Movie's ratings

    Soundtrack

    Youth (Original Soundtrack Album)

    Different stars

    • 1 The Retrosettes Sister BandYou Got the Love 3:20
    • 2 Mark KozelekOnward 2:49
    • 3 Sun Kil MoonThird and Seneca 7:14
    • 4 Gianluca CascioliDes Pas sur la Neige - Préludes (Book 1) 3:30
    • 5 Susan PattersonCavatina "Figlia, ti scuoti" from Virginia (Act I) 5:26
    • 6 Maria Letizia GorgaÀ Ma Manière 3:14
    • 7 The Retrosettes Sister BandReality 4:03
    • 8 Paloma FaithCan't Rely on You 3:15
    • 9 Mark KozelekCeiling Gazing 8:09
    • 10 David ByrneDirty Hair 4:49
    • 11 BBC Concert OrchestraBerceuse from L'oiseau de feu - The Firebird 4:04
    • 12 Trio MedievalJust (After Song of Songs) 12:46
    • 13 BBC Concert OrchestraSimple Song #3 6:03
    • 14 Simon HalseyMick's Dream (Bonus track) 2:04
    • 15 David LangWood Symphony (Bonus track) 1:24

    5

    Country
    Spoken Language
    Runtime 2 hr 4 min
    Budget €12 300 000
    Premiere: World $23 451 796 May 21, 2015
    USA $2 703 296
    Other countries $20 748 500
    Premiere: USA $2 703 296 November 17, 2015
    first day $23 900
    first weekend $78 085
    theaters 149
    rollout 394 days
    Digital: World February 16, 2016
    Parental Advisory
    • Sex & Nudity

      average

    • Frightening & Intense Scenes

      few

    • Alcohol, Drugs & Smoking

      few

    • Profanity

      few

    Production Companies
    Also Known As

    About the film Youth

    Retired orchestra conductor Fred Ballinger is on vacation with his daughter Lena and his film director best friend Mick Boyle in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip’s birthday.

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    Сast and Crew

    FAQ

    What is the film “Youth” (2015) about?

    It’s a story about aging, creativity, and friendship. Two elderly friends—a composer and a film director—spend time at an upscale Alpine resort, watching the other guests and rethinking their past, family, and life choices.

    Why is the film called “Youth” if the main characters are old?

    The title is both a contrast and a concept: “youth” here is not about age but a state of being—still able to feel, change, and experience inspiration and pain. The film suggests that the pursuit of “youth” persists even late in life.

    Where does it take place, and why a resort setting?

    Most of the story unfolds at a luxurious Alpine hotel-resort. It’s a “time-out-of-time” space: removed from everyday routines, the characters’ thoughts, fears, and memories come forward, while other guests mirror different versions of success, crisis, and loneliness.

    What are the central themes and motifs?

    Core themes include aging and the body, regret and reconciliation, the cost of success, creative crisis, friendship, parent–child relationships, and time as a kind of main “character.” Visual motifs feature the resort’s rituals, observing bodies and habits, and music as memory.

    Is it more of a comedy or a drama?

    It’s a tragicomedy: irony and absurdity sit alongside melancholy. Much of the humor comes from observing people and their vanity, but the emotional core is dramatic—fear of losing meaning, closeness, and one’s creative voice.

    What role does music play in the story?

    Music functions as a language of memory and emotion. It links the characters’ private histories to questions of recognition and legacy—what remains after you: a work, a gesture, relationships, or silence. The idea of a “final performance” becomes a decisive moment.

    Why does the film focus so much on bodies, age, and appearance?

    It’s part of the film’s perspective: the body is time made visible. By deliberately contrasting youth and age, beauty and fatigue, the film explores how self-perception shifts and how society judges people through appearance.

    How should we read the ending—more hopeful or tragic?

    The ending is ambiguous but more conciliatory than bleak: it doesn’t promise “eternal youth,” yet it affirms the possibility of choice and returning to one’s own voice. It doesn’t erase loss; it suggests courage can exist alongside inevitability.

    Who made the film, and what’s distinctive about the style here?

    The director is Paolo Sorrentino. His signature here blends sumptuous visuals, touches of grotesque humor, and philosophical melancholy—characters “speak” as much through pauses, music, and spatial rituals as through dialogue.

    What purpose do the hotel’s other guests serve?

    They form a “gallery of conditions”: different versions of fame, youth, burnout, and self-deception. Through them, the protagonists glimpse alternate life paths and better understand what they fear—and what they still want.

    What does the film say about creative crisis and late works?

    The film suggests a crisis isn’t just running out of ideas—it’s fear of being heard “the wrong way” and fear of not matching past achievements. Late-life creativity is framed as honesty: sometimes it matters less to “outdo yourself” and more to finally say what’s most personal.

    What role do the female characters play in “Youth”?

    The female characters trigger key emotional turns and challenge the men’s self-justifications—through conversations about family, fidelity, responsibility, and the cost of talent. In particular, the strand involving Rachel Weisz highlights parental debts and painful honesty between loved ones.

    Is there satire of the entertainment industry and fame?

    Yes. The film pokes at publicity, personal branding, and how success turns a person into a bundle of roles and expectations. The satire is gentle but sharp: luxury is constantly accompanied by emptiness and fatigue.

    Why can the film feel “slow,” and what’s the best way to watch it?

    Because it’s designed as contemplation: pauses, details, and mood shifts matter more than plot density. It works best as an album of scenes and reflections, where meaning emerges through repetition, imagery, and musical themes.

    Production

    Youth is Sorrentino's second English-language film and the follow-up to his Academy Award-winning film The Great Beauty (2013). Principal photography began in Flims, Switzerland, in May 2014. The primary location was the Waldhaus Flims, a five-star hotel built in the 19th century, where the cast and crew all stayed while filming. Other scenes were filmed in Davos, Switzerland, particularly in the Hotel Schatzalp (the location of Thomas Mann's The Magic Mountain). Some filming was also done in Rome and Venice.

    • Simple Song #3
    • Youth (Original Soundtrack Album)

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    Critique: 86

    65%
    56 16

    Full of confidence, Sorrentino’s direction never wavers and he sees the film through to the end.

    Youth is fleeting. «Youth» is not. In fact, you may feel yourself getting older just watching it.

    Although not quite as over-the-top visually as his Oscar-winning The Great Beauty, Youth is still spectacular, filled with tableaux (a group of peo...

    The surprises are rewarding, the irony expressed with the perfect touch of drollery and the climax beautifully handled, even if the film goes on on...

    The impermanence of life, the fragility of love, the persistence of desire: These are the issues that swirl around a Swiss spa and its luxuria...

    Aat some point, every character in Youth falls out of love with the way of seeing the world. That kind of anti-epiphany is major—not on a univ...

    It feels more like a retreat for all involved, a chance to kick back and bounce some ideas off each other and the surrounding mountains. Sever...

    Symphonic and cinematic, full of melancholy and hushed magic.

    The film mostly plays like an extended spa stay, and, like with any superior vacation, what you find in it, and what you take away from it, is prob...

    Youth is imperfect and it meanders, but Caine and Keitel bring this thing to life with gusto.

    Sumptuous, sincere and built on aging bones, «Youth» is a wonder of a film, a look back at life’s sprawling possibilities, dark corners...

    Sorrentino has enough standing to attract stars of the calibre of Caine, Keitel and even Jane Fonda… It’s just that its messages… are rather...

    Michael Caine and Harvey Keitel make beautiful music together in a witty, wise and swooningly beautiful dramatic comedy.

    Sorrentino’s film tackles the most important of all life’s questions with wit, wisdom, and no small amount of often-surreal humor.

    This flawed, lovely, odd film both displeases and delights.

    Nobody else is making such operatic films half so well as Sorrentino.

    If «The Great Beauty» was a heady, humming party you wanted to live inside, Youth – its melancholy and splendor too often at odds ...

    Youth is, among many other things, a lovely valentine to both Caine and Keitel, two performers who have seen it all and know what to do with it.

    Though stylized and eccentric and non-linear in its narrative path, and filled with dazzling non-sequiturs and oddly cryptic storylines, Paolo Sorr...

    The movie is gorgeous, as you would expect from Sorrentino, but beauty this great can lead to suffocation. The plot goes round and round and nowhere …

    The problem with Youth is not that it’s empty – the accusation Kael and others lodged against Mr. Sorrentino’s precursors – but that it’s...

    Quixotic, idiosyncratic, effortlessly moving, it’s as much a cinematic essay as anything else, a meditation on the wonders and complicat...

    It’s a visual banquet of a film, which meditates on ageing with wit and tenderness.

    Though often beautiful, this is an emotionally paralyzed film about emotionally paralyzed people.

    Sorrentino wants to say something profound about illnesses that bury loved ones alive. But the pompous lines kill the mood.

    Sorrentino, as always, invests his scenarios with a feeling and beauty that transcends the dreary specifics

    From early on my strong desire was for this horribly pretentious phantasmagoria to be over.

    Absolutely beautiful and sometimes maddening while never offering easy answers.

    An Alpine study of ageing and creativity that’s as fresh and bracing as the mountain air, although occasionally just as chilly.

    A joyous, gently moving experience anchored by a fearless central turn from Michael Caine.

    Though often beautiful, this is an emotionally paralyzed film about emotionally paralyzed people.

    It’s hard to imagine a universe in which Caine and Keitel are best friends, yet they have a frisky, undeniable chemistry. Their sce...

    Youth has nothing new to say, its Italian thematic aesthetic nothing more than a mask for an emotional schadenfreude impossible to take pleasu...

    Youth is slightly less garish and bombastic than his Italian pictures (which include The Great Beauty and Il Divo), but it’s no less free-associati...

    The film’s greatest strength is its major team-up. Caine and Keitel have an electric chemistry when they’re onscreen together.

    Paolo Sorrentino’s tendency to make characters mouthpieces for his petty grievances manifests most strongly, as usual, in resolutely two-dime...

    Film is a medium that consecrates memory, which makes it an especially apt metaphor in a movie about two old men.

    Writer-director Paolo Sorrentino (The Great Beauty) has made something of a crowd pleaser, a gorgeous consideration of the artistic impulse th...

    Occasionally the warring elements come together, finding plaintive and heartfelt song amid the cacophony of seemingly random voices.

    Sorrentino’s magic is all smoke and mirrors. People calling this movie a visual feast must be awfully famished.

    Fasten your seat belts for Jane Fonda, who gives a seismic jolt to Paolo Sorrentino’s exquisite meditation on art and aging.

    Youth may not be as culturally specific as The Great Beauty or Sorrentino’s other Italian-language films, but its universal story of how to d...

    Youth is superior cinema, ardent and artful. Sorrentino, an Oscar winner for The Great Beauty, fills every frame with ravishing images that evoke h...

    Save for a pair of profound moments, don’t be surprised if your mind frequently wanders off during Youth, despite all its weighty subjec...

    Youth is a meditation on aging, on friendship, on love, loss, wisdom, disillusionment, pain.

    Unlike in some of the filmmaker’s past work, however, Youth foregrounds the performance over the spectacle; Keitel turns in some of his finest work...

    For all the talk about passion, the main feeling Youth conveys is self-pity.

    Paolo Sorrentino’s new movie set in a Swiss sanatorium is a diverting, minor work, tweaked up with funny ideas and images and visually a...

    What bonds the movie’s many, sometimes clashing elements is Caine’s embodiment of the rueful yet accepting Fred.

    With each new twist, Sorrentino is always one step ahead of his audience, building a narrative that skips along at an enthralling pace.

    An emotionally rich contemplation of life’s wisdom gained, lost and remembered – with cynicism harping from the sidelines, but as a wear...

    An Alpine study of ageing and creativity that’s as fresh and bracing as the mountain air, although occasionally just as chilly.

    In his culminating despair, Keitel says: «We’re all just extras.» You wouldn’t want to be even that here …

    'Tremendous effort with a modest result," says the old man to his old friend. He’s talking about raising children to adulthood, but the...

    Watching Youth, you’d swear Fellini had risen from his grave and returned to make another movie.

    The film’s greatest strength is its major team-up. Caine and Keitel have an electric chemistry when they’re onscreen together …

    Michael Caine and Harvey Keitel do some of the best work of their careers playing longtime friends navigating their twilight years in Paolo Sorrent...

    Not all the best cinema works on unfiltered sensation, but Sorrentino’s definitely does.

    The film is often remarkable, gorgeous even – many of the shots in Youth would make excellent closing shots, including the opening shot ...

    Good as it looks, the film starts to feel like an airline magazine collaboratively produced by the editorial staffs of Playboy and Modern Maturity.

    The film is far too flighty to allow its actors to bring much depth or pathos to their characters.

    There are times when it borders on the pretentious but there’s a real, emotional payoff and it doesn’t hurt that veteran actors Michael Caine...

    Freighted with symbolism and beautifully mounted, Youth is dreamlike and at the same time stultifying.

    Every shot is a thing of beauty. For most of this film I had the impulse to hoist my camera and take a snapshot of it. It is just one dizzying...

    Youth is a film that goes its own way. Quixotic, idiosyncratic, effortlessly moving, it’s as much a cinematic essay as anything els...

    Youth is a voluptuary’s feast, a full-body immersion in the sensory pleasures of the cinema.

    Youth has a wan eloquence and elegance, though freighted with sentimentality and a strangely unearned and uninteresting macho-geriatric r...

    Sorrentino drenches his audiences in the movie-going experience – when you’re done, it’s something akin to enjoying a rich meal, even if...

    Visually, it’s never less than arresting. Gently amusing, too, is the relationship between Keitel and Caine, even if the dialogue Sorrentino writes...

    As ever, Paolo Sorrentino ironically cuts the legs out from under his protagonists' wistfulness with grotesquerie.

    Youth has some significant points on frustration of fame, ageism and our natural inclination to lose perspective, but it’s primarily about finding...

    Youth is a voluptuary’s feast, a full-body immersion in the sensory pleasures of the cinema.

    Rumination and regret dominate the proceedings, but the exquisite visual splendor of the film is a character in its own right and lightens the...

    There’s real humanity here, and it may hit closer to home than you’d expect.

    There are lightning-flashes of pure, ornamental brilliance throughout Paolo Sorrentino’s Youth, although there’s not much happening on the landscap...

    With each new twist, Sorrentino is always one step ahead of his audience, building a narrative that skips along at an enthralling pace.

    Sorrentino packs the film with entrancing images.

    Sorrentino’s magic is all smoke and mirrors. People calling this movie a visual feast must be awfully famished.

    You may feel yourself getting older just watching it.

    It’s music for the eyes.

    Youth is intoxicating, I’ll admit. Had I never tasted this wine before, I could easily see myself yearning for another glass. But this time it...

    The wry, flamboyant cinematic opera of Paolo Sorrentino reaches new heights of showy, utterly tasteful magnificence in Youth.

    From early on my strong desire was for this horribly pretentious phantasmagoria to be over.

    As it is, Youth is hit-and-miss, beautiful and frustrating.

    There are lightning-flashes of pure, ornamental brilliance throughout Paolo Sorrentino’s Youth, although there’s not much happening on...

    Each imagistic sequence in «Youth» is like an island that happens to be united to other free-standing islands. Each scene has a life of its own.

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    Quotes

    You say emotions are overrated. But that’s bullshit. Emotions are all we’ve got.

    Intellectuals have no taste.

    You were right. Music is all I understand.

    We are all extras.

    You have to choose between worrying about the past and living for the future.

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    Watched

    An excellent example of an absolutely formalist film, in which one can completely ignore the meaning of long, lengthy dialogues, which in other films would be the most important component. The visual and audio content will tell you everything that’s important.

    Translated to English

    Watched

    About complex life things – simply, beautifully, delicately, witty. The film is very immersive, with participation: I completely felt like both Fred and Mick). Capacious second-tier characters. The author wanted to please the viewer with this story – he succeeded.

    Translated to English

    Watched

    A peculiar film, not to everyone’s taste. Arthouse, no matter how you look at it. But for those who are fed up with banal plots, the film is very good and does not cause irritation when watching.

    Translated to English

    Watched

    About time, life and music.

    Watched

    Two talented pensioners are relaxing in a sanatorium near Kislovodsk, discussing art, feelings and youth in between treatments. All this is seasoned with mesmerizing camera work, hypnotically capturing attention to the conversations.

    Translated to English