On January 16, 2012, it was announced that 2007 Black Listed screenwriter Melissa Stack was hired by 20th Century Fox to write an untitled female revenge comedy, which Julie Yorn would produce through LBI Productions. The film's script was described as the original idea from the 1996 film The First Wives Club, but with younger leads. The film's title was revealed to be The Other Woman on November 13. In January of the following year, Nick Cassavetes signed on to direct the film.
Movie's ratings
The Other Woman
(2014)| Country | |
| Runtime | 1 hr 49 min |
| Budget | $40 000 000 |
| Premiere: World | $196 710 396 April 1, 2014 |
| USA | $83 911 193 |
| Other countries | $112 799 203 |
| Box Office – Budget | $156 710 396 |
| Premiere: USA | $83 911 193 April 21, 2014 |
| first day | $9 287 804 |
| first weekend | $24 763 752 |
| Digital: World | July 15, 2014 |
| Parental Advisory | Alcohol, Drugs & Smoking, Profanity, ... |
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| Production Companies | |
| Also Known As | ¡Mujeres al ataque! United States |
Description
After discovering that her boyfriend is married, Carly meets the wife he’s been betraying; when yet another affair is discovered, all three women team up to plot revenge on the three-timing S.O.B.Сast and Crew
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Nick Cassavetes — Top Rated Movies
Critique: 38
No one knows which takes are funny and which aren’t. More than once, all three women, especially poor Upton, are caught looking like they don...
So dumb, lazy, clumsily assembled and unoriginal, it could crush any actor forced to execute its leaden slapstick gags and mouth its crude, humorle...
It would have helped if director Nick Cassavetes had something resembling a sure hand at comedy.
Melissa Stack’s script is loose and improvisatory, and genuinely clever in a few places, allowing Diaz and Mann ample room to bumble aro...
It would nice to be able to declare that this women-on-top revenge comedy presents a sparky gender-role inversion, but instead it just trots o...
Everything in this movie is overcooked and pushed far beyond its power to amuse. In the end, it becomes a screeching bore.
The lack of originality isn’t what’s most troubling about the film, written by Melissa Stack. Worse is the notion that none of these wo...
In this battle-of-the-sexes comedy, neither sex feels very real, which may be why there’s so little to laugh about.
Mann and Diaz give it their all, and you can see how they might be a good comic team with better material, Mann a goofy foil to Diaz&rsqu...
The film is clearly wary of either being too saccharine or taking itself--or the notion of compulsive infidelity--too seriously, though its schaden...
Rather than upgrading the much-maligned "chick flick" genre with creativity and wit, the makers of "The Other Woman" have simply repackaged it.
All of a sudden, a spotted Great Dane squats in the middle of a Manhattan apartment and out plop several gleaming, glistening CGI turds...
Beneath the wobbly pratfalls and the scatological setpieces, there’s no denying the film’s mean-spirited kick, or its more-than-passing...
Audiences looking for a nonstop laugh riot may be disappointed, but the big laughs are there, and they benefit from the movie’s underlyi...
Soggy, haphazard, poorly paced slapstick mansplained by director Nick Cassavetes from a script by Melissa Stack.
My advice to guys? Step away from the vehicle, because "The Other Woman" is out of control and intent on running down a certain kind of male.
For all its faults, there is a kind of genius in the way that it takes the rom-com raison d’etre – the desire to see two lovable pe...
The only thing missing from this steaming casserole, in fact, is the one crucial ingredient: A sense of humor.
The plotting is predictable, the cameo from Nicki Minaj is pointless and some of the humour is sadistic in the extreme, but the film yields at leas...
While "The Other Woman" raises some thoughtful questions about independence, identity and the importance of sisterhood, ultimately it would rather...
The vapid story – and its intended humor – meanders and loses its way in predictable sit-com style.
Echoes with so many bum notes that you leave the cinema desperate for an ice pack and a dark room.
The director’s lack of subtlety extends to the selection of music used on the soundtrack; [like] the theme from Mission: Impossible and that...
Granted, femme-centered film comedies are a thing to cherish, but The Other Woman only gets it half right.
By the end, the film has become a nasty cad in itself, suckering its own characters into nothing but doling out and receiving ritual humiliation.
The only clichs missing to complete the set are the funny gay friend and the meddling mom, but the studio is probably saving them for The Other Wom...
In its portrayal of female friendship, the film relies on dated clichs … The sad thing is, I doubt that the trio would have become friends in the f...
You can’t shake the feeling that in a just world, all these women – even Kate Upton – would have better material than this.
Subsequent plot twists aren’t as zany as might be hoped, but for quite a while the film is able to coast on the camaraderie between its...
Practically every gag in this movie, and there are scores of them, is milked dry. When the gags aren’t very good to begin to with, this is&nb...
What begins as a smoothly oiled romantic comedy quickly morphs into a clattery, grinding screwball contrivance.
The gags may lurch from hit to miss but the buff stars' equally toned acting skills and some inspired bit-casting make this one to watch – pro...
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