Initially intended as a single film based on Allegiant, the producers of The Divergent Series later decided to adapt the novel into two films, similar to what has been done with other young adult novel series adapted into films. The two proposed films were originally titled Allegiant — Part One and Allegiant — Part Two; this was later dropped in favor of assigning the films unique names (Allegiant and Ascendant, respectively).
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Soundtrack
Allegiant (Original Motion Picture Score)
Tove Lo, Joseph Trapanese
- 1 Tove LoScars 3:40
- 2 Joseph TrapaneseBeyond the Wall 3:49
- 3 Joseph TrapaneseThe Council 2:42
- 4 Joseph TrapaneseMaking the Escape 3:34
- 5 Joseph TrapaneseOver the Wall 5:05
- 6 Joseph TrapaneseChase Through Fringe 1:20
- 7 Joseph TrapanesePlasma Globes 1:54
- 8 Joseph TrapaneseThe Bureau 3:20
- 9 Joseph TrapaneseThe Elevator 2:43
- 10 Joseph TrapaneseMemory Band 4:27
- 11 Joseph TrapaneseTent City 3:51
- 12 Joseph TrapaneseFinding Tris 7:51
- 13 Joseph TrapaneseShip Crash 1:27
- 14 Joseph TrapaneseFinding Four 3:46
- 15 Joseph TrapaneseReturn To Chicago 3:56
- 16 Joseph TrapaneseSerum Released 2:22
- 17 Joseph TrapaneseSaving Chicago 3:47
The Divergent Series: Allegiant
(2016)1
| Country | |
| Runtime | 2 hr 1 min |
| Budget | $110 000 000 |
| Premiere: World | $179 246 868 March 8, 2016 |
| USA | $66 184 051 |
| Other countries | $113 062 817 |
| Box Office – Budget | $69 246 868 |
| Premiere: USA | $66 184 051 March 18, 2016 |
| first day | $11 935 887 |
| first weekend | $29 027 348 |
| theaters | 3740 |
| Digital: World | June 21, 2016 |
| Parental Advisory | Frightening & Intense Scenes, Violence & Gore, ... |
| |
| Production Companies | |
| Also Known As | Allegiant United States |
О фильме The Divergent Series: Allegiant
After the earth-shattering revelations of Insurgent, Tris must escape with Four beyond the wall that encircles Chicago to finally discover the shocking truth of the world outside.Смотреть онлайн
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Divergent Series: Allegiant
About the Book
The film "Divergent, Chapter 3: Allegiant" is based on the book Allegiant, which is the third and final novel in the Divergent series by Veronica Roth. The book was published in 2013 and continues the story of Tris Prior and her journey in a dystopian world divided by factions.Author
Veronica Roth is an American author known for her work in the young adult science fiction genre. She gained fame with the Divergent series, which has been praised for its engaging plot and strong character development.Book vs. Film
The film adaptation of Allegiant diverges significantly from the book in several ways. While the core themes and characters remain, the film introduces new plot elements and changes the storyline to fit the cinematic format. Fans of the book may notice differences in character arcs and the overall narrative structure.Key Differences
- The film introduces new technology and settings not present in the book.
- Certain character relationships and developments are altered for dramatic effect.
- The ending of the film differs from the book, providing a different resolution to the story.
FAQ
What is “The Divergent Series: Allegiant” about?
It’s the third entry in the Divergent film series. Tris and Four leave the walled-off Chicago to learn what lies beyond and uncover an organization that manipulates society through large-scale experiments. The storyline continues the world originally created in the novels by Veronica Roth.
Do I need to watch the previous films before “Allegiant”?
Yes, it’s recommended. “Allegiant” directly follows “Insurgent,” and it assumes you already know the characters, the faction system, and the key conflicts.
Why do the characters go beyond the wall, and what do they find there?
They want to learn who built their isolated city and why. Outside, they discover a broader world and a system that monitors Chicago and intervenes in it as part of an ongoing experiment.
What does “divergent” mean in the context of the film?
A “divergent” is someone who doesn’t fit neatly into a single category and is therefore harder to control via tests, serums, or conditioning. In “Allegiant,” the concept is broadened into genetics-based classification and the politics around it.
Is the film strictly based on the novel “Allegiant”? Are there differences?
The movie draws from Veronica Roth’s novel “Allegiant,” but it makes significant changes—reordering events, simplifying some concepts, and shifting emphasis toward action and political intrigue.
Who runs the Bureau of Genetic Welfare, and what is its goal?
The Bureau’s key leaders are David and Joanna. The organization aims to manage society through genetic classification and controlled social experiments, attempting to “correct” what it sees as humanity’s past failures.
What are the main themes of “Allegiant”?
Control vs. free will, the cost of “order,” social engineering, the ethics of human experimentation, discrimination based on who is deemed “pure” or “damaged,” and trust within a team.
How is “Allegiant” different in tone and scale from the earlier films?
It shifts from faction infighting to a broader sci‑fi conflict: a new power center appears, the world opens up geographically, and the vibe leans more toward dystopian techno-thriller.
Who directed the film, and what can be said about its direction?
It was directed by Robert Schwentke. The direction emphasizes pace, set-piece action, and the contrast between the enclosed city and the sterile external system of control.
Who wrote the screenplay?
The screenplay was written by Bill Collage, Adam Cooper, and Noah Oppenheim. Their adaptation emphasizes the mystery of the outside world and escalating internal fractures within the group.
Are there major new characters compared to the previous films?
Yes. Once the characters go beyond the wall, Bureau officials become central players, introducing new rules and reshaping who counts as an enemy or an ally.
Why does “Allegiant” focus so much on genetics and “purity”?
The film reframes the earlier faction conflict as biopolitics: people are ranked and segregated by genetic “correctness,” which is used to justify control, manipulation, and extreme “for the greater good” decisions.
What stands out about the main heroes in this installment?
Tris and Four face a world where their old moral rules don’t fully apply. They must decide whom to trust and what price they’ll pay for truth and freedom—highlighting growth, doubt, and the consequences of choice.
Does the film have an open ending and a continuation?
It’s designed to set up a continuation: not all conflicts are fully resolved, and several threads clearly aim toward the next chapter. However, later adaptation plans changed, so “Allegiant” often feels like a transitional installment.
Who is “Allegiant” likely to appeal to?
Viewers who enjoy dystopias, YA sci‑fi, resistance-against-the-system stories, and plots about social experiments—especially anyone following the series to find out what’s beyond the wall.
Which notable people from the cast and crew are most associated with the film?
The film is commonly associated with director Robert Schwentke, writers Bill Collage, Adam Cooper, and Noah Oppenheim, as well as key performers Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts, and Octavia Spencer. The original source material comes from Veronica Roth.
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Critique: 76
Divergent feels like a hasty idea scribbled on construction paper, crumpled into a ball, and ditched in a mud puddle. Even it can&rs...
Except in the highly visual or action sequences, Robert Schwentke’s direction has a peculiar quality, in which you can almost hear him y...
As tedious as much of this sounds, an odd thing happened around "Allegiant’s" midway point. The fairly packed audience started vocally reacting "Ro...
This setup creates real anticipation about where the story might be headed, at least for those who haven’t read Roth’s books. Frustrati...
Allegiant tries to cram too little story into too much time. This results in dead spots and uneven pacing.
Allegiant manages to be profoundly confusing and almost entirely inert. The film’s strong action sequences can’t redeem a conflict...
Plodding stuff which accentuates the silliness of the original’s teen-mag personality-trope set-up, a narrative device that becomes more bori...
Instead of bringing much-needed clarity, Allegiant piles on yet more bamboozling mythology to flummox and confound.
There’s a lot of standing and talking, a lot of clothes-wearing (and even some doffing), and a lot of very loving set design. What...
"Allegiant" is basically a thumb-twiddling place holder that relies on crashes, attacks and subpar effects rather than dramatic substance.
The only thing that’s revolting is how dull the series has gotten.
The series continues to frustrate with its disingenuous argument for the importance of asserting individuality.
Three films into the ongoing Divergent series, one would hope we’d moved beyond laying plates and folding napkins to get to something more su...
So there’s one more to come. It can only improve on this one, which manages to seem cluttered and empty at the same time.
Big but boring, expansive but cheap-looking, Allegiant spins in place, waiting for next year’s Ascendent to come along and offer resolution. In all...
Let’s just call "Allegiant" what it is: A way for the studio to make money and bring you back next year for the real finale. See you then. Ma...
This first half of the artificially split two-part finally may diverge from Veronica Roth’s source material, but doesn’t necessarily so...
Combines the usual dumb ideas with one good one. And not just good, but impressive, in that it makes sense of much of what went before.
This over-extended teen dystopia is treading water, coming up short on its trademark punchy plotting, teen self-discovery and the wonderful Woodley.
This penultimate installment in the dour dystopian franchise offers stronger visual effects and more thought-provoking biopunk notions about geneti...
This sort of movie really should be about more than meekly obvious names for human traits separated into tribes, the future tech, the dystopian lan...
Allegiant aches to be a thought-provoking, moving allegory of the current world. Instead, it’s an unwieldy two hours too unintentionally silly...
With this hapless entry, even fans of the series will have their allegiance tested.
For a film that takes great pride in its heroine’s nonconformism, pretty much everything in Allegiant feels conventional.
The film moves jerkily, in fits and starts, squandering its promising setup and bogging down in explanation.
A story that kicked off two years ago at a reasonable gallop has now slowed to barely a limp.
The worn and weathered third installment in the four-part film adaptation of Veronica Roth’s postapocalyptic dystopian YA books.
It’s a pretty dull picture, I must say, because it’s my duty to say it. And it’s a pretty dull picture, I must say, bec...
It’s a pretty dull picture, I must say, because it’s my duty to say it. And it’s a pretty dull picture, I must say, bec...
The series has seen a steady decline from the surprisingly palatable opener, Divergent, with its political metaphors so smoothly handled. It b...
Because the series' plot reveal turns out to be more confusing than compelling, and because turning a novel into two films invariably leads to...
As always, the narrative mostly goes: fight, save Tris, Four and Tris kiss. Repeat.
Allegiant exemplifies what happens when a book or movie exists solely for the purposes of placating fans and maintaining a revenue stream.
Creatively speaking, if not financially, the Divergent series is less a franchise than a quagmire, an unwinnable war that nonetheless must be...
Instead of bringing much-needed clarity, Allegiant piles on yet more bamboozling mythology to flummox and confound.
Brings back the same cast of characters to do more or less exactly what they did in the previous films, only this time in sets with more sci-fi glo...
Director Robert Schwentke and his writing team do their best to move things along. Actually, who knows if it’s their best? Maybe they&rsquo...
Above all of the tiresome, poorly constructed mythology, nonexistent stakes, and presentation of subtext as text, Allegiant’s greatest sin is its t...
There are a couple of well-shot, exciting action scenes… but the overall effect is patchy in terms of plot and character relationships and unf...
The finale here is about as exciting to watch as an office party on a paintball outing.
Allegiant aches to be a thought-provoking, moving allegory of the current world. Instead, it’s an unwieldy two hours too unintentionally...
The third and most useless chapter of the continuing sci-fi bloatfest called The Divergent Series.
This doesn’t even feel much like Tris’s story anymore, just generically overdigitized combat. The main thing she’s diverging from at this point is...
The actors still give it their all in Allegiant, but there’s only so much they can do with such a clunky, verbose script. And on the rar...
A nightmarish landscape that’s meant to be frightening – or at least unsettling – ends up being hilariously cheesy instead.
Allegiant a tedious exercise in futility even fans of the series will have a hard time finding anything worthwhile to talk about once it comes...
Maybe that call will be answered next time with enough incremental improvements to finally notch a good Divergent movie, a possibility Allegia...
The movie desperately wants a sleek and goth-inspired aesthetic in the spirit of Rick Owens. What it ends up with is more of an unfortunate An...
These movies were never going to transform cinema, but watching Allegiant, it’s hard not to feel as if someone has pulled the rug out from un...
A story that kicked off two years ago at a reasonable gallop has now slowed to barely a limp.
The second to last entry in what is a so-so franchise, "The Divergent Series: Allegiant" is squirrelly, chasing from one big concept to anothe...
Like the earlier Divergent films, Allegiant is studded with enticing science-fiction ideas, but it keeps such a poker-straight face while pres...
After Allegiant, some moviegoers may decide their work with this franchise is done here.
Try as I might, I cannnot activate your interest in this bloated excuse for a movie.
Because the series' plot reveal turns out to be more confusing than compelling, and because turning a novel into two films invariably leads to...
It’s not Allegiant so much as Ambivalent, Indulgent and even a little Feculent.
If only their stuff had a spark of life it might be forgivable, but Allegiant plods along like a franchise on its last legs. Who remember...
Like the earlier Divergent films, Allegiant is studded with enticing science-fiction ideas, but it keeps such a poker-straight face while pres...
Woodley remains grimly committed, and Naomi Watts turns in a serious performance as our new, slightly more complicated villain, but the rest o...
It all leads to a climax so staggeringly lazy and glib that you honestly expect Woodley just to turn to the camera in the final scene, shrug h...
Three films into the ongoing Divergent series, one would hope we’d moved beyond laying plates and folding napkins to get to something more substant...
If this movie had a faction, it would be: placeholder until the last chapter.
"Allegiant" ends up feeling like a mid-season climax to serialized TV drama. The pieces are in play, the wheels in motion. Stay tuned, loyal v...
After about 30 minutes of agreeably junky sci-fi that often exceeds the energy levels of its predecessors, the inevitable happens: Allegi...
The special effects are among the more positive aspects of Allegiant, but those alone cannot rescue this highly flawed sequel.
Big but boring, expansive but cheap-looking, Allegiant spins in place, waiting for next year’s Ascendent to come along and offer resolution...
By this point, none of the pieces fits and absolutely nothing makes any sense.
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The third installment has some action, some fistfights, and all sorts of conspiracies, but the movie looks worse than ever – as if its budget was cut by 4 times, which is why it started to look like a mockbuster from The Asylum. I hope the fourth part will be better – I heard the premiere is coming soon
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