Seth MacFarlane's directorial debut is a live-action effort, with computer animation handled by visual effects facilities Tippett Studio and Iloura. MacFarlane wrote the screenplay with his Family Guy colleagues Alec Sulkin and Wellesley Wild. In a "behind the scenes" video, it was revealed that MacFarlane originally wanted to make Ted into an animated television show, much like his previous works Family Guy, American Dad!, and The Cleveland Show.
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- 'Ted' Series Trailer - Seth MacFarlane Goes Back to Class Collider November 29, 2023
Soundtrack
Ted (Original Motion Picture Soundtrack)
Different stars
- 1 Norah JonesEverybody Needs a Best Friend 2:27
- 2 Walter MurphyThe Power of Wishes 3:12
- 3 Walter MurphyThunder Buddies for Life 1:54
- 4 Walter MurphyJohn & Lori At Work / A Walk in the Park 1:34
- 5 Walter MurphyMagical Wish 0:49
- 6 Walter MurphyRex's Party (Everybody Needs a Best Friend) 2:28
- 7 Walter MurphyThe Breakup 0:59
- 8 Walter MurphyNever Be Scared of Thunder Again 1:04
- 9 Walter MurphyTed Is Captured 3:45
- 10 Walter MurphyThe Car Chase / Fenway Pursuit 3:27
- 11 Walter MurphyClimbing the Tower / She's Your Thunder Buddy Now 3:56
- 12 Walter MurphySaving Ted / Lori's Wish 3:37
- 13 Walter MurphyThe Proposal / The Wedding 2:55
- 14 Walter MurphyEnd Titles 5:11
- 15 QueenFlash's Theme 2:30
- 16 DaphnéSin 2:20
- 17 Hootie & The BlowfishOnly Wanna Be With You 3:46
- 18 Norah JonesCome Away With Me 3:06
- 19 Rita CoolidgeAll Time High 3:02
- 20 TiffanyI Think We're Alone Now 3:44
- 21 Марк Уолберг & Seth MacFarlaneThunder Buddies 0:15
Ted
(2012)2
| Country | |
| Spoken Language | english, japanese, ukrainian |
| Runtime | 1 hr 46 min |
| Budget | $50 000 000 |
| Premiere: World | $549 368 315 June 29, 2012 |
| USA | $218 815 487 |
| Other countries | $330 552 828 |
| Box Office – Budget | $499 368 315 |
| Premiere: USA | $218 815 487 June 29, 2012 |
| first day | $20 583 845 |
| first weekend | $54 415 205 |
| Digital: World | December 1, 2012 |
| Parental Advisory | Alcohol, Drugs & Smoking, Profanity, Sex & Nudity, ... |
| |
| Production Companies | |
| Also Known As | Teddy Bear United States |
Description
John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear, Ted or his girlfriend, Lori.Сast and Crew
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FAQ
What is Ted (2012) about in a nutshell?
It’s a comedy about a grown man and his magically living teddy bear whose friendship starts to sabotage relationships and adulthood. It mixes absurd, raunchy humor with a coming‑of‑age angle.
Is it purely a comedy, or does it have heartfelt/dramatic moments?
Despite the provocative jokes, it has a clear emotional arc about responsibility, boundaries in friendship, and committing to a partner. The ending and a few pivotal scenes play like comedic drama.
How “adult” is it in terms of content?
Very: lots of profanity, sex and drug jokes, and generally raunchy, adult themes. It’s not a family comedy.
Within the story, is Ted magic or rules-based fantasy?
It’s more fairy-tale convenience than hard fantasy: Ted comes to life as a childhood wish-come-true, and the world simply accepts it. The film doesn’t dwell on mechanics; it’s a comedic premise.
What makes Ted’s humor different from other U.S. comedies of that era?
The comedy hinges on the contrast between Ted’s cute look (a teddy bear) and extremely adult, often cynical behavior. The style leans into TV-like satire and pop-culture riffing closely associated with Seth MacFarlane.
What’s the main theme if you strip away the jokes?
Growing up: learning to prioritize, take responsibility in relationships, and stop letting the past run your present. Friendship matters, but not at the cost of your life.
Does it rely heavily on pop-culture references, and do they hurt the viewing experience?
There are lots of references—to music, movies, celebrities, and TV. If some jokes don’t land, the core story is still clear, but the context makes it funnier.
How tied is Ted to Boston and its local flavor?
Quite a bit: locations, character attitude, and some jokes lean on a Boston backdrop. It’s not required knowledge, but it adds texture and personality.
Is the movie more about romance or friendship?
It’s driven by the clash between friendship and a romantic relationship: the lead has to decide what comes first. Ultimately it aims to reconcile both through maturity.
Are there notable cameos/guest appearances?
Yes—cameos and pop-in gags are part of its comedic DNA. They function as surprises and joke amplifiers rather than essential plot points.
Is it watchable in English with intermediate language skills?
Yes, but some jokes depend on slang, wordplay, and cultural references. Subtitles help a lot with punchlines and fast dialogue.
Why does Ted have such a distinctive joke style and pacing?
It’s made by someone with a strong background in animated satire and TV comedy: quick-fire dialogue, cutaway-style gags, and references drive the rhythm. It’s a talky comedy with rapid joke editing typical of Seth MacFarlane.
Is there a sequel, and do you need it to understand the first film?
There is a sequel, but the first movie is fully self-contained with a complete arc. Watch the sequel only if you want more of the same tone and characters.
What elements do viewers most often praise in Ted?
People often praise the chemistry at the center, the ‘cute bear vs. adult behavior’ contrast, the joke density, and the energetic dialogue. The mix of absurdity with a relatable growing-up issue is also frequently noted.
Does Ted include dark humor and crude scenes?
Yes: it frequently uses dark humor, crude dialogue, and provocative situations. If you dislike raunchy, cynical comedy, it may not be for you.
Who might not enjoy it even if they like comedies?
Anyone who prefers clean humor without profanity, sexual content, or edgy jokes. It may also annoy viewers who dislike reference-heavy, talk-driven pacing.
What should you pay attention to in order to read the satire better?
Watch the contrast between childish behavior and adult realities—jobs, relationships, responsibility. Many jokes target immaturity and self-deception, not just shock value.
Which of the listed creators is associated with the screenplay?
The screenplay is associated with Seth MacFarlane, alongside co-writers Alec Sulkin and Wellesley Wild.
Is it more of a ‘guy comedy,’ or is it universal?
Tone-wise it’s largely a buddy comedy with the expected themes and jokes, but the core conflict—growing up and maintaining relationships—is fairly universal. Enjoyment depends on your tolerance for crude humor.
Does Ted have notable comedic subplots?
Yes: it often detours into side plots and character-driven gags that expand the world and add chaos around the leads. These bits frequently play on ‘ordinary life vs. absurdity.’
Production
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Seth MacFarlane — Top Rated Shows
Critique: 40
What began as a promising, if unhinged, experiment in suspending disbelief starts to feel like "You, Me and Dupree" for plushies.
Underneath the matted fur of the movie’s foul-mouthed bear beats a very real heart.
Ted’s extraordinary design and good cheer [makes this] a comedy I find more than bearable.
I expected "Ted" to be a one-joke movie, but it’s got ideas spilling out of its seams.
Ted has nothing much to offer in terms of subtlety and sensitivity, but there are plenty of laughs.
Laughter doesn’t lie. I loved Ted and found it irresistibly funny and hugely enjoyable.
The stuff that sticks to the wall is so outrageously hilarious that it’s ultimately worth enduring the film’s lackadaisical pacing and...
Seth MacFarlane’s comedic modus operandi is to shock with outrageousness and pander with TV and movie citations via one non sequitur after an...
…it does serve up a pretty jaw-dropping array of remarkably crude, nasty, and at times pretty gut-busting jokes.
Not going to lie. I kind of want my own talking teddy bear. But only if he guzzles beer, tells excessively dirty jokes, can drive and wants to...
Not too many films serve up laughs that just keep on rolling with regularity from beginning to end, but Seth MacFarlane’s directorial debut d...
The one-note joke plays out longer and better than you might expect, at least for a while. But not forever.
There’s just enough mileage in the gag to keep the movie spluttering through an energetic series of pop-cultural references and broadly stage...
Ted finds a surprising range of off-color vowel sounds in its potentially one-note gag.
To fully appreciate "Ted," it’s best to simply forgive its bad behavior upfront and save any apologies for liking it until later. Sorry.
It is funny to watch a teddy bear wail on Mark Wahlberg. But afterward, I mostly felt beat up.
Even though a lot of the movie is grating dumb-assery, it’s something to behold. Stuffed with crap, but something.
The greatest compliment I can pay Seth MacFarlane’s Ted is that although this is essentially one of those slacker, stoner comedies, and...
An incongruously cute interspecies buddy comedy that’s powered alternately by the pixie dust of boyhood imagination and the ruder, cruder urg...
The idea of a toy that comes to life – and then won’t go away – isn’t a bad one. Too bad that "Ted" manages to overstay...
Ted is essentially a one-joke movie. Okay, it’s a very funny joke, but it’s still only one joke.
The film will probably be funnier if you go with a beer, a friend or perhaps – who knows? - your own dissolute soft toy companion.
In a universe of Hollywood comedies that seem determined to insult the audience and pander to the basest form of post-adolescent fantasy, "Ted...
Not every joke scores, of course. But the hits are worth the misses, and anyway, the movie’s true genius is in the way its outlandish scenari...
The plot is simply a shaky frame on which to hang drug and sex jokes and numerous pop-culture references.
You’ll feel the warmth and camaraderie of a Bostonian and his little sentient bear.
The plot of "Ted" is fairly standard but greatly embellished by MacFarlane’s ability to establish comic situations and keep them building.
Will it make you wince with embarrassment? That’s a promise. Will you also laugh? In double-time, like a Rockette.
Ted is, no matter how you stuff it, yet another man-child buddy movie – and all that that implies.
I’m betting on Mark Wahlberg for best actor when the Oscars swing around next year.
A crass, foul-mouthed, mostly hilarious, surprisingly sentimental bromance about a grown boy named John and his teddy bear.
This is ersatz subversion for an audience secretly terrified of the real thing.
This is not a comedy for anyone who might be turned off by humor that plays a little loose with race, sex, and any other subjects that may be...
For all of its transgressive plush-toy sex and screw-'em humor, the plot is pretty standard stuff.
MacFarlane has definitely made the best leap from animated television to movies since 1999′s South Park: Bigger Longer & Uncut.
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You know, somewhere out there are four terrible fathers I wish I could thank for this great night.
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I decided to cheer myself up with comedy, but it didn’t work out. I don’t understand how I could give this film an 8. Not a single joke made me laugh. I don’t know if it’s their quality or me. Wahlberg is too old to play this kind of childish role. There should be at least a 25-year-old actor in his place.
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