A film adaptation of Naughty Dog's 2013 video game The Last of Us was announced in March 2014, to be written by the game's writer and creative director Neil Druckmann; it had entered development hell by 2016, and the partnership ended and rights relinquished by 2019. Due to the extensive development of a film based on Uncharted, another game series by Naughty Dog, Druckmann ensured specific plot points were included when negotiating a deal with film and television studios; he felt more closely connected to The Last of Uss creation and development than Uncharteds and always wanted to be involved in its adaptation in some manner. In 2018, writer and director Craig Mazin was approached by PlayStation Productions with a list of video games for potential television adaptation; he was disappointed to discover The Last of Us was being adapted into a film at the time as he felt television was a better fit. A fan of the video game, having played it about twelve times, Mazin was introduced to Druckmann through Shannon Woodward, a mutual friend, in 2019. Druckmann, a fan of Mazin's series Chernobyl, agreed with Mazin that The Last of Us required the length and pacing of a television series. They pitched the series to HBO about a week after meeting.
TV show's Ratings
News
- Bella Ramsey tells ‘The Last Of Us’ critics not to watch season three NME August 29, 2025
- ‘The Last of Us’ Co-Creator Confirms Season 3 Will Center on Kaitlyn Dever’s Abby: ‘Spoiler Alert’ Variety June 10, 2025
- 'The Last of Us' Co-Creators Never Entertained an Alternative to Jesse's Finale Fate: 'Always Sealed' TheWrap May 28, 2025
- 'The Last of Us' Co-Creator Teases Joel's Return in Another Flashback in Season 3 Collider May 26, 2025
- ‘The Last of Us’ Season 2, Episode 6 Recap: Memories, Revelations and Broken Promises TheWrap May 19, 2025
All news
31
| Country | |
| Spoken Language | english, indonesian |
| Runtime | 43 min – 1 hr 21 min |
| Budget | $150 000 000 |
| Channel | HBO (21:00, United States) |
| Digital: World | January 15, 2023 |
| Parental Advisory | Frightening & Intense Scenes, Profanity, Violence & Gore, ... |
| |
| Production Companies | |
Description
After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity’s last hope.Сast and Crew
Videos Stills Posters Filming Promo Screenshots Covers
The History of the Show
- Premiered on January 15, 2023 on HBO; streamed on HBO Max (now Max), with partner broadcasters in various regions (Sky/Now in Europe, Crave in Canada, Binge in Australia).
- About 4.7 million U.S. viewers on premiere night, the second‑biggest HBO series debut in recent years; viewership grew into episode 2, and the finale drew roughly 8.2 million same‑day viewers.
- In 2023 the season averaged over 30 million viewers per episode across platforms (per HBO).
- Episode 5 was released early on streaming to avoid the Super Bowl, a scheduling move that did not dampen demand.
- Renewed quickly for season 2; the second season was announced to premiere in 2025.
- Audience reception was highly positive: strong aggregator scores and wide praise for performances by Pedro Pascal, Bella Ramsey, and Gabriel Luna.
- The episode ‘Long, Long Time’ ignited wide conversations about LGBTQ representation; Linda Ronstadt’s song of the same name spiked in streams and returned to charts.
- Game sales surged: The Last of Us Part I and Part II saw notable post‑episode uplifts, particularly in the UK retail charts.
- The finale aired opposite the Oscars yet maintained strong same‑day viewership, signaling sustained engagement.
- Across 2023–2024 the show earned dozens of major nominations and multiple wins, including Emmys (notably in Guest categories), cementing it as a marquee TV event.
- Its success accelerated industry appetite for prestige video‑game adaptations and served as a benchmark for future projects.
- Public interest in cordyceps and fungal outbreaks spiked, with explainers climbing in search and media.
The Video Game Behind the Series "The Last of Us"
Overview of the Game
The Last of Us is a critically acclaimed action-adventure game developed by Naughty Dog and published by Sony Computer Entertainment. Released in 2013, the game is set in a post-apocalyptic world where players navigate through a narrative-driven experience, focusing on the journey of two main characters, Joel and Ellie.Game Creator
The game was co-created by Neil Druckmann, who played a significant role in both the writing and creative direction of the game. His vision and storytelling prowess have been pivotal in shaping the emotional depth and immersive experience that the game is known for.Game Features
- Storytelling: The game is renowned for its compelling narrative and character development, which have been praised for their emotional impact and depth.
- Gameplay: It combines elements of survival, stealth, and combat, requiring players to strategize and adapt to various challenges.
- Visuals and Sound: The game features stunning graphics and a hauntingly beautiful soundtrack that enhances the overall atmosphere.
Adaptation into the Series
The series adaptation of The Last of Us closely follows the storyline and character arcs established in the game. The creators of the series, including Neil Druckmann and Craig Mazin, have worked to ensure that the essence and emotional core of the game are preserved in the television format. This dedication to authenticity has been a key factor in the series' reception and success.Production
Related Titles There are no related titles yet, but you can add them:
Critique: 103
Comfortably the best adaptation of a video-game ever made: one that deepens the game’s dystopian lore, while staying true to its emotional cor...
Östlund is shooting fish in a barrel here, but if his targets are glaring, there’s at least some fun to be had along the way.
I like that The Last of Us isn’t consumed with telling stories about the powerful but instead is focused on regular people who are just trying to m...
Only the fine cast lends life to the movie’s superficial caricatures, even if the hectic, blatant script edges the performances toward the clattery...
The Last of Us series does not feel like a revolution of any kind—it is simply well-made television that elevates itself slightly above some o...
It’s certainly an enjoyable watch, but not quite as well-executed as Force Majeure or The Square.
"Triangle of Sadness" feels both bloated and slight, stretching out a shrewd but limited thesis that all the world’s a market about as far it...
Triangle Of Sadness takes it to the next level, and bids fair to win big too.
In Ruben Östlund’s satire, the amusements of the moneyed elite belie a foundation of violence, cowardice, and shame.
An aggressively competent series, if not a transcendent one, but the dozens of failed game adaptations that came before it bend the curve deci...
As hard as The Last of Us tries to convince its audience – and perhaps itself – that it can borrow from and elevate the zombie thriller...
The high production values and the series' ability to pivot its storytelling keep it fresh, even as the show’s familiarities and the rudiment...
The Last of Us is a superb TV series which invests in its characters’ stories, their inner lives, and builds a complex relationship betwe...
There is scarcely a gag or scenario that isn’t telegraphed and obvious, and yet it’s seemingly just as satisfied with its own cleverness as it...
The show expertly tugs on both the heartstrings and the nerves to create something that feels very bingeable. For thriller fans, it’s going to be c...
In the past, Östlund has shown a deft facility in sending up meaty topics… Here, however, he stoops to the broadness ascribed to his work by i...
Plenty of plot details in The Last of Us might feel conventional, but the show still offers a rich genre stew, with the kind of high-budget fl...
It’s just not interesting to watch an angry man escort an irritable girl across the country amid a cartoonish zombie apocalypse cosplaying a c...
The nine episodes of this first season largely focus on faithfully adapting the first game. Happily, they do this extremely well, though it's...
Triangle of Sadness seems hemmed in by its tastefulness… The actors try their best, but Östlund’s insistent conceptual droning overtakes them.
Instead of skipping lightly over rough seas, Triangle of Sadness bobs to shore like a floating sarcophagus.
Don’t go in expecting art-house intellectualism. The movie is as loaded with fun as it is with social implications.
A series that effortlessly merges the various horrors of end times with the courage and clarification they can bring.
The team has done an excellent job of sticking close to the source material while also breathing life into new characters along the way, creating a...
As performers, Pedro Pascal and Bella Ramsey breathe new life into known quantities. So, too, does their show.
I loved its balance of horror and heart. It burrows under the skin and refuses to leave.
An absurd, iconoclastic riot. Ruben Östlund’s point may be blunt – yep, rich people are bad – but his telling of it is hilariously, breat...
The Last of Us lives up to the intimate, visceral nature of the video game.
Despite Ruben Östlund’s shortcomings and imprudent tropes, Triangle of Sadness is harrowing, consistently funny, and packed with surprises.
Subtlety is not the primary aim in this film’s portrayal of class – and it’s a nasty hoot because of it.
A perfectly acceptable way for those who don't know their D pad from their analog stick to experience one of the great sci-fi narratives...
A fascinating deconstruction of the game that leans on character and storytelling instead of action, and it does so in a way that's confi...
Shows like The Last of Us foreclose the imagination and stunt the will, engendering the idea in viewers watching alone that things might be bad but...
Finn uses the strength of his conceit to turn the screws, raising tension through the Ring-like timeline Rose faces and the sheer relentlessness of...
Sentimental, fantastical, and unabashedly moony, it’s a romance and a storytelling apologia all in one.
As was the case with The Square, Triangle of Sadness takes some time to get going and occasionally slips into pretentiousness, but on this occasion...
There’s a genuine humanity in the bond that forms between Joel and Ellie, which develops organically from one harrowing encounter to the next...
Östlund needs someone like my mother in his life to tell him it’s not clever, it’s not funny, pack it in.
As always with Östlund, his most profligate flights of fancy tack close enough to reality to ring queasily true.
Östlund is shooting fish in a barrel, but the fish had it coming, and he cooks them up into a tasty meal, complete with sea urchin and sq...
By merging the psychological profundity and emotional realism Mazin applied in his historical drama to Druckmann’s speculative premise, its n...
The film is directed by Matthew Warchus, who is the artistic director of the Old Vic in London and worked on the original stage production. He has...
Triangle of Sadness’s central scene goes on and on, intensifying without abating and never suggesting that order can ever be restored…
It pummels its points decisively, convincingly and with a ferocity you’ve just gotta admire.
Triangle of Sadness has no politics beyond gesturing toward extreme wealth and power and saying, "That ain’t right,” and it has no counterpoint to...
This, in the end, is a very bad movie, executed with enough visual polish and surface cleverness to fool the Cannes jurors, something Ostlund...
Writer-director Ruben Östlund’s pessimism ultimately leads the film toward a self-negating dead end.
Ruben Östlund’s latest brainy satire is a continually self-renewing yet uncompromisingly coherent opus.
This take on "Titanic" by way of "Das Kapital" and "Gilligan's Island," which admittedly does have its pleasures, has about as much subtl...
The relish of the attack, the invention of the imminent mortifications and the cool precision of Östlund’s filmmaking rescues Triangle of Sadness.
It’s a hopeful show about the end of humanity – one that manages to find, and nurture, moments of grace amid the ruins.
In a somber, often underwhelming season of would-be arthouse hits, the movie is a bona-fide trip: not the funhouse mirror we need for the...
… Sober and affecting, in that gritty way that constantly assures this is a show for grown-ups.
After that final breathless shot, rather than walking out chuckling, you may walk away with your own triangle of sadness engaged, brow furrowed, mo...
Östlund has characters and metaphors to bludgeon, and the joie de vivre with which he lays waste to the idle rich and the system that keeps them in...
Triangle of Sadness needn’t be a fair film… A more carefully shaped argument would have been appreciated, though. And one that didn’t dissolve...
I was impressed with how seamlessly the show built and burst my expectations, over and over again. As it progresses from episode to episode, it kee...
When a director’s brand is cynicism, every choice can seem calculated for effect over meaning.
Superior zombie series that takes a little too long to get around to what it’s really about – us.
This series is its best-case scenario – the original creator, a proven HBO visionary, an A-list cast, and a script that found every heart...
Like the 2013 game on which it’s based, the television adaptation is such a gripping tale of survival because it makes ample room fo...
The show is straining, but it has entertaining diversions – Hope Davis’s gangster matriarch is wildly unhinged.
"The Last of Us" isn’t afraid to ask challenging questions with no easy answers; or no answers at all. That it’s so exceptionally and meticulously...
Swedish director Ruben Östlund takes no prisoners in his satirical approach.
It doesn’t feel even remotely controversial to call this the best video game adaptation ever made.
Yes, the metaphor can seem very on-the-nose: the super rich, in this economic climate especially, are obscene and repulsive! But it’s a...
Viewers won’t be spored to death by this effectively frightful adaptation.
What works about "The Last of Us" works well enough that one sees the near future in which the show winds up among television’s best.
A messy satire about wealth that occasionally uses a scalpel – but more often a scattergun.
The ideas might not be new, and the targets might be easy, but [Ruben Östlund] has once again made something exceedingly uncomfortable and undeniab...
While some factual details could have actually helped the film, "Corsage" is still a fascinating commentary about celebrity…
One already notorious sequence aside, Triangle of Sadness feels a little like gnashing at air.
From the performances to the storytelling to the aesthetic elements, it’s an exquisitely made adaptation. But it also asks viewers to absorb a...
In its scale, depiction of dread and its believable vision of friendship in disaster, The Last of Us is a rare piece of television: an adaptat...
There’s no doubt about Östlund’s visual acumen—the camera movement and cinematography cover you in laughing gas—and yet, you’re never quite sure wh...
Druckmann, working with Mazin, has his fingerprints all over this tender, well-crafted and blackly comic piece. Right now, HBO is simply operating...
Don’t worry if you’re not a gamer, this series—the best screen adaptation of a vidgame ever—will hit you hard. Costars Pedro Pascal and Bella...
In setting up and then obliterating such easy targets, Ostlund has created a self-indulgent and lazy screed that mistakes anger for wit, scold...
By stripping the gameplay out of a game that’s fleshed out by televisual tropes, the series ends up as mostly just the latter.
Even if The Last of Us treads familiar ground, it is still a gripping and ambitious work that seems fated to become the premium cable network...
At nine episodes, it feels a little long, even if it is truncated compared to its source material. But in its scale, depiction of dread and it...
There are subtle little gags scattered between the more obvious ones… but overall the satire is scattershot.
There are a couple of good scenes… but nothing substantial enough to warrant the two-and-a-half-hour running time.
As heartbreakingly faithful as it is riveting and suspenseful, The Last of Us is a triumph that ends any further debate about the all-time bes...
The title doesn’t effectively sell how chaotically funny and eviscerating Ruben Ostlund’s social satire is.
There’s great heady stuff going on and also really weird fun in this film too.
There’s an interesting cast of mostly unknown actors (Harrelson excepted) and the film is very well staged. Maybe the Cannes accolade was a bi...
What sets The Last of Us apart from other TV dystopias is its humanity. This isn’t the usual every-man-for-himself post-zombie outbreak set up. Thi...
You can fully agree that most "haves" are dreadful, and that the "have nots" deserve much more out of life, and still be exhausted and bored b...
If not for de Leon’s bold and heartsick performance, Triangle of Sadness would fail to achieve any real measure of the physical discomfort that has...
Who could resist a film in which a sweet old lady watches a live grenade roll down the deck and come to a rest against her foot, then turns to...
Delightfully bonkers on the surface, this inventive extravaganza from the directing team called Daniels (Daniel Kwan and Daniel Scheinert) has a de...
Östlund’s slog of a film is exceptional in the distance it creates between the viewer and its characters and in how comfortable its attempts a...
Less sensitive than sentimental, an end-times fable where the apocalypse is a bonding experience and guns are better anti-viral defenses than...
It’s not so much that all the characters are so unsympathetic. It’s that they’re all so uninteresting. Caricature without gusto is shrink wrap cove...
The Last of Us becomes at least as engrossing in its quiet moments as in its scary ones – and arguably more so when it’s just focusing on who...
Add critique link
Quotes
Reviews: 23
- 7:18 The Last of Us: Season 1 Review
- 32:39 THE LAST OF US Episode 1 Breakdown & Ending Explained | Review And Game Easter Eggs
- 6:29 The Last of Us - Episode 1 Review
- 28:56 THE LAST OF US Episode 2 Breakdown & Ending Explained | Review And Game Easter Eggs
- 36:33 THE LAST OF US Episode 3 Breakdown & Ending Explained | Review And Game Easter Eggs
- 36:00 THE LAST OF US Episode 4 Breakdown | Game Easter Eggs, Ending Explained & Review
- 7:53 The Last of Us: Episode 3 - Review
- 6:04 The Last of Us - Episode 3 Review
- 8:15 The Last of Us: Episode 1 - Review
- 55:12 THE LAST OF US EPISODE 1 REACTION!! 1x1 Spoiler Review & Breakdown | HBO | Ending Explained
- 7:03 The Last of Us: Episode 2 - Review
Sign up and you will see here
friends impressions of the TV show.
Friends comments and ratings
Watched
The season is interesting, Pedro Pascal is the best thing in the series.
Watched
Because of no 2nd season I lower the rating. I don’t put it to 6 because it is clear that Pedro Pascal is trying to pull the series out, but unfortunately he is not succeeding. Jeffrey Wright is also trying to show his acting, but there is very little of him in the series so far. The other actors are very weak. Kaitlyn Dever is trying to show a fight with a woman, but it is difficult to say anything yet.
The Last of Us
The best adaptation of a video-game ever made: one that deepens the game’s dystopian lore, while staying true to its emotional core.
Empire MagazineThe Last of Us
This isn’t just a breakthrough video game adaptation. It’s a really great show.
San Francisco Chronicle
Watching
I’ve completed the second part of the game. When the entire second season comes out, I’ll probably watch it. But, alas, it will only be half of the game, judging by everything.
The Last of Us
We loved its balance of horror and heart. It burrows under the skin and refuses to leave.
The Guardian
Watched
It feels like a completely different series. The season is close to teen series. Bella Ramsay whines and sorts out the relationship between her friend all the time. And the agenda here is no longer a slight hint. The whole season is a solid agenda.
Watched
Perhaps a couple of episodes is enough for me. I don’t understand why it’s worth watching after the first 40 minutes of the first series allegedly staged by Balagov. Expensive, but sterile porridge with badly serial dialogues, terrible pace and inappropriately adapted episodes from the game. Meh.
A month ago, a patch for the game on PC was released. Installed yesterday, shaders compiled. Playable! So I’m going through, and after a while we’ll watch the series with my wife. I keep you informed.
Watched
A good adaptation of the series. And the best thing about him is, of course, Pedro Pascal, who is in great demand today. We look forward to a good second season.
Watched
Ramsay is terrible, Pascal is good, overall boring and disgusting in places.
In general, looking at everything that the trio of streaming giants and those who are smaller have been doing lately, a picture emerges that TV has rolled back to where it came from: cheap dumb serials to fill the air with sooo rare glimpses of really good, cinematic …
Watched
After the finale, the same mood remained that went from the first episodes: the series is good, but not wow. The second season will hopefully be better.
Watched
A meticulously played post-apoca-drama, including all the clichés inherent in the genre. If, as experts say, the game has an almost identical plot, then I don’t understand pissing boiling water either from the series or from the original. Pedro/Joel is the main decoration of the show: pleasant and at the same time creepy.
Watched
Severe Pascal and inquisitive Ramsay in the most interesting adaptation of the popular game. There are ups and downs in terms of "bewitching effect", but overall it’s great! I hope the second season is not "cheap".
Watched
I do not share the general enthusiasm! The movie is completely different from the game. Ellie, this is not Ellie, but some kind of homeless woman. The entire budget of the series was leaked for the first two episodes, then there are cheap locations. The plot has been changed. There is no action at all. Secondary characters are not interesting and it is not clear why they are needed
I watched the first season of the game, and it was so awesomely done. Everything I watched and experienced was in the game. Of course, there is a minus, the extra 3rd episode (two Gays) can be skipped, but otherwise the series is fucking awesome. For me, "The Last of Us" is still a better series than "Fallout" (8/10). Rating 8.4/10
Watched
So, E2. Druckman in the director’s chair. When you play, slowly wander around the map, explore the beauty of the environment, loot every corner, listen to Ellie’s background drone – it works. In the film, this turns into boredom and cringe from the strained dialogue. And Ramsay’s mouth is sagging.
Watching
As a person who played dohrenillion hours in the first part, I really liked the pilot of the adaptation. But. The local Ellie is just some kind of #&learned emotional-mimic contradiction. Maybe Ramsay will open up in the next episodes, but so far – a log that causes only tears.
Watched
The first two are still interesting to watch, but with each episode it gets worse and worse. I don’t understand where such high ratings come from, apparently people are afraid to admit that they spent so much time on a frankly weak film.
Watched
Pedro Pascal. HBO made a bet on a new project and seems to have hit the jackpot. Mushroom post-apocalypse and a great adaptation of your favorite game.
Watched
My expectations were met completely, with the exception of a couple of episodes, the film adaptation is truly bad. And it’s not even about the agenda, but the scripts that have been cobbled together in a hurry, which is replete with logical holes and immaturity. If I were a fan of the game, my fart would be bursting with anger right now.
Watched
More of a soulful series, well filmed, but nothing special. There is little tension, the setting is faded. You get used to Ramsay over time, and Pascal is the main plus of the series. The second season, if I look, then in the background.
Watched
The series that people were literally screaming about "from everyone’s mouth." In fact, it’s a moderately interesting, moderately adventurous, moderately dramatic project. But without revelations and wow-turns: everything is within the stereotypical framework of the post-apa genre.
Add a short review
280 characters