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    Soundtrack

    The Ten Commandments (1960 Stereo Recording)

    Elmer Bernstein

    • 1 Elmer BernsteinPrelude (From "The Ten Commandments" Score) 5:06
    • 2 Elmer BernsteinIn The Bullrushes 4:01
    • 3 Elmer BernsteinThe Bitter Life 2:04
    • 4 Elmer BernsteinLove And Ambition 4:02
    • 5 Elmer BernsteinThe Hard Bondage (From "The Ten Commandments" Score) 2:02
    • 6 Elmer BernsteinEgyptian Dance 2:51
    • 7 Elmer BernsteinThe Crucible Of God 3:07
    • 8 Elmer BernsteinAnd Moses Watered Jethro's Flock 2:15
    • 9 Elmer BernsteinBedouin Dance 1:56
    • 10 Elmer BernsteinI Am That I Am 3:13
    • 11 Elmer BernsteinOverture (From "The Ten Commandments" Score) 2:06
    • 12 Elmer BernsteinThus Says The Lord 3:38
    • 13 Elmer BernsteinThe Plagues 2:49
    • 14 Elmer BernsteinThe Exodus 5:57
    • 15 Elmer BernsteinThe Pillar Of Fire 2:46
    • 16 Elmer BernsteinThe Red Sea 2:31
    • 17 Elmer BernsteinThe Ten Commandments 5:38
    • 18 Elmer BernsteinGo, Proclaim Liberty! (From "The Ten Commandments" Score) 3:16

    « Paramount Pictures Presents the Greatest Epic of All! (1989 re-release)»
    Country
    Runtime 3 hr 40 min
    Budget $13 282 712
    Premiere: World $65 501 273 January 4, 1957
    USA $65 500 000
    Other countries $1273
    Box Office – Budget $52 218 561
    Premiere: USA $65 500 000 October 5, 1956
    rollout 818 days
    Digital: World May 1, 2012
    Production Companies

    About the film The Ten Commandments

    Moses, raised as a prince of Egypt in the Pharaoh’s household, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people from slavery.

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    Сast and Crew

    The Book Behind the Film "The Ten Commandments" (1956)

    Overview

    The 1956 film "The Ten Commandments" is based on several literary sources, primarily drawing from the book The Prince of Egypt by Dorothy Clarke Wilson. The film also incorporates elements from other works, including Pillar of Fire by A.E. Southon and On Eagle's Wings by J.H. Ingraham.

    About the Authors

      • Dorothy Clarke Wilson: An American author known for her historical and biographical novels. Her book The Prince of Egypt serves as a significant source for the film's narrative.

      • A.E. Southon: Author of Pillar of Fire, which provides additional context and details about the life of Moses.

      • J.H. Ingraham: Wrote On Eagle's Wings, another source that contributes to the film's depiction of biblical events.

    Film's Faithfulness to the Book

    The film "The Ten Commandments," directed by Cecil B. DeMille, takes creative liberties while adapting the source material. While it remains faithful to the overarching biblical narrative of Moses leading the Israelites out of Egypt, it embellishes and dramatizes certain events for cinematic effect. The film combines elements from the aforementioned books to create a comprehensive and engaging portrayal of the Exodus story.

    FAQ

    What is the 1956 film “The Ten Commandments” about?

    It’s an epic biblical drama about Moses—his journey from life at the Egyptian court to leading the Israelites out of Egypt and receiving the Ten Commandments. The film blends adventure, drama, and large-scale historical spectacle.

    Is it a remake or an original story?

    The 1956 film is closely related to an earlier adaptation (the 1923 silent version): Cecil B. DeMille effectively reimagined and expanded the story, making it far larger in scale and dramatic scope.

    Why is the film considered a classic Hollywood epic?

    It’s a benchmark of the genre due to its sweeping scale, striking crowd set-pieces, strong drama, and a memorable central rivalry. It helped define the mid-20th-century “biblical epic” as a Hollywood signature.

    Does the film have a religious message—and do you need to be religious to watch it?

    Religion is central, but it also plays as a historical adventure-drama: power vs. conscience, the cost of freedom, leadership responsibility, and moral испытания. You can watch it as a cultural landmark and a grand classic spectacle.

    Which scenes are most often cited as the most spectacular?

    Most people point to the Exodus sequences and major “miracle” set-pieces staged as classic large-scale cinematic attractions. Even today they’re compelling as examples of pre-CGI Hollywood visual-effects craft.

    How long is the film, and is it better in one sitting or split?

    It’s a very long epic (often around 3 hours 40+ minutes, depending on the cut). It can be comfortably split into two sessions with a mid-point break, though a single sitting enhances the sense of scale.

    How historically accurate is the film?

    It draws primarily on biblical tradition and cinematic storytelling rather than strict academic reconstruction. Many details serve dramatic effect, so it’s best viewed as an epic interpretation, not a history textbook.

    Is the film suitable for family viewing with children?

    Generally yes, but it’s adult in pacing and length: it includes intense sequences, themes of violence and judgment, and heavy dramatic moments. It may be tough for younger kids; teens usually handle it better.

    What stands out about the film’s staging and visual style?

    Classic “big” direction: monumental sets, costumes, large crowds, carefully arranged blocking, and bold color imagery. The sense of scale often comes from frame staging rather than rapid cutting.

    Is it true the film is often broadcast on TV, and why?

    Yes—across many countries it has been scheduled around holidays: it’s a recognizable “event” classic suited to big-screen viewing, with a clear story and strong moral drama.

    What key themes and conflicts go beyond the religious storyline?

    It’s about power and freedom, personal identity, jealousy and ambition, choosing between duty and desire, and the price of leadership. The clash of worldviews is a big reason it works as universal drama.

    Does the film have famous quotes or a signature presentation style?

    It’s known for a ceremonial, epic storytelling tone—focused on moral choices and big dramatic gestures. Certain lines and scenes became culturally recognizable even to people who haven’t rewatched the whole film.

    Is it worth watching in the original if your English isn’t perfect?

    Yes: the original audio better conveys the ceremonial style and performance nuances, but subtitles help because of the classic pacing and phrasing. Dubs can still work if you want to focus on the spectacle.

    Which version is best for a first-time watch?

    Pick the highest-quality release with restored picture and sound (restoration/HD), since the film relies heavily on color, set detail, and large-scale scenes. If multiple editions are available, choose the one with fewer artifacts and better shadow detail.

    Production

    In July 1951, while he was working on his circus film The Greatest Show on Earth, producer-director Cecil B. DeMille chose Homer's Odyssey as the subject of his next epic. Several weeks later, he announced he was going to make a film about the Book of Esther, but then he changed his mind and said he was planning a new film about Helen of Troy, which he eventually canceled. For more than twenty years and especially after World War II, DeMille had received letters from people worldwide who asked him to make a new version of his 1923 silent film The Ten Commandments because the world "needs a reminder, they said, of the Law of God", which "is the essential bedrock of human freedom." DeMille talked about the idea with his staff and they initially considered producing it as a modern story with a biblical prologue, like the original film. A suggestion was to have the contemporary protagonist be an honest politician struggling with "forces aligned against him" and show through that conflict the effects of keeping or breaking the Ten Commandments. DeMille discarded the present-day storyline because he kept thinking about the first film's biblical section, which was "still not dated". Another early concept was to film the story of the Exodus, led by Moses, with interconnected subplots involving Israelites whose lives reflect each of the Ten Commandments. DeMille wrote that he thought the final choice—to let the biblical story "speak for itself"—was the "soundest". He said the biblical account was "timeless" and "timely", and that when "Moses led his people to Mount Sinai, they learned, as the world today must learn, that true freedom is freedom under God."

    • Prelude (From "The Ten Commandments" Score)
    • Love And Ambition
    • The Exodus
    • The Ten Commandments (1960 Stereo Recording)

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    Critique: 3

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    There is no other picture like it. There will be none. If it could be summed up in a word, the word would be sublime. And the man responsible...

    As much a testament and a fixture of traditional American ideals and affections as a courthouse display of the stone tablets, and as weighty a...

    DeMille’s direction of the action is superb and the various roles are played with feeling by a large and competent cast, headed by Charl...

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    Quotes

    So let it be written, so let it be done.

    Moses, Moses, you stubborn, splendid, adorable fool!

    What has become of Moses?

    The Lord of Hosts will do battle for us. Behold His mighty hand!

    There is a beauty beyond the senses, Nefretiri.

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