Following her acclaimed performance as a child prostitute in Taxi Driver (1976), the studio was keen on casting Jodie Foster as Violet, however Malle rejected the idea as he thought the role of should be played by a 12-year-old only, and Foster was 14. Brooke Shields maintains that it was no big deal to shoot her nude scenes."I did not experience any distress or humiliation," she writes. What she does remember was trying not to look as if "I'd just sucked on a lemon" before her on-screen kiss with 29-year-old Keith Carradine ("Keith was so kind," she writes) and being soundly slapped - on-screen and for real - by Susan Sarandon (who apparently wasn't).
Pretty Baby
(1977)3
| Country | |
| Runtime | 1 hr 49 min |
| Premiere: World | January 1, 1978 |
| Premiere: USA | $5 786 368 April 5, 1978 |
| Digital: World | April 1, 2012 |
| Parental Advisory | Sex & Nudity, Alcohol, Drugs & Smoking, ... |
| |
| Production Companies | |
| Also Known As | Niña bonita United States |
Description
A preteen girl lives as a prostitute in New Orleans in 1917.Сast and Crew
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The real-life history behind "Pretty Baby"
What it is actually based on
The story is not derived from a single, verifiable “true biography.” Instead, it draws on the documented social reality of early-20th-century New Orleans and situations historically associated with the city’s red-light district (Storyville): children living in or around brothels, girls being socialized into prostitution, and the sale of virginity as a high-priced commodity. These elements reflect real patterns of exploitation from the period, but they are not traceable to one confirmed case of a specific girl named Violet.The historical backdrop used as the “real basis”
- Storyville and legalized prostitution: New Orleans maintained an officially designated prostitution district, Storyville, from the late 1890s. It included a wide range of establishments, from low-end to upscale.
- Children in brothel environments: sex workers sometimes had children who grew up close to that world. Period sources indicate that children could be present in/around such establishments, though how common this was varied and is unevenly documented.
- Virginity as a “premium”: the commercial selling of a girl’s “first time” for a higher price is a historically recognizable practice in prostitution across places and eras; it was not unique to New Orleans and is not tied to one uniquely documented Storyville incident.
- Why 1917 matters: Storyville was shut down in 1917 amid wartime and “moral reform” campaigns, so the setting aligns with the district’s final phase.
How closely the film matches real history
- Accurate at the macro level: the existence of Storyville, the general time period, and the fact of its closure around 1917 are historically correct anchors.
- Not a faithful retelling of a specific case: Violet’s personal arc is a fictional synthesis designed to concentrate multiple real social phenomena—child exposure to prostitution, coercion/exploitation, and commodified virginity—into one narrative.
- Micro-details are plausible but not “standardized fact”: concepts like a house’s designated “virgin” and the exact mechanics of such sales may have occurred, but are typically evidenced indirectly (memoirs, policing/medical records, journalism) rather than as a uniform, officially documented practice.
- Dramatic compression: real-life conditions in Storyville were heterogeneous (differences in class, management, oversight, and violence), while the narrative intensifies and condenses events for dramatic effect.
Note on credited names vs. “real story”
The film is associated with Louis Malle and Polly Platt, but in terms of “real-life basis,” the foundation is chiefly the historical context of Storyville and period practices rather than an adaptation of one documented individual’s life.Production
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Louis Malle — Top Rated Movies
Critique: 4
The most imaginative, most intelligent, and most original film of the year to date.
A sentimental education beautifully played by both Carradine and Brooke Shields.
The story highlights are confined within a narrow range of ho-hum dramatization.
Louis Malle’s Pretty Baby is a pleasant surprise: After all the controversy and scandal surrounding its production, it turns out to be&n...
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Watched
This film is a beautiful provocation on a terrifying topic. Aside from the plot itself, where a child experiences life from the inside, some scenes are incredibly uncomfortable and terrifying. On the other hand, they show us what’s abnormal and wrong here. Which is actually a good thing!
Watched
Malya’s first film shot abroad is a shocking assault, literally kicking down the American audience’s door. Another racy coming-of-age story, but this time about a 12-year-old prostitute. The frankness of some scenes makes even a hardened pervert like me blush.
Watched
I have to downgrade the rating for Brooke Shields' nude scene. Come on, she’s 11! Couldn’t they have avoided those scenes? We’re making a film about how a child’s psyche is damaged, while we’re doing the same thing ourselves in real life. And those Playboy photos of her at 10… Poor girl.
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