TV show's Ratings

    Completed

    Country
    Runtime 22 – 47 min
    Premiere: World October 5, 1993
    Premiere: USA September 14, 1992
    Channel CBS (20:00, United States)
    Production Companies
    Also Known As
    Al senador, ni caso United States

    Description

    John Ritter and Markie Post star in this comedy about two politicos that fall in love.
    Season 1
    s1: e1 — Season 1, Episode 1  

    Bees Can Sting You, Watch Out (1)

    September 14, 1992 8.0
    s1: e2 — Season 1, Episode 2  

    Bees Can Sting You, Watch Out (2)

    September 14, 1992 8.1
    s1: e3 — Season 1, Episode 3  

    The Big Date

    September 21, 1992 7.2
    s1: e4 — Season 1, Episode 4  

    Three Men and a Bed

    September 28, 1992 8.1
    s1: e5 — Season 1, Episode 5  

    John’s Stallion

    October 5, 1992 7.9
    s1: e6 — Season 1, Episode 6  

    First Time

    October 12, 1992 8.3
    s1: e7 — Season 1, Episode 7  

    Significant Others

    October 26, 1992 7.9
    s1: e8 — Season 1, Episode 8  

    Everybody Loves My Baby

    November 9, 1992 8.2
    s1: e9 — Season 1, Episode 9  

    Conversations with My Shrink

    November 16, 1992 8.2
    s1: e10 — Season 1, Episode 10  

    The Fundamental Things Apply

    November 23, 1992 8.3
    s1: e11 — Season 1, Episode 11  

    Smithersgate

    November 30, 1992 8.8
    s1: e12 — Season 1, Episode 12  

    Everyday’s a Holiday

    December 14, 1992 8.1
    s1: e13 — Season 1, Episode 13  

    While the Thomasons Slept

    December 21, 1992 8.4
    s1: e14 — Season 1, Episode 14  

    Trivial Pursuit

    January 4, 1993 8.2
    s1: e15 — Season 1, Episode 15  

    Never Play Touch Football with the Kennedys

    January 11, 1993 7.7
    s1: e16 — Season 1, Episode 16  

    Miss Starr Dates Georgie Anne’s Pop

    January 18, 1993 7.8
    s1: e17 — Season 1, Episode 17  

    While the Thomasons Slept in the Lincoln Bedroom

    February 1, 1993 7.6
    s1: e18 — Season 1, Episode 18  

    Her Year with Fidel

    February 8, 1993 7.9
    s1: e19 — Season 1, Episode 19  

    Cold Feet (1)

    February 22, 1993 8.4
    s1: e20 — Season 1, Episode 20  

    Cold Feet (2)

    February 22, 1993 8.4
    s1: e21 — Season 1, Episode 21  

    Take My Senate Seat, Please

    March 1, 1993 8.0
    s1: e22 — Season 1, Episode 22  

    Flamingo Summer

    March 15, 1993 7.6
    s1: e23 — Season 1, Episode 23  

    Class Reunion

    March 22, 1993 8.2

    Сast and Crew

    Source book: “Night on the Galactic Railroad”

    The work

    Title: Night on the Galactic Railroad (Japanese: 銀河鉄道の夜) Genre: philosophical parable / speculative novella (also often treated as children’s literature with religious-philosophical subtext). What the book is about: a boy named Giovanni embarks on a mysterious night journey aboard a “galactic train” along the Milky Way with his friend Campanella. The trip becomes a meditation on compassion, loss, the meaning of life, and the idea of seeking “true happiness” for others.

    The author

    Kenji Miyazawa (1896–1933) was a Japanese writer and poet known for blending fairy-tale imagination with science, Buddhist and Christian motifs, social empathy, and an ethic of service. “Night on the Galactic Railroad” is among his best-known works (published posthumously; multiple edited text variants exist).

    How closely the series matches the book

    Based on the provided synopsis, the match appears conceptual: it keeps the core image of a child traveling through the Milky Way on a fantastical train and the central “galactic railroad” premise.

      • Matches: the basic setup (a child/teen and a night train-like voyage through space), with the journey functioning as an inner experience.

      • Likely differs in tone: the book is primarily a quiet philosophical parable about compassion and bereavement; if the screen version is framed as comedy/romance, that implies a major genre shift and likely a move away from the original’s metaphysical focus.

      • Overall: even if the signature Milky Way train imagery is retained, the adaptation described may diverge substantially from Miyazawa’s thematic center.

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