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Aquaman and the Lost Kingdom
Even the actors seem worn out by the ridiculousness of this sequel
Hollywood ReporterAquaman and the Lost Kingdom
You can tell from every second of it just how disinterested DC Studios is in this film
New York PostAquaman and the Lost Kingdom
The first Aquaman maintains a balance of seriousness and fantasy, this one veers into cartoonish territory
DeadlineNapoleon
This is a distended historical tapestry too sprawling to remain compelling
Hollywood ReporterThe Marvels
The bits of absurd comedy feel strained, because they clash with the utilitarian tone
VarietyThe Marvels
A breath of fresh air without multiverse escapades and interplanetary conflicts
DeadlineKillers of the Flower Moon
The three-and-a-half-hour running time is fully justified in an escalating tragedy that never loosens its grip
Hollywood ReporterKillers of the Flower Moon
Monumental stuff. Both vast and intimate in scope. Exceptional filmmaking, by an exceptional filmmaker.
EmpireOppenheimer
Nolan has brought to life still-crucial arguments Oppenheimer started and tried to end
Washington PostTransformers: Rise of the Beasts
A predictable return to rock-em-sock-em stupidity with nothing to add except Michelle Yeoh as a talking aluminum falcon.
New York PostTransformers: Rise of the Beasts
Even with its abundance of action, the movie boasts little heart compared with its predecessors
Wall Street JournalTransformers: Rise of the Beasts
Certainly delivers on needless destruction and world-class stupidity
ObserverElemental
It doesn’t quite join the studio’s hallowed top tier, but it does yield moments of magic and beauty
CNN.comElemental
The fact that the movie can’t seem to get past its own elevator-pitch premise is a bit of a shock
Rolling StoneElemental
It's a tableau rich with marvelous imagery that relies on the simplest of storytelling hooks
Wall Street JournalIndiana Jones and the Dial of Destiny
If you join him for the ride, it feels like a fitting goodbye to cinema’s favourite grave-robber
Empire MagazineIndiana Jones and the Dial of Destiny
There are needs being met here, but they are based on stoking-the-fanbase
Rolling StoneIndiana Jones and the Dial of Destiny
It’s a sad and safe ending for a series that once prided itself on big escapades and larger-than-life emotions
The PlaylistSpider-Man: Across the Spider-Verse
Sequel vibrates with the same energy as its predecessor even when it feels more leaden with backstory
Hollywood ReporterSpider-Man: Across the Spider-Verse
The movie totally exceeds expectations when it comes to visual aesthetic and character development
Entertainment WeeklySpider-Man: Across the Spider-Verse
Visually astonishing, emotionally powerful, narratively propulsive – it’s another masterpiece
EmpireFast X
What saves it is that it’s so aware of its own absurdity that it becomes an entertaining parody of itself.
Hollywood ReporterFast X
It’s so laden with internal mythology that it feels more like homework than popcorn entertainment
PolygonGuardians of the Galaxy Vol. 3
The success of Guardians of the Galaxy: Volume 3 proves that it’s still possible for Marvel movies to hit and hit hard
The WrapGuardians of the Galaxy Vol. 3
The Guardians appeal because their hard-won bonds feel real, even within the confines of the outsized MCU
IndieWireJohn Wick: Chapter 4
Pure, eye-popping, body-shaking, transporting entertainment, something that has a good beat and you can dance to
New York TimesScream VI
With its ho-hum script and flat direction, Scream VI seems to exist only to fulfill a grim corporate duty
Wall Street JournalScream VI
One of the sillier series entries in terms of plot, but still scary enough and funny enough to leave you hoping Ghostface might yet kill again
Empire MagazineScream VI
The franchise has clearly evolved and, on the basis of this instalment alone, it could run and run
TimesAnt-Man and the Wasp: Quantumania
It feels less the start of a new phase of Marvel films than a tired retread of adventures we’ve already been on
Slant MagazineAnt-Man and the Wasp: Quantumania
The movie corrects the mistakes that Marvel has made during these three years of experimentation
Empire Magazine