Movie "Inside Out" (2011)

    Movie's ratings

    " Sometimes your best friend is your worst enemy"
    Country
    Runtime 1 hr 33 min
    Budget $2 000 000
    Premiere: World August 30, 2013
    Premiere: USA September 9, 2011
    Digital: World September 27, 2011
    Production Companies
    Also Known As
    Killing Karma United States

    Description

    A man is released from prison after serving a long time for killing a man who tried to kill his best friend. Once out, he just wants to live a normal life, but his best friend immediately gets him into a new heap of serious troubles.

    Сast and Crew

    Reception

    On review aggregator Rotten Tomatoes, the film holds an approval rating of 25% based on 12 reviews, with an average rating of 2.66/10. On Metacritic, the film has a weighted average score of 28 out of 100, based on 8 critics, indicating "generally unfavorable reviews".

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    Critique: 7

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    Slant Magazine September 8, 2011

    Inside Out should be wild and violent, playing on the soap-operatic mood swings that drive televised wrestling; instead it’s one or two murde...

    Variety September 9, 2011

    Veering crazily in tone, Inside Out might fail to catapult its star into wider acceptability, but should delight fans of lightly absurd actioners.

    Time Out September 6, 2011

    Paul Levesque’s over-the-top acting may be ideal for the larger-than-life world of WWE, where he grapples and grunts under the nom de ring Tr...

    Village Voice September 6, 2011

    This WWE-produced thriller is the best kind of bait-and-switch, auguring cranium-crushing action but instead delivering a meandering, eccentri...

    The New York Times September 8, 2011

    If Paul Levesque, the professional wrestler better known as Triple H, hopes to follow the career path of, say, Dwayne Johnson, who is now a cr...

    New York Post September 9, 2011

    The latter is played by Parker Posey, who looks baffled throughout. As well she should.

    Orlando Sentinel September 6, 2011

    Lawyer-turned-screenwriter Dylan Schaffer’s script is an unhappy combination of genres, tones, too many dead stretches of people in cars and...

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