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    " Big changes. New emotions."
    Country
    Spoken Language
    Runtime 1 hr 36 min
    Budget $200 000 000 95
    Premiere: World $1 698 863 816 10 June 12, 2024
    USA $652 980 194
    Other countries $1 045 883 622
    Box Office – Budget $1 498 863 816
    Premiere: USA $652 980 194 11 June 10, 2024
    first day $63 558 115
    first weekend $154 201 673
    theaters 4440
    Digital: World September 25, 2024
    Production Companies
    Also Known As

    Description

    A sequel that features Riley entering puberty and experiencing brand new, more complex emotions as a result. As Riley tries to adapt to her teenage years, her old emotions try to adapt to the possibility of being replaced.

    Сast and Crew

    FAQ

    What is “Inside Out 2” about?

    “Inside Out 2” continues Riley’s story and explores how her inner world shifts as she grows up. New emotions arrive at Headquarters, disrupting the familiar balance and changing how decisions and self-image are formed.

    Is it a direct sequel to the first film or a standalone story?

    It’s a direct sequel: it follows the first film and keeps the same characters and world rules. At the same time, the story is accessible enough to follow without rewatching the original.

    What themes does “Inside Out 2” explore?

    The film focuses on teen change, self-worth, inner conflict, anxiety, self-acceptance, and the complexity of mixed emotions—told as an adventure metaphor for the mind and growing up.

    Is it kid-friendly even with an anxiety theme?

    Yes. The topic is presented in a gentle, accessible way. For sensitive kids, watching with an adult helps—so you can talk about anxiety as a feeling that can be recognized and managed.

    Do you need psychology knowledge to understand the story?

    No. “Inside Out 2” teaches its own rules through action and humor. The psychology concepts are built in as metaphors, so it works both as an adventure and as an emotional story.

    Who directed “Inside Out 2”?

    The film was directed by Kelsey Mann.

    Who wrote the screenplay for “Inside Out 2”?

    The screenplay was written by Meg LeFauve and Dave Holstein.

    Which emotions return from the first film?

    The familiar core set of emotions from the first film returns. Their dynamic remains central, but now they must share space and influence with newly arrived feelings.

    Are there new emotions, and why do they matter to the plot?

    Yes—new emotions appear to reflect how a teen’s inner life becomes more complex. They fuel the conflict: Riley starts judging herself, others, and her choices in new ways.

    Does “Inside Out 2” have a takeaway or message?

    The core message is that emotions aren’t “good” or “bad”—what matters is noticing and understanding them as signals. Accepting complicated feelings helps you understand yourself and navigate relationships.

    Is it more comedy or more drama?

    It’s a mix: there’s plenty of fast, visual humor, but emotional beats are significant too. The balance is designed to work for both kids and adults.

    Are there post-credit scenes?

    Some Pixar releases include extra short scenes or gags. If you don’t want to miss a potential bonus, it’s worth staying through the credits.

    How does “Inside Out 2” feel different from the first film?

    The sequel feels more “teen”: the emotional baseline shifts faster, social pressure is higher, and inner self-criticism is sharper. At the same time, it keeps the adventurous pacing and inventive visuals of the emotions world.

    Who is this movie especially for?

    It especially resonates with teens and parents, and with anyone interested in self-acceptance and emotional regulation. Adults often catch extra layers about anxiety, expectations, and identity.

    What role do music and sound play in “Inside Out 2”?

    Sound and music highlight mood shifts and pacing—from light comedic beats to tense moments. In animation, this helps “stitch” Riley’s inner and outer worlds into one experience.

    Which emotion can be considered central to the story?

    The movie emphasizes emotional balance overall, but highlights how new feelings can seize the “controls” and reshape behavior. The central idea becomes control and acceptance—who drives decisions and how to restore a healthier equilibrium.

    Are there callbacks to the first film?

    Yes—sequels like this typically include visual and story bridges to familiar locations and rules of the inner world. They reward longtime fans without confusing new viewers.

    Which creators are especially important to the film’s storytelling style?

    The tone and structure are most shaped by director Kelsey Mann and writers Meg LeFauve and Dave Holstein, who balance humor, emotional honesty, and adventure pacing.

    What emotional benefit can families get from watching it?

    It gives families a shared language for talking about feelings. It can be easier to discuss anxiety, shame, irritation, and support when you have clear story images to reference. It’s also a good prompt to normalize changing emotions.

    Are there characters that show different ways of coping with emotions?

    Yes. Both new and returning emotions represent different coping strategies—from impulsive reactions to over-controlling. The story leans toward recognizing feelings rather than suppressing them, and choosing actions more consciously.

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    friends impressions of the animated movie.

    Friends comments and ratings

    Watched

    A good continuation of a masterpiece cartoon. The plot is still captivating and evokes emotions. More cartoons like this one.

    Translated to English

    Watched

    A good continuation, I’m happy. Anxiety, of course, overshadows all other new emotions, but in the first part, not everything was in the foreground, only joy and sadness. Is Riley a non-binary person or something? Why are her emotions of both sexes? Her parents have them of one sex – their own.

    Translated to English

    It works largely because the first one does wonderfully well

    New York Times

    Watched

    A box office jackpot-breaking sequel to the adventures of emotions inside the head of a hockey girl. Women’s hockey is, of course, a really niche and boring topic. But in the last 10 minutes of the cartoon, the Pixar people managed to make it very soulful. So it’s hard to give a hand lower than 9.

    Translated to English

    It’s whipsmart, funny and chockablock with predictably clever touches

    New York Post

    Watched

    A brilliant sequel to the Pixar animated hit. The film once again immerses viewers in a world of emotions, adding new characters and complex themes. The vibrant animation, smart script and emotional depth make it not only entertaining, but also touching.

    Translated to English

    It's as close as we could have hoped to matching the brilliant original

    Variety

    Watched

    With all its moralizing, it turned out to be completely unwatchable for me. The idea is clear, everything is coherent and correct, but the path taken by the characters did not arouse interest. Perhaps the problem is still in the absence of the usual conflict as such. They did not shit themselves and were happy

    Translated to English

    Watched

    With all the advantages of the cartoon, from the quality of animation to the development of old characters, it did not touch my soul as much as the first part. For me, it is simply a high-quality cartoon, but, unfortunately, nothing more. There was not enough of something that touches the soul. 7.5/10

    Translated to English

    Watched

    A funny story about friendship, hockey and adolescence. The emotions are very cool. It’s interesting to watch the conflicts between them and how they solve problems. I liked the second part more than the first.

    Translated to English

    Watched

    Still a decent Pixar, but not as brilliant as the first part, but a bunch of heads above everyone else, and there is no agenda, just in the background, like in the good old 90s. The cartoon flew by unnoticed, the children watched until the scene after the credits, everyone was happy, it was not in vain that I went to the cinema.

    Translated to English

    Watched

    My emotion while watching was boredom. There is no trace of the original’s soulfulness here, the conflict is dotted and there is no raising of the stakes, inclusivity flourishes, and the crowd of secondary characters is cartoonishly faceless. And this is now the highest-grossing cartoon? Well, well.

    Translated to English

    Won't Watch

    This Film is so good and so excited

    Watched

    A very cautious sequel, following the beaten path. BUT. Thanks to modern times, instead of just enjoying the cartoon, I involuntarily sat and counted how many hijabs and other diversity were shoved under my nose… Well, at least it wasn’t like in Lightyear.

    Translated to English

    Watched

    Pixar finally remembered why it exists. And even if they didn’t come back with a new original idea, I want to believe that the hope that was born in me for their new projects will not be trampled. A stunning sequel. And there is still room to develop the underlying concept. We are waiting for the 3rd part.

    Translated to English

    Watched

    A cool sequel with a series of dizzying adventures, emotions of a teenage girl. Trite, but bright allegories, adapted to the theme of the cartoon, warming up interest in viewing.

    Translated to English

    Watched

    In general, I watched this cartoon in terrible quality, but that’s not the point. The sequel will clearly be weaker than the first part. It only evokes nostalgia.

    Rating: 8.3/10

    Translated to English

    Watched

    A great sequel to one of Pixar’s best films. Not only good for kids.

    Translated to English

    Watched

    Pixar, as always at its best, looks much more interesting with new emotions)

    Translated to English

    Watched

    It’s like "I’m blushing", only without the "soul", impersonal. But verified, accurate, interesting, funny for the whole family and any country, everyone will be moderately pleased. This kind of cinema is necessary, and it is a good film. It’s just cool against the backdrop of today’s bad films-for-everyone, but in itself it’s just strong.

    Translated to English

    Watched

    The sequel was a success. The cartoon maintains the level of the first part, partially touching on the themes that were in the original. Personally, this did not prevent me from watching. As in the first part, there is good drawing and a clear moral. 8.5/10

    Translated to English

    Watched

    I’m ruthless. Yes, this is a good cartoon, so the rating is not in the red zone. But this is a sequel after a sequel, where many of the ideas of the first part are messed around for a second time. There is less humor, more annoying characters.

    Translated to English

    Watched

    Unfortunately, the sequel couldn’t repeat the level of the first part. It brings little new, even the plot structure is similar to the first part. And it didn’t reach the level of touchingness of the first part. But in any case, it’s just a good cartoon, worth watching.

    Translated to English

    Watched

    In the second part, Riley is already thirteen years old. This is the age of change. No matter how hard you try, you can’t prepare for this, so the girl’s emotions did not expect what awaits them. And what awaits them are new acquaintances: anxiety, envy, embarrassment and boredom.

    Translated to English

    Watched

    Still a funny and touching cartoon that intelligently develops the ideas of the first part. But if the third series does not have an 18+ rating, the shop can be closed. Otherwise, I can’t imagine how it will be possible to continue to gag the girl’s growing up with euphemisms

    Translated to English