DiCaprio made his film debut in 1991 as the stepson of an unscrupulous landlord in the low-budget horror sequel Critters 3 – a part he later described as "your average, no-depth, standard kid with blond hair". DiCaprio has stated that he prefers not to remember Critters 3, viewing it as "possibly one of the worst films of all time" and the kind of role he wanted to avoid in the future. Later in 1991, he became a recurring cast member on the sitcom Growing Pains, playing Luke Brower, a homeless boy who is taken in by the show's central family. Co-star Joanna Kerns recalls DiCaprio being "especially intelligent and disarming for his age" but she noted that he was also mischievous and jocular on set, and often made fun of his co-stars. DiCaprio was cast by the producers to appeal to young female audience, but his arrival did not improve the show's ratings and he left before the end of its run. He was nominated for a Young Artist Award for Best Young Actor Co-starring in a Television Series. DiCaprio also had an uncredited role in 1991 in one episode of Roseanne.
In 1992, DiCaprio had a brief role in the first installment of the Poison Ivy film series, and was handpicked by Robert De Niro from a shortlist of 400 young actors to co-star with him in This Boy's Life. Adapted from the memoir by Tobias Wolff, the film focuses on the relationship between a rebellious teenager, Toby (DiCaprio), and his mother (Ellen Barkin) and abusive stepfather (De Niro). Director Michael Caton-Jones said that DiCaprio did not know how to behave on set; accordingly, Caton-Jones used a strict mentoring style, after which DiCaprio's behavior began to improve. Bilge Ebiri of Rolling Stone found that the powerful bond between Barkin and DiCaprio elevated the film, praising DiCaprio's portrayal of his character's complex growth from a rebellious teen to an independent young man. This Boy's Life was the first film that gained him recognition.
DiCaprio played the developmentally disabled brother of Johnny Depp's character in What's Eating Gilbert Grape (1993), a comedy-drama about a dysfunctional Iowa family. Caton-Jones recommended DiCaprio to director Lasse Hallström, but he was initially skeptical, as he considered DiCaprio too good-looking for the part. Hallström cast DiCaprio after he emerged as "the most observant" auditionee. To ensure authenticity in his portrayal, DiCaprio studied similarly impaired children and their mannerisms, and Hallström allowed him to create the character using his own researched attributes. The film became a critical success. At 19, DiCaprio earned a National Board of Review Award, as well as nominations for a Golden Globe Award and an Academy Award for Best Supporting Actor, making him the seventh-youngest Oscar nominee in the category. "The film's real show-stopping turn comes from Mr. DiCaprio," wrote New York Times critic Janet Maslin, "who makes Arnie's many tics so startling and vivid that at first he is difficult to watch. The performance has a sharp, desperate intensity from beginning to end." Caryn James, also writing for The New York Times, said of his performances in This Boy's Life and What's Eating Gilbert Grape: "He made the raw, emotional neediness of those boys completely natural and powerful."
DiCaprio's first role of 1995 was in Sam Raimi's Western The Quick and the Dead. When Sony Pictures became dubious over DiCaprio's casting, co-star Sharon Stone paid his salary herself. The film was released to dismal box office performance and mixed reviews from critics. DiCaprio next starred as a teenage Jim Carroll, a drug-addicted high school basketball player and budding writer, in the biopic The Basketball Diaries. He starred in the erotic drama Total Eclipse (1995), driven by the desire to showcase an exceptional performance, which would focus on his acting talent rather than his much-discussed physical appeal. Directed by Agnieszka Holland, it is a fictionalized account of the same-sex relationship between Arthur Rimbaud (DiCaprio) and Paul Verlaine (David Thewlis). DiCaprio was cast when River Phoenix died before filming began. Although the film failed commercially, it has been included in the catalog of the Warner Archive Collection, which releases classic and cult films from Warner Bros.' library on home video. A review in the San Francisco Chronicle called DiCaprio "his generation's great acting promise" but criticized the mismatch between Thewlis's "cultivated" British accent and DiCaprio's "Southern California twang".
DiCaprio next starred opposite Claire Danes in Baz Luhrmann's Romeo + Juliet (1996), an abridged modernization of William Shakespeare's romantic tragedy, which retained the original Shakespearean dialogue. DiCaprio was initially unsure about another Romeo and Juliet adaptation, but at his father's suggestion, he agreed to examine Luhrmann's work more closely. DiCaprio and Luhrmann then spent a two-week workshop exchanging ideas, which led to the collaboration. Romeo + Juliet established DiCaprio as a leading Hollywood actor; according to film scholar Murray Pomerance, DiCaprio's newfound popularity helped the film become profitable only days after its release. Reviewing DiCaprio's early works, David Thomson of The Guardian called DiCaprio "a revelation" in What's Eating Gilbert Grape, "very moving" in This Boy's Life, "suitably desperate" in The Basketball Diaries and "a vital spark" in Romeo + Juliet. The latter earned DiCaprio a Silver Bear for Best Actor at the 1997 Berlin International Film Festival. He then portrayed a young man who has been committed to a mental asylum in Marvin's Room (1996), a family drama about two estranged sisters, played by Meryl Streep and Diane Keaton, who are reunited through tragedy. He played Hank, the troubled son of Streep's character. Lisa Schwarzbaum of Entertainment Weekly praised "the deeply gifted DiCaprio" for holding his own against veteran actresses Keaton and Streep, describing the three as "full-bodied and so powerfully affecting that you're carried along on the pleasure of being in the presence of their extraordinary talent".