $21 681 430
    rollout 323 days
    Digital: World June 3, 2014
    Parental Advisory Frightening & Intense Scenes, Violence & Gore, ...
    • Frightening & Intense Scenes

      average

    • Violence & Gore

      average

    • Alcohol, Drugs & Smoking

      few

    • Profanity

      few

    • Sex & Nudity

      few

    Production Companies Columbia PicturesMetro-Goldwyn-Mayer (MGM)Strike Entertainment...Dynamic Effects Canada
    Also Known As
    OmniCorp United States

    Description

    In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.

    Сast and Crew

    Production

    Screen Gems first announced that it was working on a new RoboCop film in late 2005; no further details were given. In November 2006, Bloody Disgusting reported that the RoboCop remake had been halted. In March 2008, RoboCop was mentioned in an MGM press release regarding franchises it would be developing in the future. An MGM poster displayed at the Licensing International Expo of June 2008 read, "RoboCop coming 2010." The studio met with Darren Aronofsky to discuss the possibility of him directing the film. At the San Diego Comic-Con International 2008, Aronofsky was confirmed to direct the "2010 RoboCop" film, with David Self writing the script. The release date was postponed to 2011. At the San Diego Comic-Con in July 2009, MGM representatives stated only that the film would be pushed back to Summer 2010 or a later date, due to scheduling conflicts with the director (most likely Aronofsky). MGM representatives would neither confirm nor deny if Aronofsky was still connected with the project.

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    José Padilha — Best movies and TV Shows

    Critique: 46

    50%
    23 23
    Orange County Register February 13, 2014

    With a host of others, Padilha and screenwriter Joshua Zetumer concoct a bubbling stew of terror-streaked social satire and teary domesti...

    Philadelphia Inquirer February 12, 2014

    RoboCop is a solid near-future action pic that poses moral questions about artificial intelligence and remote-control combat systems without g...

    L.A. Weekly February 12, 2014

    A kinder, gentler RoboCop. What scares us in 2014 isn’t that we could someday make a robot Murphy. It’s that we probably alre...

    Sydney Morning Herald February 6, 2014

    There are plenty of reasons to be sceptical about remakes of action classics, but director Jose Padilha’s 21st-century take on Paul Verhoeven...

    Film.com February 12, 2014

    At least offers something resembling ideas of morality and mortality in the guise of a silly shoot-'em-up, even if those ideas are eventually...

    The Guardian February 9, 2014

    While the remake may not be groundbreaking, at least it appears to have been made by someone who understands what made the original great. For that...

    Salon.com February 13, 2014

    There are some interesting things about "RoboCop," and – no, wait, that’s a lie.

    deadspin.com February 11, 2014

    While this new "RoboCop" isn’t terrible, what’s most disappointing is that it lacks the juice Verhoeven’s films always had in cra...

    entertainment.time.com February 13, 2014

    RoboCop becomes less a work of aspirational coolness and more a piece of political satire – and not necessarily a bad one.

    The Guardian February 6, 2014

    A dumbed-down shoot-em-up frontloaded with elaborate but perfunctory new "satirical" material in which the movie loses interest with breathtaking s...

    Austin Chronicle February 13, 2014

    The action sequences are entertaining enough while watching them, but nothing sticks once you’ve left the theatre.

    Daily Telegraph February 6, 2014

    The film is not only unchallenging, it seems actively scared of challenging us. You emerge feeling pacified and only semi-entertained.

    Chicago Tribune February 12, 2014

    This is at heart a pretty sad movie. Verhoeven wouldn’t be caught dead making you care about anything in his "RoboCop"; Padilha is after...

    Rolling Stone February 14, 2014

    This Robo-reboot tries fiercely to update the satirical punch and stylistic perversity Paul Verhoeven’s 1987 original. It’s a...

    Toronto Star February 11, 2014

    The revamped RoboCop has a lot in common with the Ford Edsel, history’s most notorious automotive misfire.

    RogerEbert.com February 12, 2014

    An ostensibly mindless entertainment that doesn’t content itself with mere sensationalism but goes out of its way to insult whatever intellig...

    AV Club February 12, 2014

    Slightly squarer and less subversive than the other one, but also admirable in its refusal to simply replicate the circuitry of a blockbuster...

    Rolling Stone February 14, 2014

    This Robo-reboot tries fiercely to update the satirical punch and stylistic perversity Paul Verhoeven’s 1987 original. It’s a...

    Little White Lies (UK) February 6, 2014

    Destined for the reboot scrapheap.

    New York Daily News February 12, 2014

    Whose bright idea was this?

    USA Today February 11, 2014

    Though this Robo reboot resonates to some degree with its depiction of military drone strikes, the film sidesteps deeper questions about the inters...

    SFGATE February 11, 2014

    RoboCop is no canned remake of the 1987 action film. It’s a reimagining that responds to everything that has changed in American life ov...

    richardroeper.com February 13, 2014

    Cynical, boring, PG-13 retread.

    Grantland February 14, 2014

    Padilha is Brazilian, and it’s interesting that both RoboCops have been made by men whose non-Hollywood work focused on their respective coun...

    Arizona Republic February 12, 2014

    Thanks to a good cast and a willingness to stray fairly far afield from the source material, it’s better than you might think.

    Detroit News February 12, 2014

    Most people will go see this film for the extensive gun play and the body count, which of course make for swell entertainment. But you don’t...

    New York Times February 11, 2014

    Every generation, apparently, gets the "RoboCop" it deserves, or perhaps desires.

    New York Post February 11, 2014

    This is a superhero film for grown-ups that reflects a moment when drone usage is hotly debated and it’s no longer ridiculous to contemplate...

    Independent February 14, 2014

    The Brazilian director José Padilha may be working for a Hollywood studio but he doesn’t temper his critique of American imperialism, bi...

    ReelViews February 13, 2014

    It retains the central ideas and themes of the original while updating and rearranging the narrative to lose a derivative feel.

    Austin Chronicle February 13, 2014

    The action sequences are entertaining enough while watching them, but nothing sticks once you’ve left the theatre.

    Newark Star-Ledger February 11, 2014

    Like RoboCop himself, it doesn’t seem quite as truly, organically alive as it once did. But it sure looks sleek, and moves pretty fast. And i...

    ScreenCrush February 11, 2014

    The new 'RoboCop' isn’t terrible. It’s certainly better than the recent 'Total Recall.' It just can’t compete.

    Newsday February 12, 2014

    It’s all rather surprisingly well acted (Kinnaman and Oldman are better than they even need to be), but "RoboCop" is missing a crucial i...

    Los Angeles Times February 12, 2014

    The re-imagined crime, action, sci-fi thriller isn’t going for the biting satire of Paul Verhoeven’s 1987 original, or its ex...

    Irish Times February 8, 2014

    What’s the "point" of a Robocop remake? If you’re bothering to ask yourself such questions, you must find the modern world a...

    St. Louis Post-Dispatch February 12, 2014

    Compared to the humor in the "Iron Man" movies or the vigilante themes in the recent "Batman" series, this reboot has little to offer.

    The Dissolve February 20, 2014

    [A]fter an opening sequence as promising as the one here, it needs at least an attempted follow-through, not the jumble of confused ideas and time...

    Entertainment Weekly February 13, 2014

    The film has lots of energized mayhem, and Murphy’s unraveling of the conspiracy against him isn’t dumbed down, yet it’s as if th...

    Vulture February 13, 2014

    It fully justifies its existence. That doesn’t mean it’s especially good. But it’s a rare "reboot" that transcends its studi...

    Hollywood Reporter February 5, 2014

    This remake of the 1987 dystopian classic has a better cast, more meticulous script and, naturally, flashier effects, but it lacks the or...

    Financial Times February 6, 2014

    Leadenly manufactured – or perhaps from binned leftovers of the alloy used for biomechanical policemen – RoboCop is the remake no one nee...

    Variety February 5, 2014

    It’s a less playful enterprise than the original, but meets the era’s darker demands for action reboots with machine-tooled effici...

    NPR February 13, 2014

    It’s well made, polished, and hits every mark – but is it crazy to want a futuristic sci-fi action flick about a motorcycle-riding metal...

    The Atlantic February 14, 2014

    Surveying the peculiar array of 1980s retreads clustered into release this week, I’m reminded of Marty McFly in Back to the Future Part...

    Slant Magazine February 11, 2014

    Ultimately the film is, like the Faux News programming it caricatures at face value, a deck-stacking simulation of a dialogue it isn’t e...

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    Quotes

    What kind of suit is this?

    We need to give Americans a product they can love.

    Why is America so robo-phobic?

    The human element will always be present!

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    Friends comments and ratings

    Watched

    Well, this is no longer RoboCop, but rather an average sci-fi patriotic action movie based on the character. After this sentence, I don’t even have anything special to add. It’s great that there’s a star cast, but it doesn’t change the essence of the matter. I’ll go play Dying Light and relax from the movies.

    Translated to English

    Watched

    A very "small" movie compared to the original, clearly according to modern primitive standards, which makes RoboCop look like one of the current comic book superheroes. Absolutely not an entertaining film, without any sophistication or individuality.

    Translated to English

    Watched

    The main problem with the film is that everyone compares it to Paul Verhoeven’s original. But in my opinion, the authors were really able to refresh and update the classic movie image, adding modern technologies and crazy corporate marketing.

    Translated to English