This low-budget black-and-white production was 24-year-old Louis Malle's first feature film. He had previously worked with Jacques Cousteau for several years, and was credited as co-director of the documentary The Silent World (1956).
Movie's ratings
Elevator to the Gallows
(1957)Ascenseur pour l’échafaud 3
| Country | |
| Spoken Language | french, deutsch |
| Runtime | 1 hr 31 min |
| Premiere: World | $431 784 January 29, 1958 |
| USA | $374 671 |
| Other countries | $57 113 |
| Premiere: USA | $374 671 June 10, 1961 |
| first day | $2724 |
| theaters | 5 |
| rollout | 156 days |
| Digital: World | March 28, 2009 |
| Production Companies | |
| Also Known As | Lift to the Scaffold United Kingdom |
Description
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.Сast and Crew
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Book Behind the Film "Elevator to the Gallows"
About the Book
The film "Elevator to the Gallows" is based on the novel Ascenseur pour l'échafaud by Noël Calef. The book is a crime thriller that delves into themes of murder, betrayal, and the unforeseen consequences of one's actions. It is a gripping narrative that explores the psychological depth of its characters, set against the backdrop of post-war France.About the Author
Noël Calef was a French author known for his work in the crime and thriller genres. His writing is characterized by its intricate plots and deep character studies, often reflecting the complexities of human nature and moral dilemmas.Film Adaptation
The film adaptation, directed by Louis Malle, stays relatively true to the source material, capturing the essence of Calef's novel. The movie effectively translates the book's tension and atmosphere to the screen, maintaining the core plot and character dynamics. However, as with many adaptations, certain elements were modified to suit the cinematic format, but the film remains a faithful representation of the novel's themes and narrative style.Production
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Louis Malle — Top Rated Movies
Critique: 13
Louis Malle’s supremely stylish New Wave thriller combines Miles Davis’s music, Henri Decae’s wonderfully evocative black-and-whi...
As French crime thrillers go, this is about as good as it gets. It’s also an important film historically, and to top it off, the jazz score...
The film’s alchemic blend of Bressonian rigor, Hitchcockian suspense, and overall proto-Nouvelle Vague cool more than compensates for its str...
An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred B...
The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.
Elevator to the Gallows married a new kind of jazz to a new kind of cinema, and created something altogether sublime.
A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s.
Incapable of spreading Moreau’s passion and sadness to its crime-thriller narrative.
Lift to the Scaffold (Ascenseur pour l’échafaud) was the perfect opening to the French New Wave in 1958, sashaying in to a jazz score from Mi...
Its constituent parts are great, but just don’t come together to make a coherent and satisfying movie.
The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant...
These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff h...
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Commit the perfect murder and then be stuck in the office elevator for the entire weekend. While you are sitting there the world is spinning and everything is changing. A wonderful example of noir.
Watched
A surprisingly simple detective story with an evening vibe came out to be a very interesting look at such a situation, and Florence’s monologues are so lyrical about love, it’s cool.
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