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    Soundtrack

    Ted (Original Motion Picture Soundtrack)

    Different stars

    • 1 Norah JonesEverybody Needs a Best Friend 2:27
    • 2 Walter MurphyThe Power of Wishes 3:12
    • 3 Walter MurphyThunder Buddies for Life 1:54
    • 4 Walter MurphyJohn & Lori At Work / A Walk in the Park 1:34
    • 5 Walter MurphyMagical Wish 0:49
    • 6 Walter MurphyRex's Party (Everybody Needs a Best Friend) 2:28
    • 7 Walter MurphyThe Breakup 0:59
    • 8 Walter MurphyNever Be Scared of Thunder Again 1:04
    • 9 Walter MurphyTed Is Captured 3:45
    • 10 Walter MurphyThe Car Chase / Fenway Pursuit 3:27
    • 11 Walter MurphyClimbing the Tower / She's Your Thunder Buddy Now 3:56
    • 12 Walter MurphySaving Ted / Lori's Wish 3:37
    • 13 Walter MurphyThe Proposal / The Wedding 2:55
    • 14 Walter MurphyEnd Titles 5:11
    • 15 QueenFlash's Theme 2:30
    • 16 DaphnéSin 2:20
    • 17 Hootie & The BlowfishOnly Wanna Be With You 3:46
    • 18 Norah JonesCome Away With Me 3:06
    • 19 Rita CoolidgeAll Time High 3:02
    • 20 TiffanyI Think We're Alone Now 3:44
    • 21 Марк Уолберг & Seth MacFarlaneThunder Buddies 0:15

    2

    " Ted is coming."
    Country
    Spoken Language
    Runtime 1 hr 46 min
    Budget $50 000 000
    Premiere: World $549 368 315 June 29, 2012
    USA $218 815 487
    Other countries $330 552 828
    Box Office – Budget $499 368 315
    Premiere: USA $218 815 487 June 29, 2012
    first day $20 583 845
    first weekend $54 415 205
    Digital: World December 1, 2012
    Parental Advisory
    • Alcohol, Drugs & Smoking

      plenty

    • Profanity

      plenty

    • Sex & Nudity

      average

    • Violence & Gore

      few

    Production Companies
    Also Known As

    Description

    John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear, Ted or his girlfriend, Lori.

    Сast and Crew

    FAQ

    What is Ted (2012) about in a nutshell?

    It’s a comedy about a grown man and his magically living teddy bear whose friendship starts to sabotage relationships and adulthood. It mixes absurd, raunchy humor with a coming‑of‑age angle.

    Is it purely a comedy, or does it have heartfelt/dramatic moments?

    Despite the provocative jokes, it has a clear emotional arc about responsibility, boundaries in friendship, and committing to a partner. The ending and a few pivotal scenes play like comedic drama.

    How “adult” is it in terms of content?

    Very: lots of profanity, sex and drug jokes, and generally raunchy, adult themes. It’s not a family comedy.

    Within the story, is Ted magic or rules-based fantasy?

    It’s more fairy-tale convenience than hard fantasy: Ted comes to life as a childhood wish-come-true, and the world simply accepts it. The film doesn’t dwell on mechanics; it’s a comedic premise.

    What makes Ted’s humor different from other U.S. comedies of that era?

    The comedy hinges on the contrast between Ted’s cute look (a teddy bear) and extremely adult, often cynical behavior. The style leans into TV-like satire and pop-culture riffing closely associated with Seth MacFarlane.

    What’s the main theme if you strip away the jokes?

    Growing up: learning to prioritize, take responsibility in relationships, and stop letting the past run your present. Friendship matters, but not at the cost of your life.

    Does it rely heavily on pop-culture references, and do they hurt the viewing experience?

    There are lots of references—to music, movies, celebrities, and TV. If some jokes don’t land, the core story is still clear, but the context makes it funnier.

    How tied is Ted to Boston and its local flavor?

    Quite a bit: locations, character attitude, and some jokes lean on a Boston backdrop. It’s not required knowledge, but it adds texture and personality.

    Is the movie more about romance or friendship?

    It’s driven by the clash between friendship and a romantic relationship: the lead has to decide what comes first. Ultimately it aims to reconcile both through maturity.

    Are there notable cameos/guest appearances?

    Yes—cameos and pop-in gags are part of its comedic DNA. They function as surprises and joke amplifiers rather than essential plot points.

    Is it watchable in English with intermediate language skills?

    Yes, but some jokes depend on slang, wordplay, and cultural references. Subtitles help a lot with punchlines and fast dialogue.

    Why does Ted have such a distinctive joke style and pacing?

    It’s made by someone with a strong background in animated satire and TV comedy: quick-fire dialogue, cutaway-style gags, and references drive the rhythm. It’s a talky comedy with rapid joke editing typical of Seth MacFarlane.

    Is there a sequel, and do you need it to understand the first film?

    There is a sequel, but the first movie is fully self-contained with a complete arc. Watch the sequel only if you want more of the same tone and characters.

    What elements do viewers most often praise in Ted?

    People often praise the chemistry at the center, the ‘cute bear vs. adult behavior’ contrast, the joke density, and the energetic dialogue. The mix of absurdity with a relatable growing-up issue is also frequently noted.

    Does Ted include dark humor and crude scenes?

    Yes: it frequently uses dark humor, crude dialogue, and provocative situations. If you dislike raunchy, cynical comedy, it may not be for you.

    Who might not enjoy it even if they like comedies?

    Anyone who prefers clean humor without profanity, sexual content, or edgy jokes. It may also annoy viewers who dislike reference-heavy, talk-driven pacing.

    What should you pay attention to in order to read the satire better?

    Watch the contrast between childish behavior and adult realities—jobs, relationships, responsibility. Many jokes target immaturity and self-deception, not just shock value.

    Which of the listed creators is associated with the screenplay?

    The screenplay is associated with Seth MacFarlane, alongside co-writers Alec Sulkin and Wellesley Wild.

    Is it more of a ‘guy comedy,’ or is it universal?

    Tone-wise it’s largely a buddy comedy with the expected themes and jokes, but the core conflict—growing up and maintaining relationships—is fairly universal. Enjoyment depends on your tolerance for crude humor.

    Does Ted have notable comedic subplots?

    Yes: it often detours into side plots and character-driven gags that expand the world and add chaos around the leads. These bits frequently play on ‘ordinary life vs. absurdity.’

    Production

    Seth MacFarlane's directorial debut is a live-action effort, with computer animation handled by visual effects facilities Tippett Studio and Iloura. MacFarlane wrote the screenplay with his Family Guy colleagues Alec Sulkin and Wellesley Wild. In a "behind the scenes" video, it was revealed that MacFarlane originally wanted to make Ted into an animated television show, much like his previous works Family Guy, American Dad!, and The Cleveland Show.

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    Critique: 40

    70%
    28 12
    Washington Post June 29, 2012

    What began as a promising, if unhinged, experiment in suspending disbelief starts to feel like "You, Me and Dupree" for plushies.

    NPR June 29, 2012

    I tried to resist but couldn’t.

    Newsday June 29, 2012

    Underneath the matted fur of the movie’s foul-mouthed bear beats a very real heart.

    ScreenCrush June 27, 2012

    Ted’s extraordinary design and good cheer [makes this] a comedy I find more than bearable.

    filmcomment.com June 28, 2013

    It is a film that seems to have an endless middle.

    New York Post June 29, 2012

    I expected "Ted" to be a one-joke movie, but it’s got ideas spilling out of its seams.

    Guardian August 2, 2012

    Ted has nothing much to offer in terms of subtlety and sensitivity, but there are plenty of laughs.

    Laughter doesn’t lie. I loved Ted and found it irresistibly funny and hugely enjoyable.

    TheWrap June 27, 2012

    The stuff that sticks to the wall is so outrageously hilarious that it’s ultimately worth enduring the film’s lackadaisical pacing and...

    Slant Magazine June 26, 2012

    Seth MacFarlane’s comedic modus operandi is to shock with outrageousness and pander with TV and movie citations via one non sequitur after an...

    MSN Movies June 26, 2012

    …it does serve up a pretty jaw-dropping array of remarkably crude, nasty, and at times pretty gut-busting jokes.

    Shockya.com June 28, 2012

    Not going to lie. I kind of want my own talking teddy bear. But only if he guzzles beer, tells excessively dirty jokes, can drive and wants to...

    Hollywood Reporter June 22, 2012

    Not too many films serve up laughs that just keep on rolling with regularity from beginning to end, but Seth MacFarlane’s directorial debut d...

    Arizona Republic June 27, 2012

    The one-note joke plays out longer and better than you might expect, at least for a while. But not forever.

    Irish Times August 3, 2012

    There’s just enough mileage in the gag to keep the movie spluttering through an energetic series of pop-cultural references and broadly stage...

    Movieline June 28, 2012

    Ted finds a surprising range of off-color vowel sounds in its potentially one-note gag.

    Los Angeles Times June 28, 2012

    To fully appreciate "Ted," it’s best to simply forgive its bad behavior upfront and save any apologies for liking it until later. Sorry.

    Detroit News June 29, 2012

    "Ted" is so lazy you want to kick the stuffing out of it.

    Slate June 28, 2012

    It is funny to watch a teddy bear wail on Mark Wahlberg. But afterward, I mostly felt beat up.

    Entertainment Weekly June 27, 2012

    Even though a lot of the movie is grating dumb-assery, it’s something to behold. Stuffed with crap, but something.

    The Spectator September 1, 2018

    The greatest compliment I can pay Seth MacFarlane’s Ted is that although this is essentially one of those slacker, stoner comedies, and...

    AV Club June 28, 2012

    An incongruously cute interspecies buddy comedy that’s powered alternately by the pixie dust of boyhood imagination and the ruder, cruder urg...

    Newark Star-Ledger June 29, 2012

    The idea of a toy that comes to life – and then won’t go away – isn’t a bad one. Too bad that "Ted" manages to overstay...

    ReelViews June 28, 2012

    Ted is essentially a one-joke movie. Okay, it’s a very funny joke, but it’s still only one joke.

    Financial Times August 2, 2012

    The film will probably be funnier if you go with a beer, a friend or perhaps – who knows? - your own dissolute soft toy companion.

    Salon.com June 28, 2012

    In a universe of Hollywood comedies that seem determined to insult the audience and pander to the basest form of post-adolescent fantasy, "Ted...

    New York Daily News June 28, 2012

    Not every joke scores, of course. But the hits are worth the misses, and anyway, the movie’s true genius is in the way its outlandish scenari...

    The plot is simply a shaky frame on which to hang drug and sex jokes and numerous pop-culture references.

    Film.com June 29, 2012

    You’ll feel the warmth and camaraderie of a Bostonian and his little sentient bear.

    RogerEbert.com June 28, 2012

    The plot of "Ted" is fairly standard but greatly embellished by MacFarlane’s ability to establish comic situations and keep them building.

    Observer June 27, 2012

    Will it make you wince with embarrassment? That’s a promise. Will you also laugh? In double-time, like a Rockette.

    Austin Chronicle June 28, 2012

    Ted is, no matter how you stuff it, yet another man-child buddy movie – and all that that implies.

    I’m betting on Mark Wahlberg for best actor when the Oscars swing around next year.

    Boston.com June 28, 2012

    A crass, foul-mouthed, mostly hilarious, surprisingly sentimental bromance about a grown boy named John and his teddy bear.

    TimeOut July 31, 2012

    Sure, MacFarlane, you can make us laugh, but it’s time to grow up. Seriously.

    Daily Telegraph August 1, 2012

    This is ersatz subversion for an audience secretly terrified of the real thing.

    HollywoodChicago.com June 28, 2012

    This is not a comedy for anyone who might be turned off by humor that plays a little loose with race, sex, and any other subjects that may be...

    The bear done good.

    SFGATE June 28, 2012

    For all of its transgressive plush-toy sex and screw-'em humor, the plot is pretty standard stuff.

    MacFarlane has definitely made the best leap from animated television to movies since 1999′s South Park: Bigger Longer & Uncut.

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    Quotes

    Thunder buddies for life, right, Johnny?

    I look like something you give your kid when you tell them Grandma died.

    You know, somewhere out there are four terrible fathers I wish I could thank for this great night.

    I met a girl. She’s a cashier. No way! That’s awesome!

    I’m not a talking teddy bear, I’m a talking teddy bear.

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    Friends comments and ratings

    Watched

    I decided to cheer myself up with comedy, but it didn’t work out. I don’t understand how I could give this film an 8. Not a single joke made me laugh. I don’t know if it’s their quality or me. Wahlberg is too old to play this kind of childish role. There should be at least a 25-year-old actor in his place.

    Translated to English

    Watched

    A mediocre comedy with a hint of underdrama, barely watchable due to its plush charm

    Translated to English