Movie's ratings

    Ascenseur pour l’échafaud 3

    " Frantic for life and love – Frantic for excitement"
    Country
    Spoken Language
    Runtime 1 hr 31 min
    Premiere: World $431 784 January 29, 1958
    USA $374 671
    Other countries $57 113
    Premiere: USA $374 671 June 10, 1961
    first day $2724
    theaters 5
    rollout 156 days
    Digital: World March 28, 2009
    Production Companies
    Also Known As

    Description

    A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.

    Сast and Crew

    Book Behind the Film "Elevator to the Gallows"

    About the Book

    The film "Elevator to the Gallows" is based on the novel Ascenseur pour l'échafaud by Noël Calef. The book is a crime thriller that delves into themes of murder, betrayal, and the unforeseen consequences of one's actions. It is a gripping narrative that explores the psychological depth of its characters, set against the backdrop of post-war France.

    About the Author

    Noël Calef was a French author known for his work in the crime and thriller genres. His writing is characterized by its intricate plots and deep character studies, often reflecting the complexities of human nature and moral dilemmas.

    Film Adaptation

    The film adaptation, directed by Louis Malle, stays relatively true to the source material, capturing the essence of Calef's novel. The movie effectively translates the book's tension and atmosphere to the screen, maintaining the core plot and character dynamics. However, as with many adaptations, certain elements were modified to suit the cinematic format, but the film remains a faithful representation of the novel's themes and narrative style.

    Production

    This low-budget black-and-white production was 24-year-old Louis Malle's first feature film. He had previously worked with Jacques Cousteau for several years, and was credited as co-director of the documentary The Silent World (1956).

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    Louis Malle — Top Rated Movies

    Critique: 13

    85%
    11 2
    Independent February 14, 2014

    Louis Malle’s supremely stylish New Wave thriller combines Miles Davis’s music, Henri Decae’s wonderfully evocative black-and-whi...

    SFGATE August 19, 2005

    As French crime thrillers go, this is about as good as it gets. It’s also an important film historically, and to top it off, the jazz score...

    Village Voice August 2, 2016

    The film’s alchemic blend of Bressonian rigor, Hitchcockian suspense, and overall proto-Nouvelle Vague cool more than compensates for its str...

    BBC February 20, 2002

    An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred B...

    Denver Post October 14, 2005

    The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.

    Village Voice August 25, 2016

    Elevator to the Gallows married a new kind of jazz to a new kind of cinema, and created something altogether sublime.

    calendarlive.com July 28, 2005

    A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s.

    Slant Magazine June 11, 2005

    Incapable of spreading Moreau’s passion and sadness to its crime-thriller narrative.

    Times (UK) September 23, 2014

    Lift to the Scaffold (Ascenseur pour l’échafaud) was the perfect opening to the French New Wave in 1958, sashaying in to a jazz score from Mi...

    Little White Lies (UK) February 6, 2014

    Its constituent parts are great, but just don’t come together to make a coherent and satisfying movie.

    Boston.com July 22, 2005

    The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant...

    The Guardian February 6, 2014

    What a supremely stylish and watchable picture it is.

    RogerEbert.com September 15, 2005

    These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff h...

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    Friends comments and ratings

    Commit the perfect murder and then be stuck in the office elevator for the entire weekend. While you are sitting there the world is spinning and everything is changing. A wonderful example of noir.

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    Watched

    A surprisingly simple detective story with an evening vibe came out to be a very interesting look at such a situation, and Florence’s monologues are so lyrical about love, it’s cool.

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    Watched

    I’ve wanted to watch this film for 10 years. My expectations were met. A very good movie

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