On June 18, 2013, it was announced that Paul Feig was developing Susan Cooper, a female spy comedy, for 20th Century Fox. Feig wrote and directed the film. Peter Chernin and Jenno Topping produced the film under the Chernin Entertainment banner, with Feig and Jessie Henderson for Feigco Entertainment. On November 12, 2013, Fox announced a release date of May 22, 2015. On March 28, 2014, the film's title was changed to Spy.
Movie's ratings
Production
Soundtrack
Spy (Original Score Album)
Different stars
- 1 Theodore ShapiroAgent Bradley Fine 2:36
- 2 Theodore ShapiroBulgarian Breakout 4:18
- 3 Ivy LevanWho Can You Trust (Opening Main Title Theme) 1:42
- 4 Theodore ShapiroHe Was Bradley Fine 3:46
- 5 Theodore ShapiroCity Of Varying Lights 1:42
- 6 Theodore ShapiroMurdery Hotel 1:10
- 7 Theodore ShapiroFollowing Rick Ford 1:12
- 8 Theodore ShapiroInsult To Injury 3:07
- 9 Theodore ShapiroTo Rome 1:58
- 10 Theodore ShapiroCasino di Roma 1:33
- 11 Theodore ShapiroShut Down The Grid 1:51
- 12 Theodore ShapiroFlight To Budapest 4:50
- 13 Theodore ShapiroVespa Chase 4:02
- 14 Theodore ShapiroClub Escape 1:27
- 15 Theodore ShapiroKnife Fight 2:32
- 16 Theodore ShapiroFine Is Back 2:44
- 17 Theodore ShapiroLady Superspy 1:34
- 18 Theodore ShapiroBalaton Showdown 3:56
- 19 Theodore ShapiroConducting Business 2:19
- 20 Theodore ShapiroGarage Fight/ Helicopter/ Death Of De Luca 5:45
- 21 Theodore ShapiroAgent Susan Cooper 2:20
- 22 Ivy LevanWho Can You Trust 4:42
Spy
(2015)13
" One of the guys. One of the spies."
| Country | |
| Spoken Language | english, deutsch, french, italian, hungarian, bulgarian, ukrainian, japanese |
| Runtime | 1 hr 59 min |
| Budget | $65 000 000 |
| Premiere: World | $235 666 219 May 20, 2015 |
| USA | $110 825 712 |
| Other countries | $124 840 507 |
| Box Office – Budget | $170 666 219 |
| Premiere: USA | $110 825 712 June 5, 2015 |
| first day | $10 300 960 |
| first weekend | $29 085 719 |
| Digital: World | August 4, 2015 |
| Parental Advisory | Profanity, Violence & Gore, Sex & Nudity, ... |
| |
| Production Companies | |
| Also Known As | Spy: una espía despistada United States |
Description
A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer and prevent diabolical global disaster.Сast and Crew
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Videos Stills Posters Filming Promo Screenshots Covers
What is the 2015 film “Spy” about?
It’s an action-comedy spy story about a CIA desk analyst who’s pushed into field work to stop a dangerous weapons deal—while navigating cover identities, office politics, and her own anxieties. It’s written and directed by Paul Feig.
Why is “Spy” seen as a spoof of spy movies, yet still a “real” action film?
It pokes fun at genre clichés (swaggering “perfect” agents, gadgets, absurd cover stories) while still delivering genuine action beats—chases, shootouts, and high-stakes missions. The humor comes from character and situation, but the plot keeps real momentum and danger.
What’s the main theme beyond the jokes and action?
It’s about self-worth and being recognized for competence: the protagonist starts as someone overlooked by the system, then proves skill matters more than image or status. It also satirizes sexism and elitism in “cool” institutions.
What’s funnier in “Spy”—the dialogue or the physical comedy?
It leans on both: rapid-fire insults and banter coexist with visual gags, awkward disguises, and cover-identity mishaps. That blend keeps the comedy working even during action sequences.
How suitable is the film for family viewing?
Not really: it contains strong language, edgier jokes, and brisk action violence. It plays more like an adult action-comedy than a family-friendly adventure.
Is there a romance subplot, or is it purely a spy comedy?
There are light romantic beats, but they’re not the focus. The movie is driven by the mission, character comedy, and the desk-to-field culture clash.
Which spy clichés does the movie play with most often?
The “perfect agent” fantasy, ridiculous cover identities, overreliance on gadgets, the glamorized image of missions, and the myth that a lone hero can do everything without a team and intelligence work.
What makes “Spy” different from other spy comedies?
It’s not just spoofing—it tells a coherent spy story with solid pacing and real action. The comedy comes less from randomness and more from a competent desk specialist colliding with field reality and characters’ self-aware absurdity.
How important is teamwork in the story?
Very important: it emphasizes that field ops depend on analysis, comms, cover, and support. Even the big set pieces rely on collaboration rather than lone-wolf heroics.
Are there notable cameos or surprisingly prominent supporting parts?
Yes: the film enjoys expanding side characters and flipping expectations—“you thought this person would be one thing, but they’re another.” A lot of fun comes from those surprises within a familiar spy framework.
Is the film more about spies or about the office reality of intelligence work?
Both: it deliberately contrasts the glossy fantasy of field agents with the routine, unseen work of analysts. That tension fuels the humor and reinforces that espionage is a machine made of many people, not one “super-agent.”
Is there an extended cut/alternate version, and is it worth seeking out?
Yes—an Unrated/Extended Cut exists on home releases. It typically adds edgier jokes and a few extra character beats; if you liked the original’s humor and pacing, the extended version can be even more enjoyable.
What stands out about Paul Feig’s visual style and action staging here?
Paul Feig stages action so it functions both as spectacle and as a punchline: a set piece can be thrilling on its own, while editing and character reactions amplify the comedy. Visually, it still plays like a slick genre thriller rather than a sketch show.
Why is the movie often praised for its pacing?
It moves quickly from setup to mission, keeps raising stakes, and alternates action with comedy in a way that avoids lulls. Many jokes are embedded in plot progression rather than pausing the story for gags.
Can you watch “Spy” if you’re not into spy movies?
Yes: you don’t need deep genre knowledge. It works as a fish-out-of-water comedy and a confidence-growth story. The spy layer is a familiar wrapper, not a test of franchise literacy.
Is it a good pick if you like Melissa McCarthy’s style of humor?
Yes: the movie is powered by her comedic drive and her ability to mix self-deprecation with real toughness. If you enjoy how Melissa McCarthy can be hilarious while staying genuinely capable, “Spy” is one of her strongest showcases.
Does the film have a sequel?
There’s no official sequel to “Spy” as of now. The story works as a standalone, even though the concept and characters could support a franchise.
Production
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friends impressions of the movie.
Friends comments and ratings
I watched it three years ago with a faithful friend and a big pizza. We laughed, which means the film is normal. PS Statham’s character is too cool.
A decent comedy with the charming Melissa McCarthy. Statham is such a fool here. I watched it twice and laughed out loud both times.
A good film in the old traditions of American comedy for a quiet youth (40+) evening…
That rare case when stupid and parody spy games with the same level of humor do not stimulate you to quickly finish the film and forget, but, on the contrary, amuse and evoke pleasant emotions.
5-6. Doesn’t stand the test of time. The second time I watched it, it didn’t seem particularly funny and was too vulgar, and the humor was low-grade. McCarthy is absolutely the same everywhere, and every time this image just starts to get boring. But it’s one of Statham’s best roles, oddly enough.
After watching the terrible Big Boss, this film looks like a passable comedy.
Melissa McCarthy. Jason Statham. Jude Law. About a lonely woman who is 40 years old and works for the CIA. She does her job very hard and is no less funny. The film contains elements of an action movie.
Once I had to cover my daughter’s eyes, but overall the film is funny)
A great comedy, a great parody, and an unexpectedly good spy movie in its own right. The action is better than some serious action movies. The jokes sometimes teeter on the edge of being too long, but for the most part the delivery is excellent.
"My wife was thrown out of a plane – into the turbine of another plane… I jumped from a skyscraper with an ordinary raincoat instead of a parachute and broke both my legs, but pretended that it was a Dussalley circus show" – only for the sake of Statham you can give 8, otherwise the film is at 7 of course))
5-6. Doesn’t stand the test of time. The second time I watched it, it didn’t seem particularly funny and was too vulgar, and the humor was low-grade. McCarthy is absolutely the same everywhere, and every time this image just starts to get boring. But it’s one of Statham’s best roles, oddly enough.
The charismatic duet of McCarthy and Statham in a wonderful comedy movie! I’m looking forward to the second part with pleasure, with a new baggage of jokes and a plot, not for the sake of cache.
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